References
- Adamson, Glenn. 2007. Thinking Through Craft. Oxford: Berg.
- Adamson, Glenn, ed. 2010. The Craft Reader. Oxford: Berg.
- Alcock, Rutherford. 1878. Art and Art Industries in Japan. London: Virtue & Co.
- Asahi Shimbun. 28 January 2010. ‘Kōgei kara KOGEI e’. Asahi Newspaper.
- Bâ, Amadou Hâmpaté. 2010. African art: where the hand has ears. In The Craft Reader, edited by Glenn Adamson. Oxford: Berg.
- Bambling, Michel. 2005. Japan’s Living National Treasures program: the paradox of remembering. In Perspectives on Social Memory in Japan, edited by Tsu Yun Hui, Jan Van Bremen and Eyal Ben-Ari, 148–69. Folkestone: Global Oriental.
- Barnard, Rob. 2004. Paradise lost? American crafts’ pursuit of the avant-garde. In Objects and Meaning: New Perspectives on Art and Craft, edited by M. Anna Fariello and Paula Owen, 56–65. Lanham, MD: The Scarecrow Press.
- Barral, Xavier, and Laurent Le Bon, eds. 2010. Murakami Versailles. Paris: Éditions Xavier Barral.
- Calichman, Richard, ed. 2008. Overcoming Modernity: Cultural Identity in Wartime Japan. New York: Columbia University Press.
- Casa Brutus. 2008. ‘Sekai no Murakami, Mingei ni Hamaru’ [World-Renowned Murakami, Hooked on Mingei]. Casa Brutus November 2008: 100–01.
- Dale, Peter. 1986. The Myth of Japanese Uniqueness. London: Croom Helm.
- Darling, Michael. 2001. Plumbing the depths of superflatness. Art Journal 60(3): 77–89.
- Darwent, Charles. 2008. Book review of Glenn Adamson’s Thinking Through Craft. Crafts 218: 64.
- Fariello, M. Anna. 2004. ‘Reading’ the language of objects. In Objects and Meaning: New Perspectives on Art and Craft, edited by M. Anna Fariello and Paula Owen, 148–73. Lanham, MD: The Scarecrow Press.
- Fukumoto Shigeki, ed. 2003. 21 Seiki wa Kōgei ga Omoshiroi [Kōgei is Fascinating in the 21st Century]. Tokyo: Kyūryūdō.
- Geijutsu Shinchō. 2013. ‘Murakami Takashi-san, Naze ima ‘Kōgei’ ni Chūmoku shiteiru no desuka?’ [Mr Takashi Murakami, Why Are You Interested in ‘Crafts’ Now?) Geijutsu Shinchō 8: 150–51.
- Gowlland, Geoffrey. 2009. Style, skill and modernity in the Zisha pottery of China. Journal of Modern Craft 2(2): 129–41.
- Greenhalgh, Paul. 1997. The history of craft. In The Culture of Craft: Status and Future, edited by Peter Dormer, 20–52. Manchester: Manchester University Press.
- Greenhalgh, Paul, ed. 2002. The Persistence of Craft. London: A. & C. Black.
- Greenhalgh, Paul. 2009.Words in the world of the lesser: recent publications on the crafts. Journal of Design History 22: 401–11.
- Halper, Vicki, and Diane Douglas, eds. 2009. Choosing Craft: The Artist’s Viewpoint. Chapel Hill: University of North Carolina Press.
- Hardy, Michele. 2004. Feminism, crafts, and knowledge. In Objects and Meaning: New Perspectives on Art and Craft, edited by M. Anna Fariello and Paula Owen, 176–85. Lanham, MD: The Scarecrow Press.
- Harrod, Tanya. 2007. Technological enchantment. In Out of the Ordinary: Spectacular Craft, edited by Laurie Britton Newell, 29–37. London: V& A Publications.
- Imai Yōko. 2004. Line in the groove. In Hijō no Objet [Cool and Light: New Spirit in Craft Making], edited by Kaneko Kenji, Moroyama Masanori and Imai Yōko, 12–15. Tokyo: MOMAT Crafts Gallery.
- Inaga Shigemi, and Patricia Fister, eds. 2005. Nihon no Dentō Kōgei Saikō: soto kara mita kōgei no shōrai to sono kanōsei [ Traditional Japanese Arts and Crafts in the Twenty-First Century: Reconsidering the Future from an International Perspective]. Kyoto: International Research Center for Japanese Studies.
- Inaga Shigemi. 2007. Dentō Kōgei Saikō: Kyō no Uchi to Soto [ Traditional Japanese Arts & Crafts: A Reconsideration from Inside and Outside Kyoto]. Kyoto: Shibunkaku Shuppan.
- Iwabuchi Kōichi. 2007. Bunka no Taiwaryoku: Sofuto Powā to Burando Nashonarizumu o Koete [ The Dialogical Power of Culture: Beyond Soft Power and Brand Nationalism]. Tokyo: Nihon Keizai Shinbunsha.
- Jones, Wendy. 2006. Grayson Perry: Portrait of the Artist as a Young Girl. London: Chatto & Windus.
- Kaneko Kenji. 2001. Gendai Tōgei no Zōkei Shikō [ Concepts of Creating Form in Contemporary Ceramics]. Tokyo: Abe Shuppan.
- Kaneko Kenji. 2002. Studio craft and craftical formation, translated by Rupert Faulkner. In The Persistence of Craft, edited by Paul Greenhalgh, 28–36. London: A. & C. Black.
- Kaneko Kenji. 2007a. The development of ‘traditional art crafts’ in Japan. In Crafting Beauty in Modern Japan, edited by Nicole Rousmaniere, 10–11. Seattle: University of Washington Press.
- Kaneko Kenji, ed. 2007b. Bānādo Rῑchi Saikō: Sutajio Potarῑ to Tōgei no Genzai [ Re-evaluation of Bernard Leach: Studio Pottery and Contemporaneity of Pottery]. Kyoto: Shibunkaku Shuppan.
- Kaneko Kenji, Masahiro Karasawa, and Takuya Kida, eds. 2009. The Power of Decoration: A Viewpoint on Contemporary Kōgei. Tokyo: National Museum of Modern Art.
- Kida Takuya. 2014. Kōgei to Nashonarizumu no Kindai [ Modernity in Crafts in Relation to Nationalism]. Tokyo: Yoshikawa Kōbunkan.
- Kikuchi Yuko. 2004. Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. London: Routledge Curzon.
- Kitazawa Noriaki. 1989. Me no Shinden [ The Shrine of Eyes]. Tokyo: Bijutsu Shuppansha.
- Kitazawa Noriaki. 2000. Kyōkai no Bijutsushi [ The Art History of Boundaries]. Tokyo: Buryukke.
- Kitazawa Noriaki. 2003. Avangyarudo ikō no Kōgei [ Craft after the Avant-garde], Tokyo: Bigaku Shuppan.
- Klein, Jacky. 2009. Grayson Perry. London: Thames & Hudson.
- Kurokawa Mayori. 1878. Kōgei Shiryō [The Historical Materials of Crafts]. Tokyo: Hakubutsukyoku.
- Leach, Bernard 1940. A Potter’s Book. London: Faber & Faber.
- Levine, Faythe, and Cortney Heimel. 2008. Handmade Nation: The Rise of DIY, Art, Craft, and Design. New York: Princeton Architectural Press.
- Makovicky, Nicolette. 2009. ‘Traditional – with contemporary form’: craft and discourses of modernity in Slovakia today. Journal of Modern Craft 2(1): 43–58.
- Mori Hitoshi. 2009. Nihon ‘Kōgei’ no Kindai: Bijutsu to Dezain no Botai toshite [ Modernity of Japanese ‘Crafts’: As a Foundation of Fine Art and Design]. Tokyo: Yoshikawa Kōbunkan.
- Murakami Takashi. 2000. Superflat. Tokyo: MADRA Publishing.
- Murakami Takashi. 2006. Geijutsu Kigyōron [ Art as Enterprise]. Tokyo: Gentōsha.
- Newell, Laurie Britton, ed. 2007. Out of the Ordinary: Spectacular Craft. London: V& A Publications.
- Perreault, John. 2004. Crafts is art: tampering with power. In Objects and Meaning: New Perspectives on Art and Craft, edited by M. Anna Fariello and Paula Owen, 68–87. Lanham, MD: The Scarecrow Press.
- Perry, Grayson. 2011. The Tomb of the Unknown Craftsman. London: British Museum Press.
- Perry, Grayson. 2013a. BBC Reith Lecture 2013, Part 2: Playing to the gallery – Beating the bounds. http://www.bbc.co.uk/podcasts/series/reith.
- Perry, Grayson. 2013b. BBC Reith Lecture 2013, Part 3: Playing to the gallery – Nice rebellion, welcome in! http://www.bbc.co.uk/podcasts/series/reith.
- Perry, Grayson. 2013c. The Vanity of Small Differences. London: Hayward Publishing.
- Racz, Imogen. 2009. Contemporary Crafts. Oxford: Berg.
- Risatti, Howard. 2007. A Theory of Craft: Function and Aesthetic Expression. Chapel Hill: University of North Carolina Press.
- Rousmaniere, Nicole Coolidge. 2002. Arts of Kazari: Japan on display. In Kazari: Decoration and Display in Japan 15th–19th Centuries, edited by Nicole Coolidge Rousmaniere, 20–31. London: British Museum Press.
- Sakamoto Rumi. 2008. ‘Will you go to war? Or will you stop being Japanese?’ Nationalism and history in Kobayashi Yoshinori’s Sensōron. Asia-Pacific Journal: Japan Focus 2: 3.
- Sekijima Hisako. 1988. Basuketarī no Teishiki [ The Formula of Basketry]. Tokyo: Sumai no Toshokan.
- Sennett, Richard. 2008. The Craftsman. London: Penguin.
- Sethi, Cristin McKnight. 2013. Mapping craft in contemporary India: Dilli Haat and Dastkari Haat Samiti’s crafts maps. Journal of Modern Craft 6(1): 49–77.
- Shakya, Mallika. 2011. Bridging the design gap: the case of the Nepali clothing industry. Journal of Modern Craft 4(3): 295–319.
- Shiraishi Masami, Toyojirō Hida and Masanori Moroyama, eds. 1994. Sozai no Ryōbun [ The Domain of the Medium]. Tokyo: Craft Gallery, National Museum of Modern Art Tokyo.
- Stair, Julian, ed. 2000. The Body Politics: The Role of the Body and Contemporary Craft. London: Crafts Council.
- Stengs, Irene. 2012. Sacred singularities: crafting royal images in present-day Thailand. Journal of Modern Craft 5(1): 51–67.
- Talmor Ruti. 2012. Masks, elephants, and djembe drums: craft as historical experience in Ghana. Journal of Modern Craft 5(3): 295–320.
- Tomimoto Kenkichi. 1981. Tomimoto Kenkichi Chosakushū [ The Writings of Tomimoto Kenkichi]. Tokyo: Satsuki Shobō.
- Tsuji Nobuo. 1992. Nihon Bijutsu no Mikata [ Ways of Seeing Japanese Art]. Tokyo: Iwanami Shoten.
- Tsuji Nobuo. 1998. ‘Kazari’ no Nihon Bunka [ The Japanese Culture of ‘Kazari’]. Kyoto: Kokusai Nihon Bunka Kenkyū Sentā.
- Tsuji Nobuo, and Takashi Murakami. 2014. Nettō! Nihon Bijutsu Shi [ Battle Royal! Japanese Art History]. Tokyo: Shinchōsha.
- Tsuji Shigebumi. 2003. Dentō: Its Creation and Transformation. Tokyo: Shinyōsha.
- Wright, Kristina Dziedzic. 2008. Cleverest of the clever: coconut craftsmen in Lamu, Kenya. Journal of Modern Craft 1(3): 323–43.
- Yamasaki Akiko 2012. Handicrafts and gender in Modern Japan, selected and edited by Sarah Teasley and translated by Amelia Bonea. Journal of Modern Craft 5(3): 259–74.