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Critical Interventions
Journal of African Art History and Visual Culture
Volume 11, 2017 - Issue 3
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Introduction

References

  • Barlet, O. (2012). Les cinémas d'Afrique des années 2000: Perspectives critiques. Paris, France: L'Harmattan.
  • Cham, M., & Bakari I. (1996). African experiences of cinema. London, UK: BFI.
  • Diawara, M. (1992). African cinema: Politics and culture. Bloomington, IN: Indiana University Press.
  • Imbert, H. F. (2007). Samba Félix Ndiaye: Cinéaste, documentariste, Africain. Paris, France: L'Harmattan.
  • Malkmus, L., & Armes, R. (1991). Arab and African filmmaking. London, UK: Zed Books.
  • Martin, M. T., & Moorman, M. (2015). The civilising mission of globalisation, Third Text, 29, 61–74.
  • Niang, S. (2014). Nationalist African cinema: Legacy and transformations. Lanham, MD: Lexington Books.
  • Nichols, B. (2016). Speaking truths with films: Evidence, ethics, politics in documentary. Oakland, CA: California University Press.
  • Tcheuyap, A. (2011). Postnationalist African cinemas. Manchester, UK: Manchester UP
  • Ukadike, N. F. (1994). Black African cinema. Berkeley, CA: University of California Press.

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