References
- Anon, 1952. Glamorous Gauls. Young French movie actresses are serious but not unsexy. Life, 1 December, p. 115–118.
- Anon, 1959a. French star wins room at top. Life, 22 June, p. 93.
- Anon, 1959b. ‘Room at the top’ with Laurence Harvey and Simone Signoret. Harrison’s Reports, 18 April, p. 63.
- Anon, 2007. “La Vie en Rose: production notes” (Icon Film Distribution). Available from: http://emanuellevy.com/interviews/la-vie-en-rose-marion-cotillard-on-playing-edith-piaf-5/
- Anon, 1967. “Jeanne Moreau, the famed seductress of French Films, turns 40 – and lives for love”, Life, January 20, p. 39–42.
- Anon, 2008. Cotillard: 9/11 comments taken out of context. Today, 4 March. Available from: https://www.today.com/popculture/cotillard-9-11-comments-taken-out-context-wbna23456699
- Anon, 2010. “Inception: production notes” (Warner Bros. Pictures). Available from: http://wwws.warnerbros.co.uk/inception/mainsite/pdf/INCEPTION_PK_Notes__Bios_6-18.pdf
- Anon, 2012. Marion Cotillard, diving deep in Rust And Bone. NPR, 28 November. Available from: https://www.npr.org/2012/11/28/165994360/marion-cotillard-diving-deep-in-rust-and-bone
- Bandhauer, A. and Royer, M., ed., 2015. Stars in world cinema: screen icons and star systems across cultures. London and New York: I. B. Tauris.
- Bergfelder, T., 2004. Negotiating exoticism: Hollywood, film Europe and the cultural reception of Anna May Wong. In: L. Fisher and M. Landy, eds. Stars: the film reader. London and New York: Routledge, 59–75.
- Bondurand Mouawad, M., 2016. Corps de terreur : genres, races et sexualités dans les représentations hollywoodiennes du terrorisme (1960–2010). Thèse de doctorat sous la direction de Raphaëlle Moine, Université Paris 3.
- Buck, J.J., 2010. Marion Cotillard: portrait of the artist. Vogue, 15 June. Available from: https://www.vogue.com/article/marion-cotillard-portrait-of-the-artist
- Collin, R., 2014. Marion Cotillard: ‘I felt I could lose myself’. The Telegraph, 16 August. Available from: https://www.telegraph.co.uk/culture/film/11034382/Marion-Cotillard-I-felt-I-could-lose-myself.html
- Damour, C., 2007. « Les acteurs français dans le cinéma américain (2) : depuis 1950 ». In: C. Viviani, ed. Hollywood : les connexions françaises. Paris: Nouveau Monde éditions, 303–327.
- Dupuis-Déri, F., 2019. La crise de la masculinité. Autopsie d’un mythe tenace. Paris: Remue-Ménage.
- Dyer, R., 1998. Stars. London: BFI.
- Ellwood, G., 2014. Marion Cotillard on ‘Macbeth’: ‘I lost control of everything’. Uproxx, 21 November. Available from: https://uproxx.com/hitfix/marion-cotillard-on-macbeth-i-lost-control-of-everything/
- Fowler, D., 2008. Voice lesson. Men’s Vogue, February, p. 104–105
- Gallagher, M., 2018. Tony Leung Chiu-Wai. London: BFI.
- Handyside, F., 2007. Belle toujours: deneuve as fashion icon. In: L. Downing and S. Harris, eds. From perversion to purity: the Stardom of Catherine Deneuve. Manchester: Manchester University Press, 161–179.
- Hayward, S., 2004. Simone Signoret: the star as cultural sign. London and New York: Continuum.
- Hirschberg, L., 2007. Maid Marion. New York Times Style Magazine, 2 December. Available from: https://www.nytimes.com/2007/12/02/style/tmagazine/02marion.html
- Hodson, H., 2009. Marion Cotillard interview: Public Enemies. The Telegraph, 22 June. Available from: https://www.telegraph.co.uk/culture/film/starsandstories/5557457/Marion-Cotillard-interview-Public-Enemies.html
- Honeycutt, K., 2007. La Vie en Rose. Hollywood Reporter, 7 February. Available from: https://www.hollywoodreporter.com/review/la-vie-en-rose-159423
- Kelly, A., 2007. Gallic symbol. Fade In, April–May.
- Kidman, N., 2010. Marion Cotillard. Interview, 15 June. Available from: https://www.interviewmagazine.com/film/marion-cotillard
- Knight, A., 1959. The new frankness in films – and the problems it raises. Film Bulletin, 21 December, p. 10–11
- LaSalle, M., 2012. The beauty of the real: what Hollywood can learn from contemporary French actresses. Stanford: Stanford University Press.
- Le Gras, G., 2015. Major stars, the heritage film, and patrimonial values in contemporary French cinema. In: A. Fox, et al., eds. A companion to contemporary French cinema. Chichester: Wiley Blackwell, 314–332.
- Lemon, B., 2007. Marion Cotillard. Interview, July, p. 64–67
- Lewis, M.M., 2007. Belle on the Ball. Mean, November.
- Marchetti, G., 2001. Jackie Chan and the Black connection. In: M. Tinkcom and A. Villarejo, eds. Keyframes: popular cinema and cultural studies. London: Routledge, 137–158.
- McDonald, P., 1998. Reconceptualising Stardom. In: R. Dyer, ed. Stars. London: BFI, 175–211.
- Meeuf, R. and Raphael, R., ed., 2013. Transnational stardom: international celebrity in film and popular culture. London: Palgrave Macmillan.
- Milton, S., 2014. French paradox – Marion Cotillard nearly packed it in. Weekend, 24 August. Available from: https://www.independent.ie/entertainment/movies/french-paradox-marion-cotillard-nearly-packed-it-in-30524313.html
- Miyao, D., 2007. Sessue Hayakawa: silent cinema and transnational stardom. Durham, NC: Duke University Press.
- Nayak, M., 2006. Orientalism and ‘saving’ US state identity after 9/11. International Feminist Journal of Politics, 8 (1), 42–61. doi:https://doi.org/10.1080/14616740500415458
- Negra, D., 2001. Off-White Hollywood: American culture and ethnic female stardom. New York: Routledge.
- Nesselson, L., 2004. A very long engagement. Variety, 22 October. Available from: https://variety.com/2004/scene/awards/a-very-long-engagement-3-1200530034/
- Nesselson, L., 2007. La Vie en rose. Variety, 8 February. Available from: http://variety.com/2007/film/awards/la-vie-en-rose-4-1200510519/
- Nilges, M., 2010. The aesthetics of destruction: contemporary US cinema and TV culture. In: J. Birkenstein, A. Froula, and K. Randell, eds. Reframing 9/11: film, popular culture and the ‘war on terror’. New York: Continuum, 23–34.
- Phillips, A., 2006. Changing bodies, changing voices: French success and failure in 1930s Hollywood. In: A. Phillips and G. Vincendeau, eds. Journeys of desire: European actors in Hollywood. A critical companion. London: BFI, 84–93.
- Phillips, A. and Vincendeau, G., ed., 2006. Journeys of desire: European actors in Hollywood. A critical companion. London: BFI.
- Radner, H., 2006. Louis Jourdan – the ‘hyper-sexual’ Frenchman. In: A. Phillips and G. Vincendeau, eds. Journeys of desire: European actors in Hollywood. A critical companion. London: BFI, 124–132.
- Rafanelli, S., 2014. Marion Cotillard: ‘before my family, everything was dedicated to the character’. The Guardian, 3 August. Available from: https://www.theguardian.com/film/2014/aug/03/marion-cotillard-edith-piaff-tortured-genius-family-two-days-one-night
- Roberts, S., 1993. The Lady in the Tutti-Frutti Hat: Carmen Miranda, a spectacle of ethnicity. Cinema Journal, 32 (3), 3–23.
- Rogers, R., 2009. Bonjour Marion! BlackBook, June–July, p. 48–56
- Sánchez-Escalonilla, A., 2010. Hollywood and the rhetoric of panic: the popular genres of action and fantasy in the wake of the 9/11 attacks. Journal of popular film and television, 38 (1), 10–20. doi:https://doi.org/10.1080/01956050903449640
- Sandeau, J., 2020. Entre francité et américanisation : La Môme et la construction de la persona de Marion Cotillard aux États-Unis. French Screen Studies, 1-20.
- Schweiger, D., 2007. A dazzling Marion Cotillard gives Edith Piaf Her Due. Venice, December, p. 46–49
- Scott, A.O., 2007. A French songbird’s life, in chronological disorder. New York Times, 8 June. Available from: https://www.nytimes.com/2007/06/08/movies/08vie.html
- Sellier, G., 2002. Danielle Darrieux, Michèle Morgan and Micheline Presle in Hollywood: the threat to French identity. Screen, 43 (2), 201–214. doi:https://doi.org/10.1093/screen/43.2.201
- Sellier, Geneviève, 2005. La Nouvelle Vague : un cinèma au masculin singulier, Paris : CNRS.
- Simms, M., 2007. The song remains the same. Bust, June–July, p. 9–10
- Sykes, P., 2009. Prima Time! Vogue, November, p. 224–227
- Thomson, D., 2004. Long engagement: a losing battle. The Washington Post, 17 December. Available from: https://www.washingtonpost.com/archive/lifestyle/2004/12/17/long-engagement-a-losing-battle/b4a2383e-eacd-45f3-b024-3ebf2438f8a0/?utm_term=.a9c603d64737
- Turan, K., 2010. Movie review: inception. Los Angeles Times, 16 July. Available from: http://articles.latimes.com/2010/jul/16/entertainment/la-et-inception-20100716
- Vejvoda, J., 2010. Inception review. IGN, 5 July. Available from: http://www.ign.com/articles/2010/07/06/inception-review
- Vincendeau, G., 2000. Stars and stardom in French cinema. London and New York: Continuum.
- Vincendeau, G., 2005. Miss France. Sight and sound, 15 (2), 12–15.
- Vincendeau, G., 2006. ‘Not for export’: Jean Gabin in Hollywood. In: A. Phillips and G. Vincendeau, eds. Journeys of desire: European actors in Hollywood. A critical companion. London: BFI, 114–123.
- Vincendeau, G., 2014a. The perils of trans-national stardom: Alain Delon in Hollywood cinema. Mise au point, 6.
- Vincendeau, Ginette, 2014b. “Juliette Binoche: The Perfect European Star”, in Mary Harrod, Mariana Liz and Alissa Timoshkina (eds), The Europeanness of European cinema: identity, meaning, globalization, London: I. B. Tauris, p. 131-144.
- Vincendeau, G., 2018a. Marion Cotillard: blood, sweat and tears. Sight and sound, 28 (6), 44–48.
- Vincendeau, G., 2018b. Stars across borders: the vexed question of stars’ exportability. In: R. Stone, et al., eds. The Routledge companion to world cinema. London and New York: Routledge, 357–368.
- Viviani, C., 2007. « Acteurs français à Hollywood : la première tranche ». In: C. Viviani, ed. Hollywood : les connexions françaises. Paris: Nouveau Monde éditions, 285–301.
- Warner, S., 2016. Marion Cotillard says people ‘overreacted’ to her Dark Knight Rises death scene. Digital Spy, 28 November. Available from: https://www.digitalspy.com/movies/a815375/marion-cotillard-people-overreacted-to-dark-knight-rises-death-scene/
- Weintraub, S., 2007. Marion Cotillard Interview. Collider, 12 June. Available from: http://collider.com/marion-cotillard-interview-la-vie-en-rose/
- Younge, G. and Henley, J., 2003. Wimps, weasels and monkeys – the US media view of ‘perfidious France’. The Guardian, 11 February. Available from: https://www.theguardian.com/world/2003/feb/11/pressandpublishing.usa
- Yu, S.Q., 2012. Jet Li: Chinese masculinity and transnational film stardom. Edinburgh: Edinburgh University Press.