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Critical Interventions
Journal of African Art History and Visual Culture
Volume 7, 2013 - Issue 2
135
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Articles

London Bridge: Late 20th Century British Art and the Routes of ‘National Culture’

Pages 91-105 | Published online: 20 Jan 2014

Works Cited

  • Araeen, R. (1989). The Other Story: Afro Asian Artists in Post-War Britain. London: Hayward Gallery.
  • Brett, G. (1989). “Impromptus: David Medalla,” Art in America, 2.
  • Caribbean Expressions in Britain. (1986). Leicester: Leicestershire Museums, Art Galleries and Records Service.
  • Fryer, P. (1989). Black People in the British Empire. London: Pluto Press.
  • Fryer, P. (1984). Staying Power: The History of Black People in Britain. London: Pluto Press.
  • Himid, L. (1985) The Thin Black Line. London: Institute of Contemporary Art.
  • Ingrid Pollard: Monograph. (n.d.). London: Autograph).
  • Kureishi, H. (Winter 1986) “Bradford,” Granta 20.
  • Oguibe, O. (1994) Seen/Unseen. Liverpool: The Bluecoat Gallery.
  • Tawadros, G. (1996) Beyond the Boundary: The Work of Three Black Women Artists in Britain. Black British Cultural Studies': A Reader. Houston A. Baker, Jr. et al.., (Eds.). Chicago/London: University of Chicago Press.
  • Walmsley, A. (1992). The Caribbean Artists Movement, 1966–1972: A Literary and Cultural History. London: New Beacon Books.

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