References
- Bell, C.E., 2010. American idolatry: celebrity, commodity and reality television. Jefferson, NC: McFarland.
- Bell, E. and Gray, A., 2007. History on television: charisma, narrative and knowledge. European journal of cultural studies, 10 (1), 113–133. doi:10.1177/1367549407072973
- Berns, F.G.P., 2014. “For your next drag challenge,” you must do something: playfulness without rules. In: J. Daems, ed. The makeup of RuPaul’s drag race: essays on the queen of reality shows. Jefferson, NC: McFarland & Company Inc, 88–105.
- Brennan, N., 2017. Contradictions between the subversive and the mainstream: drag cultures and RuPaul’s drag race. In: N. Brennan and D. Gudelunas, eds. RuPaul’s drag race and the shifting visibility of drag culture. Cham: Palgrave Macmillan, 29–43.
- Coates, N., 1997. (R)evolution now?: rock and the political potential of gender. In: S. Whiteley, ed. Sexing the groove: popular music and gender. Abingdon, Oxon: Routledge, 50–64.
- Collins, S., 2008. Making the most out of 15 minutes: reality TV’s dispensable celebrity. Television & new media, 9 (2), 87–110. doi:10.1177/1527476407313814
- Curnutt, H., 2009. “A fan crashing the party” exploring reality-celebrity in MTV’s real world franchise. Television & new media, 10 (3), 251–266. doi:10.1177/1527476409334017
- Dyer, R., 1991. A star is born and the construction of authenticity. In: C. Gledhill, ed.. Stardom: industry of desire. London: Routledge, 136–144.
- Edgar, E., 2011. “Xtravaganza!”: drag representation and articulation in RuPaul’s drag race. Studies in popular culture, 34 (1), 133–146.
- Franssen, G., 2019. Sincerity and authenticity in celebrity culture: introduction. Celebrity studies, 10 (3), 315–319. doi:10.1080/19392397.2019.1630117
- Goldmark, M., 2015. National drag: the language of inclusion in RuPaul’s drag race. GLQ: a journal of lesbian and gay studies, 21 (4), 501–520. doi:10.1215/10642684-3123665
- Grindstaff, L., 2002. The money shot: trash, class and the making of TV talk shows. Chicago: University of Chicago Press.
- Grindstaff, L. and Murray, S., 2015. Reality celebrity: branded affect and the emotion economy. Public culture, 27 (1 (75)), 109–135. doi:10.1215/08992363-2798367
- Hamad, H., 2018. Celebrity in the contemporary era. In: A. Elliott, ed. Routledge handbook of celebrity studies. London: Routledge, 44–57.
- Hargraves, H., 2011. “You better work:” the commodification of HIV in RuPaul’s drag race. Spectator, 31 (2), 24–34.
- Holdsworth, A., 2010. Televisual memory. Screen, 51 (2), 129–142. doi:10.1093/screen/hjq007
- Jerslev, A., 2014. Celebrification, authenticity, gossip: the celebrity humanitarian. Nordicom review: nordic research on media and communication, 35 (s1), 171–186.
- Jezebel, (2018) Pearl claims she was banned from RuPaul’s drag race: all stars in retribution for interview comments. Available from: https://themuse.jezebel.com/pearl-claims-shes-been-banned-from-rupauls-drag-race-a-1828601089 [Accessed 5 Nov 2019].
- Khamis, S., Ang, L., and Welling, R., 2017. Self-branding, ‘micro-celebrity ‘and the rise of social media influencers. Celebrity studies, 8 (2), 191–208. doi:10.1080/19392397.2016.1218292
- Marshall, P.D., 2010. The promotion and presentation of the self: celebrity as marker of presentational media. Celebrity studies, 1 (1), 35–48. doi:10.1080/19392390903519057
- Marwick, A. and boyd, D., 2011. To see and be seen: celebrity practice on Twitter. Convergence: the international journal of research into new media technologies, 17 (2), 139–158. doi:10.1177/1354856510394539
- Metzger, M., 2016. “Sometimes you have to break it down for a Motherf*!ker”: RuPaul as foucauldian mystic. In: Console-ing passions conference, 16-18 June 2016 Indiana.
- Morrison, J., 2014. Draguating to normal: camp and homonormative politics. In: J. Daems, ed. The makeup of RuPaul’s drag race: essays on the queen of reality shows. Jefferson, NC: McFarland & Company Inc, 124–147.
- Muñoz, J.E., 1999. Disidentifications: queers of color and the performance of politics. Minneapolis: University of Minnesota Press.
- Parsemain, A.L., 2019. The pedagogy of queer TV. Cham: Palgrave Macmillan.
- Patel, K., 2017. Expertise and collaboration: cultural workers’ performance on social media. In: J. Graham and A. Gandini, eds. Collaborative production in the creative industries. London: University of Westminster Press, 157–176.
- Rojek, C., 2001. Celebrity. London: Reaktion Books.
- Straw, W., 1997. Sizing up record collections: gender and connoisseurship in rock music culture. In: S. Whiteley, ed. Sexing the groove: popular music and gender. London: Routledge, 3–16.
- Strings, S. and Bui, L.T., 2014. “She is not acting, she is” the conflict between gender and racial realness on RuPaul’s drag race. Feminist media studies, 14 (5), 822–836. doi:10.1080/14680777.2013.829861
- Trilling, L., 1972. Sincerity and authenticity. Cambridge,MA: Harvard University Press.
- Turner, G., 2006. The mass production of celebrity: ‘celetoids’, reality TV and the ‘demotic turn’. International journal of cultural studies, 9 (2), 153–165. doi:10.1177/1367877906064028
- Vesey, A., 2017. “A way to sell your records”: pop stardom and the politics of drag professionalization on RuPaul’s drag race. Television & new media, 18 (7), 589–604. doi:10.1177/1527476416680889
- Whiteley, S., 2013. Women and popular music: sexuality, identity and subjectivity. Abingdon, Oxon: Routledge.