Embodied exploratory processes in Australian performance training and international influences

References

• Alfreds, M . 2008. Different Every Night . London: Nick Hern Books.
   Google Scholar
• Alfreds, M . 2013. Then What Happens? Storytelling and Adapting for Theater . London: Nick Hern Books.
   Google Scholar
• Arrighi, G . 2013. “The Rediscovery of the Mask.” In The Routledge Companion to Jacques Lecoq , edited by M. Evans and R. Kemp , 27–34. London: Routledge.
   Google Scholar
• Baldwin, J . 2018. “Michel Saint-Denis: Theatre as Exploration.” In Great European Stage Directors: Antoine, Stanislavski and Saint-Denis , edited by P. Tait , 137–159. London: Bloomsbury.
   Google Scholar
• Beddie, M . 2018. “Diagrams of Influence: A Model for Charting Artistic Lineages.” Australasian Drama Studies 72: 126–148.
   Google Scholar
• Beddie, M . 2019. “Exploring Impulse Work and Active Analysis in Practice.” Stanislavski Studies 7 (1): 57–69. doi:10.1080/20567790.2019.1576108
   Web of Science ®Google Scholar
• Berry, C . 1973. The Voice and the Actor . New York: Wiley.
   Google Scholar
• Brook, P . 1972. The Empty Space . Harmondsworth: Penguin.
   Google Scholar
• Canadian Theatre Encyclopedia . 2009. Thomas, Powys . http://www.canadiantheatre.com/dict.pl?term=Thomas%2C%20Powys
   Google Scholar
• Davies, L . n.d. “The Autonomous Actor.” Unpublished manuscript, a detailed record of the curriculum under Davies, Victorian College of the Arts, University of Melbourne.
   Google Scholar
• Eckersall, P. , and Y. Prior . 2008. “Lineages, Training, Techniques and Tradition: Rethinking the Place of Rusden in Melbourne’s Contemporary Theatre – A Roundtable Discussion.” Australasian Drama Studies: Lineages, Techniques, Training and Tradition 53: 58–73.
   Google Scholar
• Evans, M . 2006. Jacques Copeau . London: Routledge.
   Google Scholar
• Evans, M. , and R. Kemp . 2013. The Routledge Companion to Jacques Lecoq . London: Routledge.
   Google Scholar
• Everett, L . 2007. “Moving Bodies: Jacques Lecoq and Drama Education in Australia.” NJ (Drama Australia Journal) 31 (2): 73–82.
   Google Scholar
• Everett, L . 2008. “Jacques Lecoq’s Bouffons in Australia.” Australasian Drama Studies: Lineages, Techniques, Training and Tradition 53: 168–185.
   Google Scholar
• Fettes, C . 1989. “The Drama Centre, London.” In Masters of the Stage: British Acting Teachers Talk about Their Craft , edited by E. Mekler , 71–78. New York: Grove Weidenfeld.
   Google Scholar
• Gerstle, T . 2008. “Pulse: A Physical Approach to Staging Text.” Masters thesis, University of Melbourne.
   Google Scholar
• Goodall, J . 2008. Stage Presence . Milton Park: Routledge.
   Google Scholar
• Grotowski, J . 1984. Towards a Poor Theatre . London: Methuen.
   Google Scholar
• Hamilton, M . 2011. Transfigured Stages . Amsterdam: Rodopi/Brill.
   Google Scholar
• Hayes, J . 2010. The Knowing Body: Yat Malmgren’s Acting Technique . Saarbrücken: VDM.
   Google Scholar
• Heathcote, D . 1984. Dorothy Heathcote: Collected Writings on Education and Drama . London: Hutchinson.
   Google Scholar
• Hodge, A . 2000. Twentieth Century Actor Training . London: Routledge.
   Google Scholar
• Hodgson, J . 1998. Mastering Movement: The Life and Work of Rudolf Laban . London: Methuen Drama.
   Google Scholar
• Kendall, D . 1984. “Actor Training in Australia.” Meanjin 43 (1): 155–160.
   Web of Science ®Google Scholar
• Kiernander, A . 2014. John Bell, Shakespeare and the Quest for a New Australian Theatre . Amsterdam: Rodopi/Brill.
   Google Scholar
• Linklater, K . 1976. Freeing the Natural Voice . New York: Drama Book Specialists.
   Google Scholar
• Maxwell, I . 2008. “All Exercise Sessions to Take Place in Complete Silence’: Performance Syndicate and the Rise and Fall of the Grotowskian Ideal 1969–1974.” Australasian Drama Studies 53: 17–41.
   Google Scholar
• Maxwell, I . 2009. A Raffish Experiment: The Selected Writings of Rex Cramphorn . Sydney: Currency Press.
   Google Scholar
• Meyrick, J . 2002. See How It Runs: Nimrod and the New Wave . Sydney: Currency Press.
   Google Scholar
• Murphet, R . 2019. Acts of Resistance in Late-Modernist Theatre . Leiden: Brill.
   Google Scholar
• O’Connor, B . 2001. “Mapping Training/Mapping Performance: Current Trends in Australian Actor Training.” In Performer Training: Developments across Cultures , edited by I. Watson , 47–60. Amsterdam: Harwood Academic Publishers.
   Google Scholar
• Ogilvie, G . 2006. Simple Gifts: A Life in the Theatre . Sydney: Currency.
   Google Scholar
• Oyston, P . 2003. How to Use the Stanislavski System . Ormond, VIC: Full Moon Films.
   Google Scholar
• Pascoe, R . 2000. Drama and Theatre: Key Terms and Concepts . Perth: Stage Page.
   Google Scholar
• Pender, A . 2016a. “Learning to Act: Tony Sheldon’s Emotional Training in Australian Theatre.” Humanities 5 (3): 72–10. doi:10.3390/h5030072
   Google Scholar
• Pender, A . 2016b. Players: Australian Actors on Stage, Television and Film . AustLit Online. https://www.austlit.edu.au/austlit/page/10628835
   Google Scholar
• Pender, A. and S. Lever , eds. 2008. Nick Enright: An Actor’s Playwright . Amsterdam: Rodopi.
   Google Scholar
• Rogers, M . 2016. The Mill: Experiments in Theatre and Community . Melbourne: Australian Scholarly Publishing.
   Google Scholar
• Roy, D . 2016. “Masks as a Method: Meyerhold to Mnouchkine.” Cogent Arts & Humanities 3 (1). doi:10.1080/23311983.2016.1236436
   PubMedGoogle Scholar
• Rush, G . 2013. “Foreword.” In The Routledge Companion to Jacques Lecoq , edited by M. Evans and R. Kemp , xv. London: Routledge.
   Google Scholar
• Saunders, G. , and J. Bull . 2016. British Theatre Companies . London: Bloomsbury.
   Google Scholar
• Schechner, R . 1988. Performance Theory . New York: Routledge.
   Google Scholar
• Tait, P. , 2007. Kemp, Jenny. In The Columbia Encyclopedia of Modern Drama , edited by G. Cody and E. Sprinchorn , 760–761. New York: Columbia University Press.
   Google Scholar
• Tait, P. , and M. Beddie . 2019. “International Connections in Actor Training in Australia: Tracing Stanislavski’s System and Brechtian Politics.” Stanislavski Studies 7 (2): 159–175. doi:10.1080/20567790.2019.1649899
   Web of Science ®Google Scholar
• Wain, A . 2005. “Acting and Essence: Experiencing Essence, Presence and Archetype in the Acting Traditions of Stanislavski and Copeau.” Doctorate, University of Western Sydney.
   Google Scholar
• Wolf, G . 2008. Make It Australian . Sydney: Currency Press.
   Google Scholar