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Interiors
Design/Architecture/Culture
Volume 10, 2019 - Issue 3: Collections - I
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Articles

Collecting fragility and time: A dialogue of decay and female spirituality

References

  • Baert, B. 2016. Late Medieval ‘Enclosed Gardens’ of the Low Countries: Contributions to Gender Artistic Expression. Vol. 2. Leuven, Belgium: Peeters.
  • Baert, B., and H. Iterbeke, 2016. “Revisiting the Enclosed Gardens of the Low Countries (Fifteenth Century Onwards). Gender, Textile, and the Intimate Space as Horticulture.” Cloth and Culture 15: 2–33. doi:10.1080/14759756.2016.1167374
  • Baert, B., H. Iterbeke, and L. Watteeuw. 2017. “Late Medieval Enclosed Gardens of the Low Countries: Mixed Media, Remnant Art, Récyclage and Gender in the Low Countries (Sixteenth Century Onwards).” In The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. 33–47. London: Routledge.
  • De Bruyckere, B., and L. Watteeuw. 2018. It Almost Seemed a Lily. Veurne, Belgium: Hannibal
  • Eliot, T. S. 1950. The Complete Poems and Plays: 1909–1950. 117–122. New York, NY: Harcourt & Brace.
  • Mengoni, M. 2014. ed. Berlinde De Bruyckere. 145. Brussel, Belgium: Mercatorfonds.
  • Watteeuw, L. 2016. The Conservation of Enclosed Gardens from Mechelen. A Closer Look at Fragile Mixed Media. In Search of Utopia. Art & Science in the Era of Thomas More. 213–214.
  • Watteew, L., and H. Iterbeke. eds. 2018. Enclosed Gardens of Mechelen – Late Medival Paradise Gardens Revealed. Amsterdam, the Netherlands: University Press & Veurne

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