References
- Appadurai, A. (1986). The social life of things: Commodities in cultural perspective. Cambridge, UK: Cambridge University Press.
- Bortolot, A. I. (2007). Revolutions: A century of Makonde masquerade in Mozambique. New York, NY: Miriam and Ira D. Wallach Art Gallery, Columbia University.
- Bortolot, A. I. (2013). Artesãos da Nossa Pátria: Makonde black wood sculptures, cooperatives, and the art of socialist revolution in postcolonial Mozambique. In S. L. Kasfir & T. Förster (Eds.), African art and agency in the workshop (pp. 252–273). Bloomington, IN: Indiana Press.
- Chambers, E. (1989). Makonde art. Art Monthly, 129, 18–20.
- Doris, D. (2011). Vigilant things: On thieves, Yoruba anti-aesthetics, and the strange fates of ordinary objects in Nigeria. Seattle, WA: University of Washington Press.
- Duerden, D. (1970). The modern Makonde sculpture shown at the Grosvenor Gallery. Studio International, 179, 76–77.
- Edwards, R. (1576). The paradyse of daynty devises. In H. E. Rollins (Ed.), The paradise of dainty devices (1576–1606). Cambridge, MA: Harvard University Press, 1927.
- Fisher, P. (1991). Making and effacing art: Modern American art in the culture of museums. Oxford, UK: Oxford University Press.
- Kasfir, S. L. (1980). Patronage and Maconde carvers. African Arts, 13, 67–70, 91–92.
- Kopytoff, I. (1986). The cultural biography of things: Commoditization as process. In A. Appadurai (Ed.), The social life of things: Commodities in cultural perspective (pp. 64–94). Cambridge, UK: Cambridge University Press.
- Phillips, R. B., & Steiner, C. B. (1999). Unpacking culture: Art and commodity in colonial and postcolonial worlds. Berkeley, CA: UC Press.
- Rovine, V. L. (forthcoming). Contemporary African art: Recyclia, textiles, and global art markets.
- Rubin, A. (1983/1993). Accumulation: Power and display in African sculpture. Arts of Africa, Oceania, and the Americas. Englewood Cliffs, NJ: Prentice Hall. ( reprinted from Artforum (1975) in abridged form, 13(9), 35–47).
- Schwartzott, A. (2014). Conceptual, temporal, and tangible: Discursive spaces of contemporary art in Mozambique. Critical Interventions, 8, 221–245.
- Shore-Bos, M. (1969). Modern Makonde: Discovery in East African art. African Arts, 3, 46–51, 80–81.
- Thompson, M. (1979). Rubbish theory: The creation and destruction of value. Oxford, UK: Oxford University Press.
- West, H., & Sharpes, S. (2002). Dealing with the devil: Meaning and marketplace in Makonde sculpture. African Arts, 32, 87–89.