References
- Nwachukwu Frank Ukadike, Black African Cinema (Berkeley: University of California Press, 2004), 202.
- Manthia Diawara, “Popular Culture and Oral Traditions in African Film,” Film Quarterly, 41, 3 (1988):7.
- Cham Mbaye, “Oral Traditions, Literature and the Film in Africa: The Dynamics of Exchange,” in Literature and Film: A Guide to the Theory and Practice of Film Adaptation, eds. Robert Sam and Alessandra Raengo, (Malden: Blackwell Publishing, 2005), 296.
- Ibid.
- Dani Kouyaté, Keita! The Heritage of the Griot, (70 min., 1995, Burkina Faso).
- Ababacar Samb Makharam Jom: Ou l'histoire d'un people, (90 min., 1981, Senegal).
- Euzhan Palcy, Sugar Cane Alley (70 min., 1983, Martinique).
- Cham Mbaye, “Oral Traditions, Literature and the Film in Africa,” 296.
- Palcy, Euzhan. (1983). Sugar Cane Alley.
- Ukadike, Black African Cinema, 206.
- Ibid.
- Diawara, “Popular Culture and Oral Traditions in African Film,” 8.
- Ukadike, Black African Cinema, 206. Author's translation.
- Palcy, Sugar Cane Alley.
- Ibid. Author's translation.
- June M Gill, “The Films of Euzhan Palcy: A Voice for Black History,” Quarterly Review of Film & Video, 17, 4 (2000): 37.
- Ibid.
- Palcy, Sugar Cane Alley.
- Ukadike, Black African Cinema, 202.
- Diawara, Popular Culture and Oral Traditions in African Film,” 10.
- Ababacar, Jom: Ou l'histoire d'un people.
- Ibid. Author's translation.
- Diawara, “Popular Culture and Oral Traditions in African Film,” 10.
- Thomas L. Cooksey, “‘The Man of the Day to Follow’: Dani Kouyaté's Keita! And the Living Epic,” Literature/Film Quarterly, 37, 4 (2009): 267.
- Palcy, Sugar Cane Alley.
- Ibid.
- Ukadike, Black African Cinema, 207.
- Diawara, “Popular Culture and Oral Traditions in African Film,” 12.
- Diawara, “Popular Culture and Oral Traditions in African Film,” 13.