161
Views
0
CrossRef citations to date
0
Altmetric
Articles

Marriage, adultery, and sexuality (unelided) in Tuesday, After Christmas

References

  • Andrew, J. Dudley. 1976. The Major Film Theories: An Introduction. New York: Oxford University Press.
  • Anthony, Louise. 1995. “Sisters, Please, I’d Rather Do It Myself: A Defense of Individualism in Feminist Epistemology.” Philosophical Topics: Feminist Perspectives on Language, Knowledge, and Reality 23 (2): 59–94.
  • Barthes, Roland, and Lionel Duisit. 1975. “An Introduction to the Structural Analysis of Narrative.” New Literary History 6 (2): 237–272. Translated by Lionel Duisit. Baltimore, MD: The Johns Hopkins University Press.
  • Barthes, Roland. 1989. The Rustle of Language. Translated by Richard Howard. Berkeley: University of California Press.
  • Bazin, André. 1971. What is Cinema? Vol. II. Translated by Hugh Gray. Berkeley: University of California Press.
  • Butler, Judith. 1997. Excitable Speech: A Politics of the Performative. New YorkRoutledge.
  • Butler, Judith. 2010. Frames of War: When is Life Grievable? London: Verso.
  • Butler, Judith. 2004. Precarious Life: The Powers of Mourning and Violence. London: Verso.
  • Campbell, Kirsten. 2004. Jacques Lacan and Feminist Epistemology. London: Routledge.
  • Case, S. 1989. “‘Toward a Butch-Femme Aesthetic.” In Making a Spectacle: Feminist Essays on Contemporary Women’s Theatre edited by L. Hart, 282–299. Ann Arbor: University of Michigan Press.
  • Code, Lorraine. 1991. What Can She Know? Feminist Theory and the Construction of Knowledge. Ithaca, NY: Cornell University Press.
  • Fricker, Miranda. 2007. Epistemic Injustice: Power and the Ethics of Knowing. Oxford: Oxford University Press.
  • Grant, BarryKeith. 2007. Film Genre: From Iconography to Ideology. London: Wallflower Press.
  • Grodal, Torben. 2009. Embodied Visions: Evolution, Emotion, Culture, and Film. Oxford: Oxford University Press.
  • Hallam, Julia, and Marshment Margaret. 2000. Realism and Popular Cinema. Manchester: Manchester University Press.
  • Hacking, Ian. 2007. Kinds of People: Moving Targets. London: British Academy.
  • Horkheimer, Max, and W. Adorno Theodor. 1987. Dialectic of Enlightenment: Philosophical Fragments. Translated from Volume 5 of Gesammelte Schrifteri Dialektik Der Aufklärug and Schrifteri, 1940–1950. by S. Fishcher Vertag. Palo Alto, CA: Stanford University Press.
  • Howard, David. 2004. How to Build a Great Screenplay. New York: St. Martin’s Griffin.
  • Keesey, Douglas. 2007. Erotic Cinema. Köln: Taschen.
  • Lay, Samantha. 2002. British Social Realism: From Documentary to Brit Grit. London: Wallflower Press.
  • Lennon, Kathleen, and Margaret Whitford. 1994. Knowing the Difference: Feminist Perspectives in Epistemology. London: Routledge.
  • Meretoja, Hanna. 2018. The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible. Oxford: Oxford University Press.
  • Nasta, Dominique. 2013. Contemporary Romanian Cinema: The History of an Unexpected Miracle. London: Wallflower Press.
  • Pieldner, Judit. 2016. “Magic Realism, Minimalist Realism and Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema.” In Film and Media Studies 12, 87–114. Cluj-Napoca: Acta Universitatis Sapientiae.
  • Pop, Doru. 2014. Romanian New Wave Cinema: An Introduction. Jefferson, NC: McFarland & Company, Inc.
  • Popa, Bogdan. 2018. “What’s Wrong with the Romanian New Wave? Auteur Cinema, the Communist and the Production of the Violent Working Class.” Studies in Eastern European Cinema 9 (1): 89–102.
  • Rorty, Richard. 1989. Contingency, Irony, and Solidarity. Cambridge: Cambridge University Press.
  • Ross, William David. 1908. The Works of Aristotle. Oxford: Clarendon Press.
  • Spivak, Gayatri Chakravorty. 1993. “Can the Subaltern Speak.” In Post-colonial Discourse and Post-colonial Theory: A Reader, edited by PatrickWilliams and LauraChrisman, 66–111. New York: Columbia University Press.
  • Stephenson, Ralph, and Phelps Guy. 1965. The Cinema as Art. London: Penguin Books.

List of Films

  • Months, 3 Weeks and 2 Days [Romanian: 4 luni, 3 saptamâni si 2 zile]. Written and directed by Cristian Mungiu. Mobra films et al. 2007. Artificial Eye, 2008. DVD.
  • Aurora. Written and directed by Cristi Puiu. Mandragora et al. 2010. New Wave Films, 2012. DVD
  • Beyond the Hills [Romanian: Dupa dealuri]. Written and directed by Cristian Mungiu. Mobra Films, 2012. Artificial Eye, 2013. DVD.
  • Boogie. Co-written by Alexandru Baciu, Radu Muntean, and Răzvan Rădulescu, and directed by Radu Muntean. Multimedia Est, 2008. Dogwoof, 2009. DVD.
  • Death of Mr. Lazarescu, The [Romanian: Moartea domnului Lãzãrescu]. Co-written by CristiPuiu and Răzvan Rădulescu, and directed by Cristi Puiu. Mandragora, 2005. Tartan, 2006. DVD.
  • Graduation [Romanian: Bacalaureat]. Written and directed by Cristian Mungiu. Canal +, 2016. Curzon Artificial Eye, 2016. DVD.
  • Paper Will Be Blue, The [Romanian: Hîrtia va fi albastrã]. Co-written by Răzvan Rădulescu, Radu Muntean, and Alexandru Baciu, and directed by Radu Muntean. Multimedia Est, 2006. Dogwoof, 2009. DVD.
  • Police, Adjective [Romanian: Politist, adjectiv]. Written and directed by Corneliu Porumboiu. 42 Km Film, et al. 2009. Artificial Eye, 2011.
  • Sieranevada. Written and directed by Cristi Puiu. Mandragora, et al., 2016.
  • La Terra Trema. Co-written by Antonio Pietrageli, Giovanni Verga, and Luchino Visconti, and directed by Luchino Visconti. Universalia Film, 1948.
  • Tuesday, After Christmas [Romanian: Marti, dupã Crãciun]. Co-written by RăzvanRădulescu, Radu Muntean, and Alexandru Baciu, and directed by Radu Muntean. BV McCann-Erickson et al., 2010. Second Run, 2012. DVD.
  • Stuff and Dough [Romanian: Marfa si banii]. Co-written by Cristi Puiu and Răzvan Rădulescu, and directed by Cristi Puiu. Mandragora, 2001. Second Run, 2016. DVD.
  • Umberto D. Written by Cesare Zavattini and directed by Vittorio De Sica. Rizzoli Films, et al. 1952.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.