References
- Arirang Special] Artist Lee Hee-Moon(이희문), Beyond the Boundaries of Everything [MUSICAL SENSATIONS], 2017. TV, Arirang TV. Dec 23.
- Auslander, P., 2006. Performing Glam Rock: Gender and theatricality in popular music. Michigan: University of Michigan Press
- Billboard, 2019. 2019 Billboard music awards winners: the complete list. Billboard, 1 May. Available from: https://www.billboard.com/articles/news/awards/8509655/billboard-music-awards-2019-winners-list [Accessed 30 May 2020].
- Brody, E.W., 2001. The “Attention” economy. Public relations quarterly, (Fall, October), 46 (3), 18–21.
- Chang, Y., 2010. Kugagŭi Segyehwa: contemporary “Traditional” music and globalization in South Korea. PhD diss., Indiana University.
- Choi, Y., 2014. Gendered practices and conceptions in Korean drumming: on the negotiation of “Femininity” and “Masculinity” by Korean female drummers. PhD diss., The City University of New York.
- Chŏng, S., 2008. The Birth of Intangible Cultural Property (무형문화재의 탄생). Koyang: Yŏksa pip’yŏngsa.
- Chu Yŏngjin’s News Briefing (주영진의 뉴스브리핑), 2019. TV, SBS. 5 Mar.
- Clark, J., 2019. SsingSsing DanceDance: playing on gender in Korea’s 21st century traditional performing arts. Culture and empathy, 2 (2), 116–130.
- Deller, R.A., 2016. Star image, celebrity reality television and the fame cycle. Celebrity studies, 7 (3), 373–389. doi:https://doi.org/10.1080/19392397.2015.1133313.
- Do-ol Ah-in Going All Directions (도올아인 오방간다), 2019. TV, KBS1.
- Driessens, O., 2012. The celebritization of society and culture: understanding the structural dynamics of celebrity culture. International journal of cultural studies, 16 (6), 641–657. doi:https://doi.org/10.1177/1367877912459140.
- Driessens, O., 2014. Theorizing celebrity cultures: thickenings of celebrity cultures and the role of cultural (working) memory. Communications: European journal of communication research, 39 (2), 109–127. doi:https://doi.org/10.1515/commun-2014-0008.
- Dyer, R., 2004 [1986]. Heavenly bodies: film stars and society. 2nd ed. London; New York: Routledge.
- Ferris, K.O., 2010. The next big thing: local celebrity. Society, 47 (5), 392–395. doi:https://doi.org/10.1007/s12115-010-9349-8.
- Finchum-Sung, H., 2009. Image is everything: re-imaging traditional music in the era of the Korean wave. Southeast review of Asian studies, 31, 39–55.
- Finchum-Sung, H., 2012. Designing a fresh tradition: young Kugak and sonic imaginings for a progressive Korea. the world of music (new series), 1 (1), 121–144.
- Franck, E., and Nuxesch, S., 2007. Avoiding ‘Star Wars’: Celebrity creation as media strategy. Kyklos,60(2), 211–230
- Fuhr, M., 2015. Globalization and popular music in South Korea: sounding Out K-Pop. New York; Abingdon: Routledge.
- Furbabe, 2019. Yoo Ah In’s first MC in “Dool ain going all directions” off to a good start [online]. Yoo Ah In SikSeekLand, 11 Jan. Available from: https://yooahinsikseekland.wordpress.com/2019/01/11/yoo-ah-ins-first-mc-in-dool-ain-going-all-directions-off-to-a-good-start/. [Accessed 1 June 2019].
- GugakTV, 2019. [Joy and happiness young kugak] Minyo, dressed in colours ‘Yi Hŭimun’ ([호락호락 절믄 국악] 민요, 색을 입다 ‘이희문’) [YouTube video]. 21 Jan. Available from: https://www.youtube.com/watch?v=QRKSaC3VE_A [Accessed 30 Nov 2019].
- Heart to Heart, 2017. Episode 84. TV, Arirang TV. 4 Oct.
- Hesselink, N., 2012. SamulNori: contemporary Korean drumming and the rebirth of itinerant performance culture. Chicago: University of Chicago Press.
- Hills, M., 2003. Recognition in the eyes of the relevant beholder: representing ‘Subcultural celebrity’ and Cult TV Fans. Mediactive, 2, 59–73.
- Hills, M., 2006. Not just another powerless elite?: when media fans become subcultural celebrities. In: S. Holmes and S. Redmond, eds. Framing celebrity: new directions in celebrity culture. Abingdon; New York: Routledge, 101–118.
- Hills, M. and Williams, R., 2005. ‘It’s all my interpretation’: reading spike through the subcultural celebrity of James Marsters. European journal of cultural studies, 8 (3), 345–365. doi:https://doi.org/10.1177/1367549405054866.
- Holmes, S., 2006. It’s a jungle out there!: playing the game of fame in celebrity reality TV. In: S. Holmes and S. Redmond, eds. Framing celebrity: new directions in celebrity culture. Abingdon; New York: Routledge, 45–66.
- Hooray! Our melody (얼쑤! 우리가락), 2018. TV, MBC Jeonju. 15 Mar.
- Howard, K., 2006. Preserving Korean music: intangible cultural properties as icons of identity (Perspectives on Korean Music Volume I). Aldershot; Burlington, VT: Ashgate.
- Howard, K., 2015. SamulNori: korean percussion for a contemporary world. Farnham, Surrey: Ashgate.
- Hyŏn, K., 2018. A Study on the Trend and Prospect of Activities by Korean Traditional Chamber Orchestra (국악실내악단 활동의 흐름과 전망). Hanguk ŭmaksa hakbo, 60, 217–251.
- I Can See Your Voice 3 (너의 목소리가 보여3), 2016. Episode 6. TV, Mnet, 08 Aug.
- Immortal Song 2 (불후의 명곡 2), 2015. Episode 194. TV, KBS, 11 Apr.
- Immortal Song 2 (불후의 명곡 2), 2019. Episode 435. TV, KBS, 21 Dec.
- Ingleton, P. and York, L., 2019. From Clooney to Kardashian: reluctant celebrity and social media. Celebrity studies, 10 (3), 364–379. doi:https://doi.org/10.1080/19392397.2019.1630152.
- Jewel in the Palace (대장금), 2003–2004. TV, MBC.
- Joseon Beauty Pageant (조선미인별전), 2018. TV, KBS. 6–7 Jan.
- Jung, G., 2020. Aspirational paternity and the female gaze on Korean reality-variety TV. Media, culture & society, 42 (2), 191–206. doi:https://doi.org/10.1177/0163443719853506.
- Kang, I., 2015. The political economy of idols: South Korea’s neoliberal restructuring and its impact on the entertainment labour force. In: J. Choi and R. Maliangkay, eds. K-Pop—the international rise of the Korean music industry. Abingdon; New York: Routledge, 51–65.
- Kang, J.M., 2017. Rediscovering the idols: k-pop idols behind the mask. Celebrity Studies, 8 (1), 136–141. doi:https://doi.org/10.1080/19392397.2016.1272859.
- Khamis, S., Ang, L., and Welling, R., 2017. Self-branding, ‘micro-celebrity’ and the rise of social media influencers. Celebrity studies, 8 (2), 191–208. doi:https://doi.org/10.1080/19392397.2016.1218292.
- Kim, A., 2015. [2016 performance scene rising star] “The Xia Junsu of the ch’anggŭk world? Call me country Chunsu” ([2016 공연계 뜨는 인물] “창극계 시아준수요? 시골준수라 불러주세요”) [online]. Herald Business, 30 Dec. Available from: https://news.naver.com/main/read.nhn?mode=LSD&mid=sec&sid1=103&oid=016&aid=0000954418 [Accessed 31 May 2020].
- Kim, H. 2004. Kayagŭm Shin‘gok: composition, performance, and representation of New Kayagŭm music in contemporary South Korea. PhD diss., University of Pittsburgh.
- Kim, J. and Pak, J., 2011. A Study of Teen Idol Domination in Korean Popular Music (한국대중음악의 아이돌 편중에 관한 연구: 대중음악 생산자들과의 인터뷰를 중심으로). Midiŏ wa kongyŏnyesul yŏn’gu, 6 (1), 145–172.
- Kim, S., 2018. K-pop live: fans, idols, and multimedia performance. Stanford, CA: Stanford University Press.
- Kim, T., 2020. [Huff Interview] Sorikkun Yi Hŭimun says “I prefer people who say they don’t like kugak” ([허프 인터뷰] 소리꾼 이희문 “국악이 싫다고 말하는 사람이 더 좋다”고 말한다) [online]. HuffPost, 23 Jan. Available from: https://www.huffingtonpost.kr/entry/lee-heemoon_kr_5d8070eee4b077dcbd635ce9. [Accessed 1 Jun 2020].
- Kim, Y. 2019. ‘Kugak idol’ Kim Junsu selling wanch’ang p’ansori recording (‘국악계 아이돌’ 김준수 완창 판소리 음원 발매) [online]. OhmyNews, 16 Dec. Available from: http://www.ohmynews.com/NWS_Web/View/at_pg.aspx?CNTN_CD=A0002596352 Accessed 31 May 2020
- Kim, Y.S. and Yi, S.H., 2015. A Study to Find Factors of the Box Office Record in Korean Popular Music: by Control Effects of Management Companies and Distribution Companies (대중음악 흥행결정요인이 국내대중음악 흥행성과에 미치는 영향: 기획사와 유통사의 조절효과를 중심으로). Asia-Pacific journal of business venturing and entrepreneurship, 10 (1), 23–31. doi:https://doi.org/10.16972/apjbve.10.1.201502.23.
- King of Mask Singer (미스터리 음악쇼 복면가왕), 2018. Episode 166. TV, MBC. 12 Aug.
- King-O’Riain, R.C., 2020. “They were having so much fun, so genuinely … ”: K-pop fan online affect and corroborated authenticity. New media & society, 146144482094119. Available from: https://journals.sagepub.com/doi/https://doi.org/10.1177/1461444820941194 [Accessed 26 Jan 2021].
- Ko, K., 2018. Sorikkun Kim Chunsu (소리꾼 김준수) [online]. Brunch, 8 May. Available from: https://brunch.co.kr/@sfac/456 [Accessed 31 May 2020].
- Kwŏn, C., 2018. “I want to show you all the sorikkun Pak Aeri” (“소리꾼 박애리를 여러분에게 보여드리고 싶어요”) [online]. Kungmin ilbo, 24 Apr. Available from: http://news.kmib.co.kr/article/view.asp?arcid=0012295842 [Accessed 23 May 2020].
- Kwon, H., 2014. Cultural globalization and the Korean promotion policy for music based on tradition: a study of the activation plan and its background. PhD diss., SOAS, University of London.
- Lee, K.I., 2018. Dynamic Korea and rhythmic form. Middletown, CT: Wesleyan University Press.
- Lucky Chan-Sil (찬실이는 복도 많지), 2020. Film. Directed by Kim Ch’ohŭi. Korea: Ge Production, Youn’s Corporation.
- Maliangkay, R., 2017. Broken voices: postcolonial entanglements and the preservation of Korea’s Central Folksong traditions. Honolulu: University of Hawaii’ Press.
- Marshall, L., 2013. The structural functions of stardom in the recording industry. Popular music and society, 36 (5), 578–596. doi:https://doi.org/10.1080/03007766.2012.718509.
- Marwick, A.E., 2016. You may know me from Youtube: (Micro-)celebrity in social media. In: P.D. Marshall and S. Redmond, eds. A companion to celebrity. Chichester: Wiley Blackwell, 333–350.
- Master Singer Road (명창로드), 2019. TV, MBC Jeonju. 9 Nov.
- Meyers, E., 2010. Reality television and the hypertrophic celebrity in Victoria Beckham: Coming to America. Celebrity Studies, 1 (1), 319–333.
- Mr. House Husband 2 (살림하는 남자들 2), 2020. TV, KBS. 12 Dec.
- Mr. House Husband 2 (살림하는 남자들 2), 2020. TV, KBS. 25 Apr.
- Nam, C., 2019. Yu T’aep’yŏngyang, Kim Chunsu, Yi Yuna, Ko Yŏngyŏl … The ‘kugak idols’ pulling you into their fandom (유태평양, 김준수, 이윤아, 고영열 … 입덕 부르는 ‘국악계 아이돌’) [online]. The Hankyoreh, 18 Mar. Available from: http://www.hani.co.kr/arti/culture/culture_general/886285.html [Accessed 31 May 2020].
- Negra, D. 2005. 'Queen of the indies': Parker Posey's niche stardom and the taste cultures of independent films. In: C. Holmlund and J. Wyatt, eds. Contemporary American Independent Film: From the margins to the mainstream. London; New York: Routledge.
- NPR Music, 2017. SsingSsing: NPR music tiny desk concert [YouTube video]. 28 Sep. Available from: https://www.youtube.com/watch?v=QLRxO9AmNNo [Accessed 1 Jun 2020].
- Page, R., 2012. The linguistics of self-branding and micro-celebrity in Twitter: the role of hashtags. Discourse & Communication, 6 (2), 181–201. doi:https://doi.org/10.1177/1750481312437441.
- Park, J., 2017. Band SsingSsing hits US with ‘minyo rock’ [online]. The Korea Times, 25 Dec. Available from: https://www.koreatimes.co.kr/www/art/2017/12/690_241441.html [Accessed 2 Jun 2020].
- PRAN, 2020. The time when Yi Hŭimun was wondering ‘Why am I like this?’ (이희문은 ‘내가 왜 이렇게 생겼을까?’ 고민했을 때) [YouTube video]. 13 Mar. Available from: https://www.youtube.com/watch?v=nCuGU2HtwFU [Accessed 1 Jun 2020].
- Rojek, C., 2001. Celebrity. London: Reaktion.
- Sŏ, Y., 2016. From Archetype to Model: pansori and Intangible Cultural Heritage System Change (원형에서 전형으로– 무형문화재 제도의 변화와 판소리). P’ansori yŏn’gu, 41, 135–168.
- Senft, T.M., 2008. Camgirls: celebrity & community in the age of social networks. New York; Oxford: Peter Lang.
- Shepherd, I.D.H., 2005. From cattle and Coke to Charlie: meeting the challenge of self marketing and personal branding. Journal of marketing management, 21, 589–606. doi:https://doi.org/10.1362/0267257054307381
- So, I., 2015. The popularization of Gugak: a case study of the MIJI project, a Gugak girl group. Journal of the international association for the study of popular music, 5 (2), 22–40.
- Songlines, 2018. Asia & Pacific: BLACK STRING: mask dance (ACT). Songlines, 10 May. Available from: https://www.songlines.co.uk/awards/2018/black-string [Accessed 30 May 2020].
- Songlines, 2020. Asia: JAMBINAI: ONDA (Bella Union). Songlines, 14 May. Available from: https://www.songlines.co.uk/awards/2020/jambinai [Accessed 30 May 2020].
- Sutton, R.A., 2011. ‘Fusion’ and questions of Korean cultural identity in music. Korean studies, 35, 4–24. doi:https://doi.org/10.1353/ks.2011.0011
- Turnbull, J., 2017. Just beautiful people holding a bottle: the driving forces behind South Korea’s love of celebrity endorsement. Celebrity studies, 8 (1), 128–135. doi:https://doi.org/10.1080/19392397.2016.1272860.
- Turner, G., [2004] 2014. Understanding celebrity. 2nd ed. London; Thousand Oaks; New Delhi; Singapore: Sage.
- Yang, Ŭ. and Chŏn, I., 2016. Globalization Strategy of Korean Traditional Music – a Case Study of Hybrid Rock Band Jambinai (전통음악의 현대화를 통한 세계화– 국악 록밴드 잠비나ㅣ 사례 연구). The journal of cultural policy, 30 (2), 46–64. doi:https://doi.org/10.16937/jcp.30.2.201608.46.
- Yang, J., 2003. Cultural protection policy in Korea: intangible cultural properties and living national treasures. Seoul; Edison, NJ: Jimoondang.
- Yates-Lu, A., 2019a. Aligning tradition and creativity: preserving pansori in South Korea. International journal of intangible heritage, 14, 50–65.
- Yates-Lu, A., 2019b. When K-Pop and Kugak meet: popularising P’ansori in Modern Korea. Yearbook for traditional music, 51, 49–71. doi:https://doi.org/10.1017/ytm.2019.7
- Yates-Lu, A., 2021. Going with the flow: livestreaming and Korean wave narratives in P’ansori. In: L.Ó. Briain and M.Y. Ong, eds.. Sound communities in the Asia Pacific: music, media, and technology, 111–128. London: Bloomsbury.
- Yi, C., 2019a. [Interview] Kim Chunsu “Even amongst those graduating from Kugak departments, a lot of people give up” ([인터뷰] 김준수 “국악과 나와도 포기하는 사람 많아요”) [online]. Newsis, 2 May. Available from: https://news.v.daum.net/v/a9J2zyJfj9?f=p [Accessed 23 May 2020].
- Yi, C. 2019b. Poppin’ Hyun Joon, joining KBS’ ‘Mr. House Husband 2ʹ (팝핀현준, KBS ‘살림하는 남자들 2ʹ 합류) [online]. Yŏnhap News, 30 Oct. Available from: https://www.yna.co.kr/view/AKR20191030149400005 [Accessed 31 May 2020].
- Yi, S., 2008. The Popularization of Fusion Kugak: in Between the Popularization and Pop Music-ization of Kugak (퓨전음악의 대중화: 국악의 대중화와 대중음악화 사이에서). Daejung ŭmak, 1 (1), 154–178.
- Yu, C., 2018. Kim Chunsu’s wanch’ang p’ansori debut … the birth of the p’ansori ‘prince’ (김준수 완창 판소리 데뷔 … 판소리계 ‘프린스’의 탄생) [online]. Chungang Sunday, 31 Mar. Available from: https://news.joins.com/article/22494377 [Accessed 23 May 2020].
- Yu, C., 2019. The ‘real man’ wearing high heels and dreaming of Madonna “When I change a different consciousness emerges” (하이힐 신고 마돈나 꿈꾼 ‘상남자’ “둔갑하면 다른 자아가 생겨요”) [online]. Chungang Sunday, 23 Feb. Available from: https://news.joins.com/article/23393737?fbclid=iwar0wlc3liwilt74u3-tf9ujl5bm2ap_erqlbhkzd7gvgjmgy7rrn0a7dnfo [Accessed 23 May 2020].
- Yu, Y., 2013. Current Status of the Traditions of Pansori and the Means of Preservation– about Selecting Important Intangible Treasure (판소리 전승 현황과 보존 방안). P’ansori yŏn’gu, 36, 351–387.