Aesthetic experience and analytic process

References

• Almèn, B. (2008). Jung's function-attitudes in music composition and discourse. In S. Rowland (Ed.), Psyche and the arts (pp. 117–127). London: Routledge.
   Google Scholar
• Appelbaum, S. A. (1966). Speaking with the second voice: Evocativeness. Journal of the American Psychoanalytic Association, 14, 462–477. doi:10.1177/000306516601400302
   PubMed Web of Science ®Google Scholar
• Beebe, J. (2010). Psychotherapy in the aesthetic attitude. Journal of Analytical Psychology, 55, 165–186. doi:10.1111/j.1468-5922.2010.01835.x
   PubMed Web of Science ®Google Scholar
• Bollas, C. (1978). The aesthetic moment and the search for transformation. Annual of Psychoanalysis, 6, 385–394.
   Google Scholar
• Bollas, C. (1989). The shadow of the object. New York, NY: Columbia University Press.
   Google Scholar
• Boston Change Process Study Group. (2010). Change in psychotherapy: A unifying paradigm. New York, NY: Norton.
   Google Scholar
• Budd, M. (2008). Aesthetic essence. In R. Shusterman & A. Tomlin (Eds.), Aesthetic experience. New York and London: Routledge.
   Google Scholar
• Changeux, J. (2005). Creation, art and the brain. In J. Changeux, A. Damasio, W. Singer, & Y. Christen (Eds.), Neurobiology of human values (pp. 1–10). Berlin: Springer-Verlag.
   Google Scholar
• Connolly, A. (2008). Jung in the twilight zone: The psychological functions of the horror film. In S. Rowland (Ed.), Psyche and the arts (pp. 128–138). London: Routledge.
   Google Scholar
• Covington, C. (1995). No story, no analysis? Journal of Analytical Psychology, 40, 405–417. doi:10.1111/j.1465-5922.1995.00405.x
   Web of Science ®Google Scholar
• Damasio, A. (1994). Descartes' error: Emotion, reason, and the human brain. New York, NY: Avon Books.
   Google Scholar
• Damasio, A. (2009). Evolutionary origins of art and aesthetics: Art and emotion. CARTA Conference, Salk Institute, San Diego, CA.
   Google Scholar
• Dissanayake, E. (1995). Homo aestheticus: Where art comes from and why. Seattle, WA: University of Washington Press.
   Google Scholar
• Dutton, D. (2010). The art instinct: Beauty, pleasure, and human evolution. New York, NY: Bloomsbury USA.
   Google Scholar
• Freud, S. (1930). Civilization and its discontents. SE XXI. London: Hogarth Press.
   Google Scholar
• Freud, S. (1933). New introductory lectures on psycho-analysis. SE XXII, 5–182. London: Hogarth Press.
   Google Scholar
• Freud, S. ( 1905/1976). Three essays on the theory of sexuality. New York, NY: Basic Books.
   Google Scholar
• Glover, N. (2009). Psychoanalytic aesthetics. London: Karnac.
   Google Scholar
• Hagman, G. (2005). Aesthetic experience: Beauty, creativity, and the search for the ideal. Amsterdam, NY: Rodopi.
   Google Scholar
• Hillman, J. (1983). Interviews. Dallas, TX: Spring.
   Google Scholar
• Hillman, J. (1998). The practice of beauty. In B. Beckley & D. Shapiro (Eds.), Uncontrollable beauty: Toward a new aesthetics (pp. 261–274). New York, NY: Allworth Press.
   Google Scholar
• Hillman, J., & Ventura, M. (2007). We've had a hundred years of psychotherapy – and the world's getting worse. New York, NY: Harper-Collins.
   Google Scholar
• Honan, D. (2011). This is your brain on Shakespeare. Retrieved from http://bigthink.com/how-to-think-like-shakespeare/this-is-your-brain-on-shakespeare
   Google Scholar
• Jung, C. G. (1948). Instinct and the unconscious. CW8. Princeton, NJ: Princeton University Press.
   Google Scholar
• Jung, C. G. (1950). Psychology and literature. CW15. Princeton, NJ: Princeton University Press.
   Google Scholar
• Jung, C. G. (1954). On the nature of the psyche. In CW8. Princeton, NJ: Princeton University Press.
   Google Scholar
• Jung, C. G. (1961). Memories, dreams, reflections. London and New York: Routledge.
   Google Scholar
• Jung, C. G. ( 1921/1971). Psychological types. CW6. Princeton, NJ: Princeton University Press.
   Google Scholar
• Jung, C. G. ( 1916/1980). The transcendent function. CW8. Princeton, NJ: Princeton University Press.
   Google Scholar
• Jung, C. G. (2012). The red book. New York, NY: W.W. Norton.
   Google Scholar
• Knoblauch, S. (2000). The musical edge of the therapeutic dialogue. Hillsdale, NJ: The Analytic Press.
   Google Scholar
• Lacey, S., Stilla, R., & Sathian, K. (2012). Metaphorically feeling: Comprehending textural metaphors activates somatosensory cortex. Brain & Language, 120, 416–421. doi:10.1016/j.bandl.2011.12.016
   PubMed Web of Science ®Google Scholar
• Lagana, L. (2007). Jungian aesthetics: A reconsideration. Paper given at the International Congress of Aesthetics – Aesthetics Bridging Cultures, July 9–13, Ankara, Turkey.
   Google Scholar
• Likierman, M. (1989). Clinical significance of aesthetic experience. International Review of Psycho-Analysis, 16, 133–150.
   Google Scholar
• Meltzer, D. (1973). On the apprehension of beauty. Contemporary Psychoanalysis, 9, 224–229. doi:10.1080/00107530.1973.10745276
   Web of Science ®Google Scholar
• Meltzer, D., & Williams, M. H. (1988/2008). The apprehension of beauty: The role of aesthetic conflict in development, art, and violence. London: Karnac.
   Google Scholar
• Menke, C. (2008). The dialectic of aesthetics. In R. Shusterman & A. Tomlin (Eds.), Aesthetic experience. New York and London: Routledge.
   Google Scholar
• Modell, A. H. (1989). The psychoanalytic setting as a container of multiple levels of reality: A perspective on the theory of psychoanalytic treatment. Psychoanalytic Inquiry, 9, 67–87. doi:10.1080/07351698909533755
   Google Scholar
• Nagel, J. (2013). Melodies of the mind: Connections between psychoanalysis and music. London: Routledge.
   Google Scholar
• Ogden, T. (1995). Analysing forms of aliveness and deadness of the transference- countertransference. International Journal of Psycho-Analysis, 76, 695–709.
   PubMed Web of Science ®Google Scholar
• Ogden, T. (1997). Some thoughts on the use of language in psychoanalysis. Psychoanalytic Dialogues, 7, 1–21. doi:10.1080/10481889709539164
   Google Scholar
• Ogden, T. (1998). A question of voice in poetry and psychoanalysis. Psychoanalytic Quarterly, 67, 426–448.
   PubMed Web of Science ®Google Scholar
• Ogden, T. (1999). The music of what happens in poetry and psychoanalysis. International Journal of Psycho-Analysis, 80, 979–994. doi:10.1516/0020757991599197
   PubMed Web of Science ®Google Scholar
• Philipson, M. (1963). Outline of Jungian aesthetics. Evanston, IL: Northwestern University Press.
   Google Scholar
• Ramachandran, V. S. (2009). Aesthetic universals and the neurology of art. CARTA Conference, Salk Institute, San Diego, CA.
   Google Scholar
• Ramachandran, V. S., & Hirstein, W. (1999). The science of art: A neurological theory of aesthetic experience. Journal of Consciousness Studies, 6, 15–51.
   Google Scholar
• Rose, G. (2004). Between couch and piano: Psychoanalysis, music, art and neuroscience. New York, Sussex: Brunner-Routledge.
   Google Scholar
• Sandler, J., & Dreher, A. (1996). What do psychoanalysts want? London: Routledge.
   Google Scholar
• Schenk, R. (1992). The soul of beauty: A psychological investigation of appearance. Lewisburg, PA: Bucknell University Press.
   Google Scholar
• Segal, H. (1952). A psycho-analytical approach to aesthetics. International Journal of Psycho-Analysis, 33, 196–207.
   PubMed Web of Science ®Google Scholar
• Spence, D. (1982). Narrative truth and historical truth: Meaning and interpretation in psychoanalysis. New York, NY: W.W. Norton.
   Google Scholar
• Tomlin, A. (2008). Introduction: Contemplating the undefinable. In R. Shusterman & A. Tomlin (Eds.), Aesthetic experience (pp. 1–13). New York and London: Routledge.
   Google Scholar
• Vartanian, O., & Goel, V. (2004). Neuroanatomical correlates of aesthetic preference for paintings. Cognitive Neuroscience and Neuropsychology, 15, 893–897.
   PubMed Web of Science ®Google Scholar
• Winborn, M. (2014). Watching clouds together: Analytic reverie and participation mystique. In M. Winborn (Ed.), Shared realities: Participation mystique and beyond (pp. 70–96). Skiatook, OK: Fisher King Press.
   Google Scholar
• Wojtkowski, S. (2009). Jung's art complex. ARAS/Art and Psyche Online Journal, (3), 1–37.
   Google Scholar