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Critical Interventions
Journal of African Art History and Visual Culture
Volume 2, 2008 - Issue 1-2: Visual Publics, Guest Editor: Peter Probst
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Articles

Reflections upon Posters in South Africa, and the Medu Art Ensemble

Pages 158-167 | Published online: 10 Jan 2014

Notes

  • Judy Seidman, Bayezwa: The People Live (Boston: South End Press, 1978).
  • Judy Seidman, Facelift South Africa (London: International Defence and Aid Fund, 1980).
  • Thami Mnyele, “Observations on the State of the Contemporary Visual Arts in South Africa,” draft of a speech given in Amsterdam in 1982, revised in 1985, 3. Collection of J. Seidman.
  • Dikobe WaMogale Martins, “The Necessity of Art for National Liberation,” Unpublished paper presented at the Culture and Resistance festival, Gaborone, 1982, 3. Collection of J. Seidman.
  • Thami Mnyele, “Thoughts on Bongiwe,” Unpublished essay draft, 3. Collection of J. Seidman.
  • Ibid., 2.
  • Thami Mnyele, “Opening Remarks at the South African Art Exhibition, Culture and Resistance Festival, Gaborone, 1982,” Unpublished paper, 1. Collection of J. Seidman.
  • Martins, “The Necessity of Art for National Liberation,” 3.

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