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Rock Music Studies Volume 5, 2018 - Issue 3: Global Psychedelia and Counterculture
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Articles

Italian Progressive Rock as Indigenous Psychedelia

Scott B. MontgomerySchool of Art and Art History, University of Denver, Denver, CO, USACorrespondence[email protected]
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Pages 291-307 | Published online: 03 Sep 2018

Works Cited

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  • Fabbri, Franco, and Goffredo Plastino. “Introduction: An Egg of Columbus: How Can Italian Popular Music Studies Stand on Their Own?.” Made in Italy, Studies in Popular Music. Ed.. Franco Fabbri and Goffredo Plastino. New York, NY: Routledge, 2014, 1–12.
  • Hicks, Michael. Sixties Rock. Garage, Psychedelic & Other Satisfactions. Urbana: U of Illinois P. 1999.
  • Lucky, Jerry. 20th Century Rock and Roll—Progressive Rock. Collector’s Guide Publishing. 2000.
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  • Martin, Bill. Avant Rock: Experimental Music from the Beatles to Björk. Peru, IL: Open Court. 2002.
  • Pescetelli, Claudio. Nudi & crudi! Piccola storia dei Festival Pop italiani. Volume primo: Maggio 1968/maggio 1972. Milan: Editrice Zona. 2010.
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  • Romano, Will. Mountains Come Out of the Sky. The Illustrated History of Prog Rock. Milwaukee: Backbeat Books. 2010.
  • Romano, Will. Prog Rock FAQ. All That’s Left to Know about Rock’s Most Progressive Music. Milwaukee: Backbeat Books. 2014.
  • Romano, Will. Close to the Edge: How Yes’s Masterpiece Defined Prog Rock. Milwaukee: Backbeat Books. 2017.
  • Scaruffi, Piero. A History of Rock and Dance Music: From the Guitar to the Laptop, from Chicago to Shanghai, Volume 1 (1951–1989). self published: Piero Scaruffi. 2009.
  • Stump, Paul. The Music’s All That Matters. Chelmsford: Harbour Books. 2010.
  • Trifirò, Gian Piero. Le Orme. Storia e Leggenda. 1998. Sanremo: Aurora Ormea. 2006.
  • Walker, Greg. “Selling England (And Italy) by the Pound: Performing National Identity in the First Phase of Progressive Rock: Jethro Tull, King Crimson and PFM.” Performing National Identity: Anglo-Italian Cultural Transactions. Ed. Manfred Pfister and Ralf Hertel. Amsterdam: Rodopi, 2008, 287–306.

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