References
- Barthes, R. (1981). Camera Lucida: Reflections on photography. London, UK: Vintage Classics.
- Bernard-Donals, M. (2001). Beyond the question of authenticity: Witness and testimony in the fragments controversy. PMLA, 116, 1302–1315.
- Beverly, J. (1989). The margin at the centre. MFS Modern Fiction Studies, 35, 11–28.
- Beverly, J. (1991). Through all things modern: Second thoughts on testimonio. boundary 2, 18(2), 1–21.
- Bolter, J. D., & Grusin, R. (2000). Remediation: Understanding new media. London: MIT Press.
- Bruns, A. (2006). Towards produsage: Futures for user-led content production. In F. Sudweeks, H. Hrachovec, & C. Ess (Eds.), Proceedings Cultural Attitudes towards Communication and Technology 2006, Estonia (pp. 275-284). Murdoch, WA: School of Information Technology, Murdoch University.
- Bruzzi, S. (2006). New documentary. London, UK: Routledge.
- Callus, P., (2010) Animation as a socio-political commentary: an analysis of the animated films of Congolese director Jean Michel Kibushi. Journal of African Media Studies, 2, 55–71.
- Callus, P. (2012). Reading animation through the eyes of anthropology: A case study of sub-Saharan African animation. Animation, 7, 113–130.
- Casetti, F. (2011). Sutured reality: Film, from photographic to digital. October, 138, 95–106.
- Coombes, A. (2003). History after apartheid: Visual culture and public memory in a democratic South Africa. Durham, NC: Duke University Press.
- Currie, G. (1999). Visible traces: Documentary and the contents of photographs. Journal of Aesthetics and Art Criticism, 57, 285–297.
- Eisenstein, S. (1986). Eisenstein on Disney. A. Upchurch ( Trans.) & J. Leyda (Ed.). London, UK: Methuen.
- Fabian, J. (1996). Remembering the present: Painting and popular history in Zaire. London: University of California Press.
- Favero, P. (2013). Getting our hands dirty (again): Interactive documentaries and the meaning of images in the digital age. Journal of Material Culture, 18, 259–277.
- Foucault, M. (2008). The birth of biopolitics: Lectures at the Collège de France, 1978–1979. Hampshire: Palgrave Macmillan.
- Gaudenzi, S. (2014). Strategies of participation: The who, what, and when of collaborative documentaries. In K. Nash, C. Hight, & C. Summerhayes (Eds.) New documentary ecologies, (pp. 129–149). New York, NY: Palgrave.
- Geertz, C. (1973). Thick description: Toward an interpretive theory of culture. In C. Geertz (Ed.), The interpretation of cultures: Selected essays ( pp. 3–30). New York, NY: Basic Books.
- Honess Roe, A. (2013). Animated documentary. New York, NY: Palgrave Macmillan.
- Jacquemin, J. P. (2003). Kibushi Ndajte Wooto: Cineaste. Brussels: Editions de l'Oeil.
- Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York, NY: NYU Press.
- Mukii, N. (2012), Student Profile on Royal College of Arts Website. http://www.rca.ac.uk/students/ngendo-mukii/. Accessed 5/12/2017.
- Nichols, B. (2001). Introduction to documentary. Bloomington, IN: Indiana University Press.
- Peirce, C. S. (1958). The collected papers (vols. 7–8). A. Burks (Ed.). Cambridge, MA: Harvard University Press.
- Plantinga, C. (1997). Rhetoric and representation in nonfiction film. Cambridge, UK: Cambridge University Press.
- Purryer, S. (Ed.) (2004). 10 years, 100 artists: Art in democratic South Africa. Cape Town: Bell Roberts Publishing.
- Said, E. (1993). Culture and imperialism. New York, NY: Knopf.
- Stam, R. (2013). Hybrid variations on a documentary theme. Revista Brasileira de Estudos de Cinema e Audiovisual, 2(4), 16–36.
- Stoller, P. (1992). The Cinematic Griot: The ethnography of Jean Rouch. Chicago, IL: University of Chicago Press.
- Teno, J. M. (2016). Writing on the walls: The future of African documentary (2010). In The documentary film reader: History, theory, criticism, (pp. 938–943). New York, NY: Oxford University Press.
- Wells, P. (1997). The beautiful village and the true village: A consideration of animation and the documentary aesthetic. In P. Wells (Ed.), Art and animation of art & design, 12 (pp. 40–46). London: Academy Group.
- Wells, P. (1998). Understanding animation. London, UK: Routledge.