References
- Breton, A., & Rivera, D. (1938). Manifesto for an independent revolutionary art. Marxists Internet Archive. Retrieved from http://www.marxists.org/subject/art/lit_crit/works/rivera/manifesto.htm
- El-Janabi, A. K. (1987). The Nile of surrealism: Surrealist activities in Egypt. Pamphlet.
- Ginder, U. A. (2004). Munich 1937: The development of two pivotal art exhibitions. Retrieved from http://www.history.ucsb.edu/faculty/marcuse/classes/133c/133cproj/04proj/GinderNaziArt047.htm
- Harrison, C., & Wood, P. (Eds.). (2007). Art in theory: 1900–2000. Malden, MA/Oxford: Blackwell.
- Jankowski, J., & Gershoni, I. (2010). Confronting fascism in Egypt: Dictatorship versus democracy in the 1930s. Stanford, CA: Stanford University Press.
- Kane, P. (2007). Politics, discontent and the everyday in Egyptian arts: 1938–1966 ( PhD dissertation). State University of New York at Binghamton. ProQuest (3289111). Retrieved from http://gradworks.umi.com/32/89/3289111.html
- Kane, P. (2010). Art education and the emergence of radical art movements in Egypt: The surrealists and the contemporary arts group, 1938–1951. The Journal of Aesthetic Education, 44(4), 95–119.
- Kelley, R. D. G. (2009). Black, brown, and beige. Austin: University of Texas Press, 2009.
- LaCoss, D. (2010). Egyptian surrealist and degenerate art in 1939. The Arab Studies Journal, 18(1), 78–117.
- Levi, N (1998). “Judge for yourselves!” – The “Degenerate Art” exhibition as political spectacle. October, 85(Summer), 41–64.
- Renton, D. (2004). Dissident Marxism: Past voices for present times. London: Zed Books.
- Vaneigem, R. (1970). A cavalier history of surrealism. Retrieved from http://libcom.org/library/cavalier-history-surrealism-raoul-vaneigem