699
Views
0
CrossRef citations to date
0
Altmetric
Research article

The presence of absence: Tommy McRae and Judy Watson in Australia, the imaginary grandstand at the Royal Academy in London

References

  • Bann, Stephen. 2001. Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-Century France. New Haven, CT: Yale University Press.
  • Barrett, Charles. 1935. Tommy McCrae, aboriginal artist. Victorian Naturalist 52(5): 86–8.
  • Becker, Ludwig. 1856. The nest, egg, and young of the Lyre-bird (Menura Superba). Proceedings of the Philosophical Society: 154.
  • Berlo, Janet, ed. 1996. Plains Indian Drawings 1865–1935. New York: Harry Abrams.
  • Bonyhady, Tim. 1987. Australian Colonial Paintings in the Australian National Gallery. Canberra, ACT: Australian National Gallery
  • Brough-Smyth Robert, ed. 1878. The Aborigines of Victoria: With Notes Relating to the Habits of the Natives of Other Parts of Australia and Tasmania. Melbourne, VIC: J. Ferres.
  • Bruce, Candice, and Anita Callaway. 1991. Dancing in the dark: Black corroboree or white spectacle?’ Australian Journal of Art 9: 79–104.
  • Burton, B. 1973. Flow Gently Past: The Story of the Corowa District. Corowa, VIC: Corowa Shire Council.
  • Chippindale, Christopher and Paul S.C. Tacon. 1998. The Archaeology of Rock-art. Cambridge: Cambridge University Press.
  • Darragh, Thomas. 1990. The Establishment and Development of Engraving and Lithography in Melbourne to the Time of the Gold Rush. Thumb Creek, NSW: Garravembi Press.
  • Darragh, Thomas. 1995. A directory of engravers and lithographers working in Victoria in the nineteenth century: A description and some sources. BSANZ Bulletin 19: 231–40.
  • Durkheim, Emile. 1915. The Elementary Forms of Religious Life, translated by J.W. Swain. London: Allen & Unwin.
  • Edmonds, Francis. 2007. ‘Art is us’: Aboriginal art, identity and wellbeing in southeast Australia. PhD diss., Melbourne University.
  • Ellender, Isobel and Peter Christiansenr. 2001. People of the Merri Merri: The Wurundjeri in Colonial Days. Melbourne, VIC: Merri Creek Management Committee.
  • Gillen, F.J. 1927. The Arunta: A Study of a Stone Age People. London: Macmillan.
  • Graburn, Norman, ed. 1976. Ethnic and Tourist Arts: Cultural Expressions from the Fourth World. Berkeley: University of California Press.
  • Hughes, Robert. 1970. Art of Australia. Harmondsworth: Penguin.
  • Johnson, V. 2008. Lives of the Papunya Tula Artists. Alice Springs, NT: IAD Press.
  • Lacan, Jaques. 1998. The Four Fundamental Concepts of Psychoanalysis, translated by Jacques-Alain Miller. New York: W.W. Norton.
  • Langloh Parker, K. 1898. More Australian Legendary Tales. London: D. Nutt.
  • Lydon, Jane. 2005. Eye Contact: Photographing Indigenous Australians. Durham, NC:: Duke University Press.
  • McLean, Ian. 2013. The mysterious correspondences between Charles Baudelaire and Tommy McRae: Re-imagining modernism in Australia as a contact zone. Australian & New Zealand Journal of Art 13: 70–89.
  • Morgan, John. 1979. The Life and Adventures of William Buckley. Canberra, ACT: Australian National University Press.
  • Morphy, Howard, ed. 1989. Animals into Art. London: Unwin Hyman.
  • Mountford, Charles P. 1976. Nomads of the Australian Desert. Adelaide, SA: Rigby.
  • Prott, L.V. 2006. The Dja Dja Wurrung bark etchings case. International Journal of Cultural Property 13: 241–6.
  • Ryan, Judith, ed. 2003. Remembering Barak. Melbourne, VIC: National Gallery of Victoria.
  • Sayers, Andrew, ed. 1994. Aboriginal artists of the nineteenth century, Melbourne, VIC: Oxford University Press.
  • Spencer, Baldwin, and F.J. Gillen. 1899. The Native Tribes of Central Australia. London: Macmillan.
  • Thomas, N. 1991. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Cambridge, MA: Harvard University Press.
  • Thomas, Nicholas. 1996. Aboriginal artists of the nineteenth century. Oceania, University of Sydney, June.
  • Tipping, Margorie, ed. 1982. An Artist on the Goldfields: The Diary of Eugene von Guérard. Melbourne, VIC: Currey O'Neil.
  • Utley, R.M. 1973. Frontier Regulators: The United States Army and the Indian, 1866–1891. Lincoln, NE: University of Nebraska Press.
  • Wilhelm, Richard and C. Baynes, trans. 1967. I Ching: Or, Book of Changes, 3rd ed. Bollingen Series XIX. Princeton, NJ: Princeton University Press.
  • Willis, E. 2004. Etched on Bark 1854: Kulin Barks from Northern Victoria. Exhibition catalogue. Melbourne: Museum Victoria.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.