Bibliography
- Anahita, J. M. “Dancing on Shaky Ground: The Power-laden Interactions between Exotic Dancers and Their Customers.” In Retrospective Theses and Dissertations. Iowa: Iowa State University, 2000. https://doi.org/10.31274/rtd-180813-7897. Accessed 12 February 2018.
- “Arson act in history heap”, The Telegraph, 16 November 2001.
- “Artists Protest Curtain Call for Theatre”. The Asian Age Calcutta: (1November 1997).
- Banerjee, S. In the Wake of Naxalbari. Kolkata: Sahitya Samsad, 2008.
- Berson, J. “The Naked Result: How Exotic Dance Became Big Business.” Oxford Scholarship online (January 2016) doi:10.1093/acprof:oso/9780199846207.001.0001.
- Biswas, A. K. “The Fires of Bathos, Tragedy or Farce? Calcutta Loses Its Third Auditorium in a Decade”, 3 December 2001, https://www.outlookindia.com/magazine/story/the-fires-of-bathos/213882, accessed 1 July 2016.
- Chakraborty, A. Kolkatar Cabaret: Bangali, Younata Ebang Miss Shefali. Kolkata: Gangchil, 2020.
- Chakravarty, D., and I. Chakravarty. “Women, Labour and the Economy in India: From Migrant Menservants to Uprooted Girl Children Maids.” In Studies in the Growth Economies of Asia. New York: Routledge, 2016.
- Chatterjee, S., and J. Chatterjee. “On a Cold Night, They Sizzle Forever, O. Calcutta Cabarets!” Society, October (1982), 76–81.
- Chatterjee, J. “Usha Uthup: Up, Close and Personal”, Society, May 1981, http://societymag.co.in/article/sepia-memories/from-the-archive-usha-uthup-up-close-and-personal/4206, accessed on 1 May 2016.
- Chowdhury, N. Sanskriti, Shilpa O Sahitya. Calcutta: Manobani, 1985.
- Daily Excelsior, “Usha Uthup: With a Song in Her Heart”, 29/September/2019.https://www.dailyexcelsior.com/usha-uthup-with-a-song-in-her-heart/, accessed on 10 January 2020.
- Dahinden, J. “Cabaret Dancers: “Settle down in order to Stay Mobile?” Bridging Theoretical Orientations within Transnational Migration Studies.” Social Politics 17, no. 3 (2010): 323–348. doi:10.1093/sp/jxq009.
- Dalwai, S. Bans and Bar Girls: Performing Caste in Mumbai’s Dance Bars. New Delhi: Women Unlimited, 2019.
- Dasgupta, P. “Of Love, Lust and Miss Shefali: Why Did Ray’s Bengal Find It Difficult to Accept Its Queen of Cabaret?” 9 February 2020 Accessed 15 February, https://timesofindia.indiatimes.com/blogs/priyanka-dasgupta-blog/.
- Dorin, S. “Jazz and Race in Colonial India: The Role of Anglo-Indian Musicians in the Diffusion of Jazz in Calcutta.” Jazz Research Journal 4, no. 2 (2010): 123–140.
- Egan, D. Dancing for Dollars and Paying for Love: The Relationships between Dancers and Their Regular Customers. New York: Palgrave Macmillan, 2006. January.
- “Fire Destroys Rangmahal”, The Statesman, 30 August 2001.
- Frank, K. “Thinking Critically about Strip Club Research.” Sexualities 10, no. 4 (2007): 501–517. doi:10.1177/1363460707080989.
- Gooptu, S. Bengali Cinema: An Other Nation, New. Delhi: Roli Books, 2010.
- Guha, P. “Who Will Marry Girls like Us!” Sunday, 9(9), August 16 (1981): 15. Accessed 15 February 2020.
- Hanna, J. L. “Dance and Sexuality: Many Moves.” Journal of Sex Research 47, no. 2–3 (2010a): 212–241. doi:10.1080/00224491003599744.
- Hanna, J. L. “Empowerment: The Art of Seduction in Adult Entertainment Exotic Dance.” In Music, Dance and the Art of Seduction, edited by K. Frank and J. Kippen, 197–221. Delft, The Netherlands: Eburon Academic Publishers, University of Chicago, 2013.
- Hanna, J. L. “Toxic Strip Clubs: The Intersection of Religion, Law and Fantasy.” Theology and Sexuality 16, no. 1, April (2010b): 19–58. doi:10.1558/tse.v16i1.19.
- Hubbard, P., and R. Colosi. “Respectability, Morality and Disgust in the Night-time Economy: Exploring Reactions to ‘Lap Dance’ Clubs in England and Wales.” The Sociological Review, 63(4), November 1 (2015): 1–19.
- Kundera, M. The Book of Laughter and Forgetting, translated by A. Asher. New York: Harper, 1999.
- Majumdar, S. “Ashlil Nacher Dapote Natok Konthasa.” Bartaman Dinkal, May 1-15 (1981): 10–18.
- Majumdar, S. “Kolkata’s Decadent Theatre”, https://www.livemint.com/updated, 14 August 2015, accessed 1 May 2015.
- Majumdar, S. ‘The Ashes of Pleasure: How the Curtains Came down on Calcutta’s Professional Theatre’, 1 September 2014, The Caravan, http://www.caravanmagazine.in/arts/ashes-pleasure, accessed 1 May 2015.
- Martin, N. K. “Porn Empowerment: Negotiating Sex Work and Third Wave Feminism.” Atlantis 31, no. 2 (2007): 31–41.
- “Marxist Leader fails to Silence Indian Singer”, New York Times, 4 September 1983, https://www.nytimes.com/1983/09/04/world/marxist-leader-fails-to-silence-indian-singer.html, accessed on 12 May 2016.
- Mazzarela, W. “A Different Kind of Flesh: Public Obscenity, Globalisation and the Mumbai Dance Bar Ban.” South Asia: Journal of South Asian Studies 38, no. 3 (2015): 481–494. doi:10.1080/00856401.2015.1049690.
- Mukherjee, M. “The Architecture of Songs and Music: Soundmarks of Bollywood, a Popular Form and Its Emergent Texts.” Screen Sound, no. 3 (2012): 9–34.
- Mukherjee, S. Story of Calcutta Theater. Kolkata: KP Bagchi, 1980.
- Mukhopadhyay, K. “Apasanskriti rodhe nari samajer dwaitto.” Ganashakti, February 22 (1978): 2–3.
- Mukhopadhyay, S. “Kolkatar Cabaret.” Desh (Binodon) (1973): 132–140.
- Mrs. Usha Uthup vs State Of West Bengal And Ors. 1 September, 1983. Accessed 12 January 2018, cited in https://indiankanoon.org/doc/583552.
- Morcom, A. The Illicit Worlds of Indian Dance: Cultures of Exclusion. London: Hurst, 2014.
- Nandy, P. “The Lonely Life of a Cabaret Dancer.” Sunday, August 16 (1981): 8–13.
- Narad, K. “Cabaret Katha.” Rabibar, 41, November 5-11 (1978): 6–9.
- Rasul, M. A. Sanskritir Katha. Calcutta: Usha Press, 1983.
- Roy, A. “Confronting Epochs: The Many Faces of Colonial and Postcolonial Park Street in Kolkata.” Sanglap 3, no. 2 (March, 2017): 166–203.
- Sankar. Chowringhee. New Delhi: Penguin books, 2007.
- “Singer Usha Uthup Gets Ban Threat for ‘Promoting a Decadent Culture’ in Bengal.” India Today (June 30, 1983 https://www.indiatoday.in/magazine/eyecatchers/story/19830630-singer-usha-uthup-gets-ban-threat-for-promoting-a-decadent-culture-in-bengal-770770-2013-07-19).
- Shefali, M. Sandhyarater Shefali, transcribed by S. Banerjee. Kolkata: Ananda Publishers, 2014.
- Shope, B. “The Public Consumption of Western Music in Colonial India: From Imperialist Exclusivity to Global Receptivity.” South Asia: Journal of South Asian Studies XXXI, no. 2, August (2008): 271–289. doi:10.1080/00856400802192911.
- Tripathi, S. “A Solid Base”, The Hindu, 11 October 2017 https://www.thehindu.com/entertainment/music/usha-uthup-on-her-journey-of-contrasts/article19839342.ece accessed on 12 December 2017.
- Uebel, M. “Striptopia?” Special Semiotics 14, no. number 1, April (2004): 3–19. doi:10.1080/1035033042000202898.