1,675
Views
0
CrossRef citations to date
0
Altmetric
Articles

Songbird and birdsong: Listening to the finches in the Harz region, Germany

Pages 215-238 | Received 11 Sep 2019, Accepted 20 Jul 2020, Published online: 14 Sep 2020

References

  • Bennet, W. 1932. “A Competitive Festival for Song-Birds One Hundred Years Ago, with the System of Marking Used.” The Musical Times 1: 127–128.
  • Blacking, J. 1974. How Musical Is Man? Washington: University of Washington Press.
  • Bruyninckx, J. 2018. Listening in the Field: Recording and the Science of Birdsong. Cambridge, MA: MIT Press.
  • Calarco, M. 2015. Thinking through Animals. Identity, Difference, Indistinction. Stanford: Stanford University Press.
  • Darwin, C. 1871. The Descent of Man, and Selection in Relation to Sex. Vol. 2. London: John Murray.
  • Daston, L., and G. Mitman, eds. 2005. Thinking with Animals: New Perspectives on Anthropomorphism. New York: Columbia University Press.
  • de Oliveira Pinto, T. 2018. Music as Living Heritage: An Essay on Intangible Culture. Berlin: Edition EMVAS.
  • Derryberry, E. P. 2010. “Male Response to Historical and Geographical Variation in Bird Song.” Biology Letters 7 (1): 57–59. doi:10.1098/rsbl.2010.0519.
  • Deutsche UNESCO-Kommission. 2018. Bundesdeutsches Verzeichnis des Immateriellen Kulturerbes. https://www.unesco.de/kultur-und-natur/immaterielles-kulturerbe/immaterielles-kulturerbe-deutschland/bundesweites
  • Elschek, O. 1994. “Peter Szöke (1910–1994).” Systematische Musikwissenschaft 2 (1): 109–111.
  • Erlmann, V. 2010. Reason and Resonance: A History of Modern Aurality. New York: Zone Books.
  • Feld, S. 1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.
  • Gardner, T. J., F. Naef, and F. Nottebohm. 2005. “Freedom and Rules: The Acquisition and Reprogramming of a Bird’s Learned Song.” Science 308 (5724): 1046–1049. doi:10.1126/science.1108214.
  • Hahmann, H. 2018. Wir singen nicht, wir sind die Jodler: Ethnologische Perspektiven auf das Jodeln im Harz. Münster: Waxmann.
  • Hanslick, E. 1854. Vom Musikalisch-Schönen. Leipzig: Rudolph Weigel.
  • Haraway, D. J. 2003. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Vol. 1. Chicago: Prickly Paradigm Press.
  • Head, M. 1997. “Birdsong and the Origins of Music.” Journal of the Royal Musical Association 122 (1): 1–23. doi:10.1093/jrma/122.1.1.
  • Konishi, M. 1965. “The Role of Auditory Feedback in the Control of Vocalization in the White-Crowned Sparrow.” Ethology 22 (7): 770–783.
  • Kroodsma, D. 2005. The Singing Life of Birds: The Art and Science of Listening to Birds. Boston: Houghton Mifflin.
  • Leach, E. E. 2007. Sung Birds: Music, Nature and Poetry in the Later Middle Ages. Ithaca, London: Cornell University Press.
  • Luther, M. 1566. Tischreden, oder, Colloquia Doct. Mart. Luthers. Eisleben: Gaubisch.
  • Macho, T. 2004. Das zeremonielle Tier: Rituale-Feste-Zeiten zwischen den Zeiten. Vienna, Graz, Cologne: Verlag Styria.
  • MacIntyre, A. C. 1999. Dependent Rational Animals: Why Human Beings Need the Virtues. Vol. 20. Chicago: Open Court Publishing.
  • Martinez, T., Jr. 2012. “The World of Guyanese Bird-Singing Contests.” backyardchirper.com/blog; https://www.nytimes.com/2015/08/02/nyregion/tiny-birds-big-drama-inside-the-world-of-the-birdmen-of-queens.html
  • Mithen, S. 2006. The Singing Neanderthals: The Origins of Music, Language, Mind, and Body. Cambridge, MA: Harvard University Press.
  • Mosengeil, F., ed. 1826. Briefe über den Dichter Ernst Wagner. Schmalkalden: Varnhagen.
  • Pettman, D. 2017. Sonic Intimacy: Voice, Species, Technics (Or, How to Listen to the World). Stanford: Stanford University Press.
  • Prum, R. O. 2012. “Aesthetic Evolution by Mate Choice: Darwin’s Really Dangerous Idea.” Philosophical Transactions of the Royal Society 367 (1600): 2253–2265. doi:10.1098/rstb.2011.0285.
  • Robbins, J. 2018. The Wonder of Birds: What They Tell Us about Ourselves, the World, and a Better Future. New York: Spiegel & Grau.
  • Romberg, J. 2018. Federnlesen: Vom Glück, Vögel zu beobachten. Cologne: Bastei Lübbe.
  • Rothenberg, D. 2019. Nightingales in Berlin. Searching for the Perfect Sound. Chicago, London: University of Chicago Press.
  • Stumpf, C. 1911. Anfänge der Musik. Leipzig: J. A. Barth.
  • Szöke, P. 1994. “Ist das hinter dem Horizont der Tonkunst verborgene säkulare Rätsel des Ursprungs der Musik unlösbar?” Systematische Musikwissenschaft 2 (1): 89.
  • Taylor, H. 2017. Is Birdsong Music? Outback Encounters with an Australian Songbird. Bloomington: Indiana University Press.
  • Titon, J. T. 2014. “Ecomusicology and Birdsong.” Accessed 24 November 2014. https://sustainablemusic.blogspot.com/2014/11/ecomusicologies-2104-and-birdsong.html
  • von Hornbostel, E. M. [1910] 1986. “Musikpsychologische Bemerkungen über Vogelgesang (1910).” In Tonart und Ethos: Aufsätze zur Musikethnologie und Musikpsychologie, edited by C. Kaden, E. Stockmann, and R. Schaal, 86–103. Leipzig: Florian Noetzel.
  • Wille, L., and D. Spormann. 2012. Buchfink und Mensch: Finkenliebhaberei im Harz. Altenau: Buchfinkengilde Harz.
  • Zeraschi, H. 1978. Drehorgeln. 2nd ed. Leipzig: Koehler und Amelang.