Works cited
- Barad, Karen. 2003. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society 28 (3): 801–831. https://doi.org/10.1086/345321
- Bennett, Jane. 2004. “The Force of Things: Steps toward an Ecology of Matter.” Political Theory 32 (3): 347–372. https://doi.org/10.1177/0090591703260853
- Bennett, Jane. 2010. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke University Press.
- Berzowska, Joanna. 2005. “Electronic Textiles: Wearable Computers, Reactive Fashion, and Soft Computation.” Textile 3 (1): 58–75. https://doi.org/10.2752/147597505778052639
- Berzowska, Joanna. 2005. “Memory Rich Clothing: Second Skins That Communicate Physical Memory.” In Proceedings of the 5th Conference on Creativity & Cognition, 32–40. New York, NY, USA: Association for Computing Machinery.
- Bugg, Jessica. 2016. “Drawing with the Body and Cloth.” In Embodied Performance: Design, Process, and Narrative, edited by Sadia Zoubir-Shaw, 67. Oxford: Inter-Disciplinary Press.
- Brown, Bill. 2001. “Thing Theory.” Critical Inquiry 28 (1): 1–22. https://doi.org/10.1086/449030
- Day, Christina. “The History, Art, & Design of Linoleum: Never Before, Forever with Professor Christina P. Day.” https://www.youtube.com/watch?v=0QQuYZbWJl8.
- Day, Helene Fraser, and Keith Doyle. n.d. “Clothing as Conversation.” http://clothingasconversation.com/conversations.
- Forsythe, William. n.d. “Choreographic Objects.” http://www.williamforsythe.de/essay.html.
- Forsythe, William. 2014. Thought in the Act, Passages in the Ecology of Experience, Erin Manning and Brian Massumi. Minneapolis: University of Minnesota Press.
- Ingold, Tim. 2013. Making: Anthropology, Archaeology, Art and Architecture. London and New York: Routledge.
- Karen, Barad. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.
- Lepecki, André. 2016. Singularities: Dance in the Age of Performance, 33. Abingdon, Oxon; New York, NY: Routledge.
- Merleau-Ponty, Maurice. 1964. The Primacy of Perception. Evanston: Northwestern University Press.
- Mitchell, Melanie. 2009. Complexity: A Guided Tour. USA: Oxford University Press.
- Rainer, Yvonne. 1968. “A Quasi Survey of Some Minimalistic’ Tendencies in the Quantitatively Minimal Dance Activity Amidst the Plethora, or an Analysis of Tio A.” In Minimal Art: A Critical Anthology, edited by Gregory Battcock, 269. New York: E.P. Dutton.
- Smitheram, Miranda, and Frances Joseph. 2020. “Material-Aesthetic Collaborations: Making with the Ecosystem.” CoDesign 16 (4): 293–310. https://doi.org/10.1080/15710882.2020.1841796