References
- Alcalá, R. 2012. Spit Temple: The Selected Performances of Cecilia Vicuña. Brooklyn, NY: Ugly Duckling Presse.
- Dangl, B. “The Politics of Pachamama: Natural Resource Extraction vs. Indigenous Rights and the Environment in Latin America”, http://upsidedownworld.org/main/international-archives-60/4816-the-politics-of-pachamama-natural-resource-extraction-vs-indigenous-rights-and-the-environment-in-latin-america
- de Zegher, M.C. 1997. “Ouvrage: knot a not, notes as knots.” In The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan University Press.
- Gómez-Barris, M. 2012. “Mapuche Hunger Acts: Epistemology of the Decolonial,” Transmodernity: Journal of Peripheral Culture Production of the Luso-Hispanic World, 1(3): 120–132.
- Haughney, D. July, 2012. “Defending Territory, Demanding Participation: Mapuche Struggles in Chile,” Latin American Perspectives, 39(4): 201–217.
- Hutchinson, C., ed. 2013. The Chile Reader: History, Culture, Politics. Durham, NC: Duke University Press.
- Ingold, T. 2000. The Perception of the Environment: Essays on Livelihood, Dwelling, and Skill. London: Routledge.
- La Nueva Canción: The New Song Movement in South America, Smithsonian Folk Ways Recordings, Accessed May 14, 2018, https://folkways.si.edu/la-nueva-cancion-new-song-movement-south-america/latin-world-struggle-protest/music/article/smithsonian
- Lynd, J. “Precarious Resistance: Weaving Opposition in the Poetry of Cecilia Vicuña,” PMLA, 5(2005): 1588–1607.
- Richard, N. 1986. Margins and Institutions: Art in Chile Since 1973. Melbourne: Art & Text, May–July.
- Rohter, L. 2003. “‘Mother of the Nation,’ Poet and Lesbian?; Gabriela Mistral of Chile Re-Examined,” New York Times, June 4.
- Stehberg, R. and Sotomayor, G. 2012. “Mapocho Incaico” Boletín del Museo Nacional de Historia Nautral, Chile, 61: 85–149.
- Taylor, D. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.
- Urton, G. 2003. Signs of the Inka Khipu: Binary Coding in the Andean Knotted-String Records. Austin: University of Texas Press.
- Vicuña, C. 2017. “The no manifesto of tribu no.” In Patrick Frank (ed.) Manifestos and Polemics in Latin American Modern Art, pp. 205–206. Albuquerque: University of New Mexico Press.
- Vicuña, C. 1997. QUIPOem. Hanover, NH: Wesleyan University Press.
- Vicuña, C. and Ernesto, L.G., eds. 2004. The Oxford Book of Latin American Poetry. Oxford: Oxford University Press.