“WHITE TRASH”: GESTURES AND PROFANATIONS IN THE VISUAL ECONOMY OF FASHION

References

• Agamben, G. 1990. The Coming Community. Translated from the Italian by M. Hardt. Minneapolis MI: University of Minnesota Press.
   Google Scholar
• Agamben, G. 2000. Means without End: Notes on Politics. Translated from the Italian by C. Casarino and V. Binetti. Minneapolis MI: University of Minnesota Press.
   Google Scholar
• Agamben, G. 2000. Potentialities: Collected Essays in Philosophy. Stanford CA: Stanford University Press.
   Google Scholar
• Agamben, G. 2005. Profanations. Translated from the Italian by J. Fort. New York: Zone Books.
   Google Scholar
• comment
   Google Scholar
• Agamben, G. 2015. The Use of Bodies. Translated from the Italian by A. Kotsko. Stanford CA: Stanford University Press.
   Google Scholar
• Aletti, V. 2000. The Photography of Alexei Hay Fashion Victor.” Artforum International, October, 130.
   Google Scholar
• Bailey, P. 1990. “Parasexuality and Glamour: The Victorian Barmaid as Cultural Prototype.” Gender & History 2 (2): 148–17. doi:https://doi.org/10.1111/j.1468-0424.1990.tb00091.x
   Google Scholar
• Bakhtin, M. [1968] 1984. Rabelais and His World. Bloomington: Indiana University Press.
   Google Scholar
• Berlant, L. 2007. “Nearly Utopian, Nearly Normal: Post-Fordist Affect in La Promesse and Loretta.” Public Culture 19 (2): 273–301. doi:https://doi.org/10.1215/08992363-2006-036.
   Google Scholar
• Berlant, L., and E. Freeman. 1992. “Queer Nationality.” Boundary 2 19 (1): 149–180. doi:https://doi.org/10.2307/303454.
   Google Scholar
• Bérubé, A. 1997. “Sunset Trailer Park.” In White Trash: Race and Class in America, edited by M. Wray and A. Newitz, 15–39. New York: Routledge
   Google Scholar
• Bourdieu, P. 1984. Distinction: A Social Critique of the Judgment of Taste, Translated by R. Nice. Cambridge MA: Harvard University Press.
   Google Scholar
• Brown, E. H. 2012. “From Artist’s Model to the ‘Natural Girl’: Containing Sexuality in Early-Twentieth-Century Modelling.” In Fashioning Models: Image, Text and Industry, edited by J. Entwistle and E. Wissinger, 37–55. Berg: New York.
   Google Scholar
• Brown, E. H. 2017. “Queering Glamour in Interwar Fashion Photography: The “Amorous Regard” of George Platt Lynes.” GLQ 23 (3): 289–326. doi:https://doi.org/10.1215/10642684-3818429.
   Google Scholar
• Church Gibson, P. 2014. “Pornostyle: Sexualized Dress and the Fracturing of Feminism.” Fashion Theory 18 (2): 189–206. doi:https://doi.org/10.2752/175174114X13890223974588.
   Google Scholar
• Church Gibson, P., and V. Karaminas. 2014. “Letter from the Editors.” Fashion Theory 18 (2): 117–122. doi:https://doi.org/10.2752/175174114X13890223974425.
   Google Scholar
• Cohen, C. J. 1997. “Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?.” GLQ 3: 437–465. doi:https://doi.org/10.1215/10642684-3-4-437.
   Google Scholar
• Colman, D. 2000. “Our Cameras, Our Selves.” New York Magazine. Available at: http://nymag.com/nymetro/shopping/fashion/features/1942/ (Accessed: 14 February 2018)
   Google Scholar
• Dyer, R. 1997. White. London: Routledg
   Google Scholar
• Elias, N. 1978. The Civilizing Process, Vol. 1 (The History of Manners). Translated from the German by E. Jephcott. New York: Pantheon
   Google Scholar
• Evans, C. 2003. Fashion at the Edge: Spectacle, Modernity, and Deathliness. New Haven CT: Yale University Press.
   Google Scholar
• Evans, C. 2013. The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900-1929. New Haven: Yale University Press.
   Google Scholar
• Filippello, R. 2019. ““On Queer Neutrality: Disaffection in the Fashion Photo Story ‘Paradise Lost’.” Criticism 61 (3): 335–357. doi:https://doi.org/10.13110/criticism.61.3.0335.
   Google Scholar
• Halberstam, J. 2005. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: NYU Press.
   Google Scholar
• Hartigan, J. 2005. Odd Tribes: Toward a Cultural Analysis of White People. Durham: Duke University Press.
   Google Scholar
• Herring, S. 2006. “Caravaggio’s Rednecks.” GLQ: A Journal of Lesbian and Gay Studies 12 (2): 217–236. doi:https://doi.org/10.1215/10642684-12-2-217.
   Google Scholar
• Herring, S. 2014. “’Hixploitation’ Cinema, Regional Drive-Ins, and the Cultural Emergence of a Queer New Right.” GLQ 20 (1–2): 95–113. doi:https://doi.org/10.1215/10642684-2370378.
   Google Scholar
• Isenberg, N. 2016. White Trash: The 400-Year Untold History of Class in America. New York: Viking.
   Google Scholar
• Jefferson, M. 1988. “Slumming: Ain’t We Got Fun.” Vogue, March, 344–347.
   Google Scholar
• Kipnis, L. 1997. “White Trash Girl.” In White Trash: Race and Class in America, edited by M. Wray and A. Newitz, 113–130. New York: Routledge.
   Google Scholar
• Kristeva, J. 1982. Powers of Horror: An Essay on Abjection, Translated by L. S. Roudiez. New York: Columbia University Press.
   Google Scholar
• Muñoz, J. E. 2013. “Gimme Gimme This … Gimme Gimme That: Annihilation and Innovation in the Punk Rock Commons.” Social Text 31 (3): 95–110. doi:https://doi.org/10.1215/01642472-2152855.
   Google Scholar
• Negri, A. 1999. “Value and Affect.” Boundary 2. Translated by Michael Hardt. 26 (2): 77–88.
   Google Scholar
• Newitz, A. 1997. “White Savagery and Humiliation, or A New Racial Consciousness in the Media.” In White Trash: Race and Class in America, edited by M. Wray and A. Newitz, 131–152. New York: Routledge.
   Google Scholar
• Noland, C., and S. A. Ness. 2008. Migrations of Gesture. Minneapolis: University of Minnesota Press.
   Google Scholar
• Patrick, A. 2004. “A Taste for Excess: Disdained and Dissident Forms of Fashioning Femininity.” PhD thesis, University of Stirling.
   Google Scholar
• Penley, C. 1997. “Crackers and Whackers: The White Trashing of Porn.” In White Trash: Race and Class in America, edited by M. Wray and A. Newitz, 89–112. New York: Routledge.
   Google Scholar
• Spindler, A. 1993.“Trash Flash.” New York Times, September 12: 10.
   Google Scholar
• Stallybrass, P., and A. White. 1986. The Politics and Poetics of Transgression. Ithaca: Cornell University Press.
   Google Scholar
• Sweeney, G. 1997. “The King of White Trash Culture: Elvis Presley and the Aesthetics of Excess.” In White Trash: Race and Class in America, edited by M. Wray and A. Newitz, 249–266. New York: Routledge.
   Google Scholar
• Teunissen, J. 2015. “Introduction.” In Everything but Clothes: The Connection between Fashion Photography and Magazines, edited by J. Teunissen, Arnhem: ArtEZ Press and Terra Lannoo, 6–15.
   Google Scholar
• Waters, J. [1981] 2005. Shock Value: A Tasteful Book about Bad Taste. Philadelphia: Running Press.
   Google Scholar
• Waugh, T. 1996. Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall. New York: Columbia University Press.
   Google Scholar
• Wissinger, E. 2007. “Modelling a Way of Life: Immaterial and Affective Labour in the Fashion Modelling Industry.” Ephemera: Theory and Politics in Organization 7 (1): 250–269.
   Google Scholar
• Wray, M. 2006. Not Quite White: White Trash and the Boundaries of Whiteness. Durham: Duke University Press.
   Google Scholar