Paranoia, from the icon to the ear: a reflection on soundscape, landscape and cityscape

References

• Appia, A. 1993. Texts on Theatre. edited by Richard Beacham. London, New York: Routledge.
   Google Scholar
• Auslander, P. 1999. Liveness, Performance in a Mediatized Culture. London, New York: Routledge.
   Google Scholar
• Benjamin, W. 2008. The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Cambridge, Mass: Belknap Press of Harvard University Press. (Original Typoscript 1936).
   Google Scholar
• Daro, C. 2015. Avant-Gardes sonores en architecture. Dijon: Les presses du réel.
   Google Scholar
• Feaster, P. 2012. Pictures of Sound. One Thousand Years of Educed Audio, 980–1980. Atlanta, GA: Dust-to-Digital.
   Google Scholar
• Fischer, S. V. 2017. “A Visual Imprint of Moving Air: Methods, Models and Media in Architectural Sound Photography, Ca. 1930.” Journal of the Society of Architectural Historians (JSAH) 76 (3): 326–348. doi:10.1525/jsah.2017.76.3.326.
   Web of Science ®Google Scholar
• Fischer, S. V. 2018. “Debating Volume. Architectural Vs. Electrical Amplification in the League of Nations, 1926–28.” In: Sound Modernities, Special Issue, eds. Sabine von Fischer and Olga Touloumi, The Journal of Architecture 23 (6): 904–931. doi:10.1080/13602365.2018.1505767.
   Web of Science ®Google Scholar
• Fischer, S. V., and O. Touloumi. 2018. “Sound Modernities. Histories of Media and Modern Architecture. (Introduction)” In: Sound Modernities, Special Issue, eds. Sabine von Fischer and Olga Touloumi, The Journal of Architecture 23 (6): 873–880. doi:10.1080/13602365.2018.1504810.
   Web of Science ®Google Scholar
• Fuller, R. B. 1969. “The Music of the New Life.” In Utopia or Oblivion. The Prospects for Humanity. 6th printing, 23–96. New York, Toronto: Bantam Sociology, Bantam Books.
   Google Scholar
• Geiser, R. 2010. “Giedion in Between. A Study of Cultural Transfer and Transatlantic Exchange, 1938–1968.” Dissertation, ETH Zürich, Nr. 19160. Zürich. (book with the same title forthcoming with gta Publishers, Zurich).
   Google Scholar
• Gobran, S. 1990. “The Munich Festival Theater Letters.” Perspecta 26: 47–68. doi:10.2307/1567153.
   Google Scholar
• Graham, J. 2014. “Musique En Fer Forgé: Erik Satie, Le Corbusier and the Problem of Aural Architecture.” AA Files 68: 3–15.
   Google Scholar
• Ingold, T., 2011. “Four Objections to the Concept of Soundscape.” In Being Alive: Essays on Movement, Knowledge, and Description, 136–140. London, New York: Routledge.
   Google Scholar
• Kelman, A. 2010. “Rethinking the Soundscape. A Critical Genealogy of a Key Term in Sound Studies.” Senses & Society 5 (2): 212–234.
   Web of Science ®Google Scholar
• Kittler, F. 1986. Grammophon, Film, Typewriter. Berlin: Brinkmann & Bose.
   Google Scholar
• Koss, J. 2010. Modernism After Wagner. Minneapolis: University of Minnesota Press.
   Google Scholar
• Lynch, K. 1960. The Image of the City. Cambridge, Mass: MIT Press.
   Google Scholar
• Lynch, K. 1990. “Reconsidering ‘The Image of the City’ (1985).” In City Sense and City Design: Writings and Projects of Kevin Lynch, edited by T. Banerjee and M. Southworth, 247–256. Cambridge, Mass: MIT Press.
   Google Scholar
• Marinetti, F. T., E. Settimelli, and B. Corra. 1915. “The Futurist Synthetic Theatre (18th February 1915).” Accessed 11 May 2018. http://www.ubu.com/papers/marinetti_futurist-synthetic-theater.html
   Google Scholar
• McLuhan, M. 1960. “Five Sovereign Fingers Taxed the Breath.” In Explorations in Communication. An Anthology, edited by E. Carpenter and M. McLuhan, 207–208. Boston: Beacon Press.
   Google Scholar
• Molinaro, M., C. McLuhan, and W. Toye, Eds. 1987. Letters of Marshall McLuhan. Toronto; New York: Oxford University Press.
   Google Scholar
• Morat, D. 2007. Von der Tat zur Gelassenheit. Konservatives Denken bei Martin Heidegger, Ernst Jünger und Friedrich Georg Jünger 1920–1960. Göttingen: Wallstein Verlag.
   Google Scholar
• Neuhaus, M. 1988/1990/2004. “Listen.” Accessed 1 July 2018. www.max-neuhaus.info/soundworks/vectors/walks/LISTEN/LISTEN.pdf
   Google Scholar
• Ouzonian, G. 2014. “Acoustic Mapping: Notes from the Interface.” In The Acoustic City, edited by M. Gandy and B. J. Nilsen, 165–173. Berlin: Jovis.
   Google Scholar
• Phelan, P. 1993. Unmarked. The Politics of Performance. London; New York: Routledge.
   Google Scholar
• applied acoustics; R. H. Schweizer eds. 2015. Die Akustik in der Zürcher Hochschule der Künste. Bern: Stämpfli AG.
   Google Scholar
• Schaeffer, P, . 1966. Traité Des Object Musicaux. Paris: Editions du Seuil.
   Google Scholar
• Schafer, R. M. 1977. The Tuning of the World. New York: Knopf.
   Google Scholar
• Schafer, R. M. 1993. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books.
   Google Scholar
• Sloterdijk, P. 1993. “Technologie und Weltmanagement.” In Medien-Zeit. Drei gegenwartsdiagnostische Versuche, edited by H. Klotz, 67–105. Stuttgart: Cantz Verlag.
   Google Scholar
• Southworth, M. 1967. “The Sonic Environment of Cities.” Master thesis (City Planning).Massachusetts Institute of Technology.
   Google Scholar
• Southworth, M. 1969. “The Sonic Environment of Cities.” Environment and Behaviour 1 (1): 49–70. doi:10.1177/001391656900100104.
   Web of Science ®Google Scholar
• Sterne, J. 2013. Soundscape, Landscape, Escape in: Soundscapes of the Urban Past. Staged Sound as Mediated Cultural Heritage, ed. Karin Bijsterveld: 181–194, Bielefeld transcript.
   Google Scholar
• Sterne, J. 2015. “The Stereophonic Spaces of Soundscape.” In Living Stereo, Histories and Cultures of Multichannel Sound, edited by P. Théberge, K. Devine, and T. Everett, 65–85. New York: Bloomsbury Academic. (expanded from earlier version: “Soundscape, Landscape, Escape”. In Soundscapes of the Urban Past. Staged Sound as Mediated Cultural Heritage, ed. Karin Bijsterveld: 181–194. Bielefeld: transcript.
   Google Scholar
• Thompson, E. 2002. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge Mass: MIT Press.
   Google Scholar
• Tkaczyk, V. 2014. “Listening in Circles. Spoken Drama and the Architects of Sound, 1750–1850.” Annals of Science 71: 299–334. doi:10.1080/00033790.2013.840928.
   PubMed Web of Science ®Google Scholar
• Touloumi, O. 2012. “The Politics of Totality. Iannis Xenakis’ Polytope De Mycènes.” In Xenakis Matters: Contexts, Processes, Applications, The Iannis Xenakis Series No. 4, edited by S. Kanach, 101–126. Hillsdale, NY: Pendragon Press.
   Google Scholar
• van Fischer, S. 2019. Das akustische Argument. Wissenschaft und Hörerfahrung in der Architektur des 20. Jahrhunderts. Zürich: gta Verlag Publishers.
   Google Scholar
• Wagner, R. 1873. “Das Bühnenfestspielhaus zu Bayreuth, Leipzig, quoted.” Appia 1993: 10.
   Google Scholar
• Williams, D. C. 1955. “Acoustic Space.” In Explorations Four, edited by E. Carpenter and M. McLuhan, 15–20, Toronto: University of Toronto.
   Google Scholar
• Yusaf, S. 2014. Broadcasting Buildings. Architecture on the Wireless, 1927–1945. Cambridge Mass: MIT Press.
   Google Scholar