582
Views
2
CrossRef citations to date
0
Altmetric
Article

“They’ve Got a Bomb”: Sounding Anti-nuclearism in the Anarcho-punk Movement in Britain, 1978–84

ORCID Icon

Works cited

  • Bennett, Samantha. “Recording the Musical Underworld: John Loder’s Southern Sonic Style.” Paper presented at International Association for the Study of Popular Music (UK & Ireland) Biennial Conference, 2014, University College, Cork.
  • Bennett, Samantha. “Songs about Fucking: John Loder’s Southern Studios and the Construction of a Subversive Sonic Signature.” Journal of Popular Music Studies, vol. 29, no. 2, 2017, pp. 1–14. doi:10.1111/jpms.2017.29.issue-2.
  • Berger, George. The Story of Crass. Omnibus, 2008.
  • Carr, Gordon. The Angry Brigade: A History of Britain’s First Guerrilla Group. PM Press, 2010.
  • Cline, John, and Robert G. Weiner. “A Screaming Comes across the Dial: Country, Folk, and Atomic Protest Music.” The Routledge History of Social Protest in Popular Music, edited by Jonathan C. Friedman, Routledge, 2013, pp. 94–107.
  • Crass. “In Which Crass Voluntarily ‘Blow Their Own’.” Sleeve Insert with Best before 1984, Crass Records, 1986. 12” double album.
  • _____. “Crass-Video-Live Conway Hall, Holborn, London—1979.” YouTube, uploaded by 217018s, 9 Mar. 2016, https://www.youtube.com/watch?v=ESxWWH2FlmU.
  • Cross, Richard. “The Hippies Now Wear Black: Crass and Anarcho-punk, 1977–1984.” Socialist History, vol. 26, 2004, pp. 25–44. https://thehippiesnowwearblack.files.wordpress.com/2014/05/the_hippies_now_wear_black_11_may_2014.pdf. Accessed 16 Apr. 2019.
  • Cross, Richard. “‘Take the Toys from the Boys’: Gender, Generation and Anarchist Intent in the Work of Poison Girls.” Punk and Post-Punk, vol. 3, no. 2, 2014, pp. 117–45. doi:10.1386/punk.3.2.117_1.
  • Cross, Richard. “‘There Is No Authority but Yourself’: The Individual and the Collective in British Anarcho-punk.” Music and Politicsi, vol. 4, no. 2, 2010, pp. 1–20. http://quod.lib.umich.edu/m/mp/9460447.0004.203?view=text;rgn=main Accessed 6 Sept. 2018.
  • Cross, Richard. “‘Stop the City Showed Another Possibility’: Mobilisation and Movement in Anarcho-punk.” The Aesthetic of Our Anger: Anarcho-Punk, Politics, and Music, edited by Mike Dines and Matthew Worley, Autonomedia/Minor Compositions, 2016, pp. 117–55.
  • Dalton, Chris. Personal correspondence with the author. Email, 27 June, 10 July 2019.
  • Dines, Mike, and Matthew Worley, editors. The Aesthetic of Our Anger: Anarcho-Punk, Politics, and Music. Autonomedia/Minor Compositions, 2016.
  • Duffield, Mick, director. Christ: The Movie. Exitstencil Press, 1990. Re-released on DVD 2016.
  • Feigenbaum, Anna. Tactics and Technology: Cultural Resistance at the Greenham Common Women’s Peace Camp. 2008. McGill University, PhD dissertation.
  • Fisher, Mark. “Mark Stewart Unedited Transcript.” The Wire, July 2008, https://www.thewire.co.uk/in-writing/interviews/mark-stewart-unedited-transcript. Accessed 16 June 2019.
  • Glasper, Ian. The Day the Country Died: A History of Anarcho Punk, 1980–1984. 2nd ed., PM Press, 2014.
  • Grace's Guide. “Thorn EMI.” https://www.gracesguide.co.uk/Thorn_EMI. Accessed 15 Apr. 2019.
  • Hegarty, Paul. Noise/Music: A History. Continuum, 2007.
  • Hesmondhalgh, David. “Indie: The Institutional Politics and Aesthetics of a Popular Music Genre.” Cultural Studies, vol. 13, no. 1, 1999, pp. 34–61. doi:10.1080/095023899335365.
  • Ignorant, Steve, with Steve Pottinger. The Rest Is Propaganda. Southern Records, 2010.
  • Irwin, Colin. “Power to the People.” The Guardian, 10 Aug. 2008. http://www.theguardian.com/music/2008/aug/10/folk.politicsandthearts. Accessed 24 Mar. 2019.
  • Kennedy, Will. “Steve Ignorant: Crass Politics.” Interview. Unbelievablybad, June 2011, http://unbelievablybadmag.com/2016/01/15/crass-politics/. Accessed 9 Apr. 2019.
  • Lake, Steve. Zounds Demystified. Active Distribution, 2013.
  • Lohman, Kirsty, and Matthew Worley. “Bloody Revolutions: Fascist Dreams, Anarchy and Peace: Crass, Rondos, and the Politics of Punk, 1977–84.” Britain and the World, vol. 11, no. 1, 2018, pp. 51–74. doi:10.3366/brw.2018.0287.
  • Lütticken, Sven. “Apocalypse (Not) Now.” The Nordic Journal of Aesthetics, vol. 49–50, 2015, pp., 39–61.
  • Lydon, John, with Andrew Perry. Anger Is an Energy: My Life Uncensored. Simon & Schuster, 2014.
  • Manabe, Noriko. “The No Nukes 2012 Concert and the Role of Musicians in the Anti-nuclear Movement.” The Asia-Pacific Journal, vol. 10, no. 2, 2012. https://apjjf.org/2012/10/29/Noriko-Manabe/3799/article.html Accessed 17 Sept. 2018.
  • Manabe, Noriko. “Responses to Peter Manuel’s ‘world Music and Activism since the End of History [sic]’.” Music & Politics, vol. 11, no. 1, 2017, https://quod.lib.umich.edu/m/mp/9460447.0011.102/. Accessed Aug. 25 2018.
  • Manabe, Noriko, and Jessica Schwartz, editors. Nuclear Music. Oxford UP, 2020.
  • McKay, George. “Gee Vaucher’s Punk Painting as Record Sleeve.” Gee Vaucher: Introspective, edited by Stevphen Shukaitis, Autonomedia/Minor Compositions, 2016, pp. 66–78.
  • McKay, George. “Subcultural Innovations in the Campaign for Nuclear Disarmament.” Peace Review, vol. 16, no. 4, 2004, 429–38. doi:10.1080/1040265042000318653.
  • Nuttall, Jeff. Bomb Culture. Paladin, 1968.
  • Official Charts. “All the Number 1 Singles.” http://www.officialcharts.com/chart-news/all-the-number-1-singles__7931/#1980s. Accessed 17 Sept. 2018.
  • Ogg, Alex. “For You, Tommy, the War Is Never Over.” Punk and Post-Punk, vol. 2, no. 3, 2013, pp. 281–304. doi:10.1386/punk.2.3.281_1.
  • Pouncy, Edwin. “Tea and Anarchy.” Sounds, 20 June 1981. Reprinted at http://punkrocker.org.uk/gigreviews/teananarchy.html. Accessed 16 Apr. 2019.
  • Rimbaud, Penny. “The Last of the Hippies: An Hysterical Romance.” Crass, editor. A Series of Shock Slogans and Mindless Token Tantrums. Exitstencil Press, 4–14. Pamphlet included with Christ: The Album. Crass Records, 1982.
  • Rimbaud, Penny. “Personal correspondence with the author.” Email, 26 June 2019.
  • Rimbaud, Penny. Shibboleth: My Revolting Life. AK Press, 1998.
  • Roseneil, Sasha. Disarming Patriarchy: Feminism and Political Action at Greenham. Open UP, 1995.
  • Savage, Jon. England’s Dreaming: Sex Pistols and Punk Rock. Faber, 1991.
  • Shaffer, Ryan. “The Soundtrack of Neo-fascism: Youth and Music in the National Front.” Patterns of Prejudice, vol. 47, no. 4–5, 2013, pp. 458–82. doi:10.1080/0031322X.2013.842289.
  • Sheppard, Oliver. “The Postpunk Legacy of Crass Records.” Souciant, 9 July 2012, http://souciant.com/2012/07/the-postpunk-legacy-of-crass-records/. Accessed 16 Apr. 2019.
  • Shukaitis, Stevphen, editor. Gee Vaucher: Introspective. Autonomedia/Minor Compositions, 2016.
  • Solomons, David. “A Blue Tomato and A Packet of Gauloises.” The Aesthetic of Our Anger: Anarcho-Punk, Politics, and Music, edited by Mike Dines and Matthew Worley, Autonomedia/Minor Compositions, 2016, pp. 21–41.
  • Street, John. Music and Politics. Polity, 2012.
  • Thompson, Stacy. “Crass Commodities.” Popular Music and Society, vol. 27, no. 3, 2004a, pp. 307–22. doi:10.1080/03007760410001733152.
  • Thompson, Stacy. Punk Productions: Unfinished Business. State U of New York P, 2004b.
  • Titus, A. Costandina, and Jerry L. Simich. “From ‘Atomic Bomb Baby’ to ‘Nuclear Funeral’: Atomic Music Comes of Age, 1945–1990.” Popular Music and Society, vol. 14, no. 4, 1990, pp. 11–37. doi:10.1080/03007769008591410.
  • Tompkins, Andrew S. Better Active than Radioactive! Anti-Nuclear Protest in 1970s France and West Germany. Oxford UP, 2016.
  • Toxic Graffitti. “Crass Interview.” No. 3, June/July, pp. 4–10, 1979.
  • Triggs, Teal. “Scissors and Glue: Punk Fanzines and the Creation of a DIY Aesthetic.” Journal of Design History, vol. 19, no. 1, 2006, pp. 69–83. doi:10.1093/jdh/epk006.
  • Unterberger, Richie. “G Sus Interview.” Perfect Sound Forever, 1996, http://www.furious.com/perfect/gsus.html. Accessed 16 Apr. 2019.
  • Wallace, Roy, director. The Day the Country Died: A History of Anarcho-Punk, 1980–1984. Cherry Red Films, 2006.
  • Worley, Matthew. No Future: Punk, Politics and British Youth Culture, 1976–1984. Cambridge UP, 2017.
  • Worley, Matthew. “One Nation under the Bomb: The Cold War and British Punk to 1984.” Journal for the Study of Radicalism, vol. 5, no. 2, 2011, pp. 65–83. doi:10.1353/jsr.2011.0015.
  • Worley, Matthew. “Shot by Both Sides: Punk, Politics and the End of ‘consensus’” Contemporary British History, vol. 26, no. 3, 2012, pp. 333–54. doi:10.1080/13619462.2012.703013.

Discography

  • Crass. “They’ve Got a Bomb.” The Feeding of the Five Thousand, Small Wonder Records, 1978a.
  • _____. “Women.” The Feeding of the Five Thousand, Small Wonder Records, 1978b.
  • _____. “Contaminational Power.” Stations of the Crass, Crass Records, 1979a.
  • _____. “Mother Earth.” Stations of the Crass, Crass Records, 1979b.
  • _____. “White Punks on Hope.” Stations of the Crass, Crass Records, 1979c.
  • ____. “Nagasaki Nightmare”/“Big A Little A.” Crass Records, 1980.
  • _____. “Bumhooler.” Christ: The Album, Crass Records, 1982.
  • _____. “You’re Already Dead”/“Nagasaki Is Yesterday’s Dog-end”/“Don’t Get Caught.” Crass Records, 1984.
  • Sex Pistols. “God Save the Queen”/“Did You No Wrong.” Virgin Records, 1977.
  • Special Duties. “CND (campaign for Nuclear Destruction).” ’77 in ’82, Rondelet Records, 1982.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.