166
Views
3
CrossRef citations to date
0
Altmetric
Research Article

On ruination: piercing the skin of communism in 1990s Romania

ORCID Icon

References

  • Althabe, G. 1997. “Une exposition ethnographique: Du plaisir esthétique, une leçon politique.” Martor, the Anthropological Review of the Museum of the Romanian Peasant 2: 144–51.
  • Anghelescu, Ş, M. Caraman, and S. Cazacu. 2005. Protestatarii de la Muzeul Ţăranului Român se adreseaza noului ministru al Culturii [The protesters from the Museum of the Romanian Peasant address the new Minister of Labour]. Observator Cultural 254–255, January. Accessed 10 November 2012. http://www.observatorcultural.ro/Protestatarii-de-la-Muzeul-Taranului-Roman-se-adreseaza-noului-ministru-al-Culturii*articleID_12506-articles_details.html.
  • Bădică, S. 2010. “The Black Hole Paradigm: Exhibiting Communism in Post-Communist Romania.” In History of Communism in Europe, edited by C. Doboș, 83–101 (new series, vol. 1/2010 Politics of Memory in Post-Communist Europe). Bucharest: Zeta Books.
  • Benjamin, W. [1935] 2011. “The Work of Art in the Age of Mechanical Reproduction.” In The Continental Aesthetics Reader, edited by C. Cazeaux, 430–48. London: Routledge.
  • Bernea, E. 1985. Cadrele gândirii populare româneşti: Contribuţii la reprezentarea spaţiului, timpului şi cauzalităţii [Frameworks of Folk Thinking: Contributions to the Representation of Space, Time, Causality]. București: Cartea Românească.
  • Bernea, H. 1993. “Câteva gânduri despre muzeu, cantități, materialitate și încrucișare [Reflections on the Museum, Quantity and Cross Points].” In Mapa Crucea, 4–12. București: Muzeul Țăranului Român.
  • Bernea, H. 2000. “Quelques stratégies de la normalité”. Martor, the Anthropological Review of the Museum of the Romanian Peasant 5 (Bucharest in communist times: resistance, normality, survival). Accessed 15 March 2017. http://martor.memoria.ro/?location=view_article&id=109&page=0.
  • Bernea, H., and I. Nicolau. 1998. “L’installation: Exposer des objets au Musée du Paysan Roumain. Entretien de Horia Bernea avec Irina Nicolau.” Martor, the Anthropological Review of the Museum of the Romanian Peasant 3: 223–37.
  • Bernea, H., and T. Baconsky. 2000. Roma caput mundi. Un ghid subiectiv al cetăţii eterne [Roma caput mundi. A subjective guide to the ethernal city]. București: Editura Humanitas.
  • Boym, S. 1994. Common Places: Mythologies of Everyday Life in Russia. Cambridge, MA: Harvard University Press.
  • Brăileanu, R. 2005. Criza de la Muzeul Ţăranului Român. [The Crisis from the Museum of the Romanian Peasant]. Revista 22 (Year XIV, Nr. 790) April 28. Accessed 5 November 2013. http://www.revista22.ro/criza-de-la-muzeul-taranului-roman-1693.html.
  • Brucan, S. 1993. The Wasted Generation: Memoirs of the Romanian Journey from Capitalism to Socialism. Boulder, CO: Westview Press.
  • Buchli, V. 2000. An Archaeology of Socialism. London: Berg.
  • Buchli, V. 2015. Immateriality. London: Routledge.
  • Buck-Morss, S. 1992. “Aesthetics and Anaesthetics: Walter Benjamin’s Artwork Essay Reconsidered.” October 62: 3–41. doi: 10.2307/778700
  • Butler, B. 2007. Return to Alexandria: An Ethnography of Cultural Heritage, Revivalism, and Museum Memory. Walnut Creek, CA: Left Coast Press.
  • Cârneci, M. 1999. Art of the 1980s in Eastern Europe: Texts on Postmodernism. Piteşti: Paralela 45.
  • Cioran, C. [1936] 1941. Schimbarea la faţǎ a României [The Transfiguration of Romania]. Bucharest: Vremea.
  • Cristea, G., and S. Radu-Bucurenci. 2008. “Raising the Cross: Exorcising Romania’s Communist Past in Museums, Memorials and Monuments.” In Past for the Eyes: East European Representations of Communism in Cinema and Museums after 1989, edited by O. Sarkisova and P. Apor, 275–306. Budapest: Central European University Press.
  • Devereaux, M. 1998. “Beauty and Evil: The Case of Leni Riefenstahl’s Triumph of the Will.” In Aesthetics and Ethics: Essays at the Intersection, edited by J. Levinson, 227–56. Cambridge: Cambridge University Press.
  • Eliade, M. 1942. Salazar și revoluția în Portugalia [Salazar and his Revolution in Portugal]. București: Editura Gorjan.
  • Eliade, M. [1954] 1989. The Myth of the Eternal Return: Or, Cosmos and History. London: Arkana.
  • Fehervary, K. 2012. “From Socialist Modern to Super-Natural Organicism: Cosmological Transformations through the Material Aesthetics of the Home.” Cultural Anthropology 27 (4): 615–40. doi: 10.1111/j.1548-1360.2012.01164.x
  • Gamboni, D. 1997. The Destruction of Art: Iconoclasm and Vandalism since the French Revolution. London: Reaktion Books.
  • Hegel, G. W. F. [1807] 1979. The Phenomenology of Spirit. Oxford: Clarendon Press.
  • Hirsch, E., and S. Macdonald, eds. 2005. Introduction: Creativity or Temporality? Cambridge: Cambridge Department of Social Anthropology, 1–4.
  • Iosa, I. 2006. L’Héritage urbain de Ceausescu: Fardeau ou saut en avant? Paris: Harmattan.
  • Iosif, C. 2008. “The Politics of Tradition: Practices of Ethnological Museology under Communism.” In Studying Peoples in the People’s Democracies II: Socialist Era Anthropology in South-East Europe, edited by V. Mihăilescu, I. Iliev and S. Naumović, 81–112. Berlin: LIT Verlag.
  • Kant, Immanuel. [1790] 1987. The Critique of Judgement. Indianapolis, IN: Hackett Publishing.
  • Kemp-Welch, K. 2012. Antipolitics in Central European Art: Reticence as Dissidence under Post-Totalitarian Rule, 1956–1989. New York: I. B. Tauris & Co.
  • Klonk, C. 2009. Spaces of Experience: Art Gallery Interiors from 1800 to 2000. Yale University Press, CT: New Haven.
  • Koerner, J. 2002. “The Icon as Iconoclash: The Image Makers are the Image Breakers.” In Iconoclash, edited by B. Latour and P. Weibel, 164–213. Karlsruhe: ZKM.
  • Latour, B., and P. Weibel, eds. 2002. Iconoclash: Beyond the Image Wars in Science, Religion and Art. Karlsruhe: ZKM. Cambridge, MA; London: MIT Press.
  • Levinson, J. 1998. Introduction to Aesthetics and Ethics. Essays at the Intersection. Cambridge: Cambridge University Press.
  • Liiceanu, G. 1983. Jurnalul de la Păltiniş: Un model paideutic în cultura umanistă [The Păltiniş diary: A paideic model in humanist culture]. București: Cartea Românească.
  • Manolescu, A. 2007. “Prospetimea teleologica a muzeografiei lui Horia Bernea” [The Teleological Freshness of Horia Bernea’s Museography]. In Pentru un crestinism al noii Europe [For a Christianity of New Europe], edited by I. Ica Jr., R. Carp and T. Baconschi, 203–74. București: Humanitas.
  • Miller, D. 2005. Materiality. Durham, NC: Duke University Press.
  • Navaro-Yashin, Y. 2009. “Affective Spaces, Melancholic Objects: Ruination and the Production of Anthropological Knowledge.” Journal of the Royal Anthropological Institute 15: 1–18. doi: 10.1111/j.1467-9655.2008.01527.x
  • Nicolau, I., and C. Huluţă. 1997. Boul Roşu, Catalogul expoziţiei: Ciuma, Instalaţie Politică [Red Ox, the catalogue of the exhibition: The Pest, political installation]. Bucureşti: National Museum of the Romanian Peasant.
  • Nicolau, I., and C. Huluţă. 2001. Câteva gânduri despre muzeu, cantități, materialitate și încrucișare, dosar sentimental [Reflections on the Museum, Quantity and Cross Points; Emotional File]. Bucureşti: Ars Docendi Printing House.
  • Nicolescu, G. 2016a. “Decorativa: The Monopoly of Visual Production in Socialist Romania: The Centralised Organisation of Museum Displays in the 1960s and 1970s.” Journal of Design History 29: 71–87. doi: 10.1093/jdh/epv053
  • Nicolescu, G. 2016b. “The Museum Lexis: Driving Objects Into Ideas.” Journal of Material Culture 21: 465–489. doi: 10.1177/1359183516664207
  • Ochi în Ochi [Eyes into Eyes]. 2001. Photo essay. Privirea Oarbă a Comunismului: Expoziții [The Blind View of Communism. Exhibitions]. Directed by Ioana Popescu, [CD] Vol 4. Romania: The National Museum of the Romanian Peasant.
  • Oroveanu, A. 2004. Rememorare şi Uitar:, Scrieri de Istoria artei [Remembering and Forgetting: Writings on Art History]. București: Humanitas.
  • Passima, L. 2005. Cine pe cine păcăleşte [Who Fools Who]. Revista 22 (Year XIV, Nr. 788) April 15. Accessed 10 November 2012. http://www.revista22.ro/cine-pe-cine-pacaleste-1660.html.
  • Petreu, M. [1999] 2005. An Infamous Past: E. M. Cioran and the Rise of Fascism in Romania. Chicago: Ivan R. Dee.
  • Pietz, W. 1985. “The Problem of the Fetish, I.” RES: Anthropology and Aesthetics 9: 5–17.
  • Pinney, C. 2001. “Piercing the Skin of the Idol.” In Beyond Aesthetics: Art and the Technologies of Enchantment, edited by C. Pinney and N. Thomas, 157–80. Berg: Oxford.
  • Pleșu, A. 2106. The Holy Gospel and Jazz. Dilema Veche (No. 657). Accessed 11 March 2017. http://dilemaveche.ro/sectiune/situatiunea/articol/liturghie-si-jazz.
  • Rădulescu, B. 1990. Interview with Ernest Bernea, August 12. Accessed 15 March 2017. https://www.marturisitorii.ro/2016/11/14/14-ani-de-inchisoare-pentru-ca-am-scris-de-tarani-si-e-prea-mult-crestinism-in-cartile-mele-ultimul-interviu-al-lui-ernest-bernea-26-de-ani-de-la-plecarea-la-ceruri-14-noiembrie-1990/.
  • Rostás, Z. 2003. Sala Luminoas: Primii Monografişti ai Şcolii Gustiene [The Lighted Room: The First Monographers of the Gustian School]. Bucureşti: Paideia.
  • Sartwell, C. 2010. Political Aesthetics. Ithaca, NY: Cornell University Press.
  • Solomon, A. 2008. “The Experiences of a Filmmaker: Reconstructing Reality from Documents in Communist Archives.” In Past for the Eyes: East European Representations of Communism in Cinema and Museums after 1989, edited by O. Sarkisova and P. Apor, 103–13. Budapest: Central European University.
  • Spengler, O. [1926] 1991. The Decline of the West. Oxford: Oxford University Press.
  • Stan, Lavinia. 2013. Transitional Justice in Post-Communist Romania: The Politics of Memory. Cambridge: Cambridge University Press.
  • Stocking, George. 1968. Race, Culture, and Evolution: Essays in the History of Anthropology. Chicago: University of Chicago Press.
  • Stone, D. 2012. “Memory Wars in the “New Europe”.” In The Oxford Handbook of Postwar European History, edited by D. Stone, 714–33. Oxford: Oxford University Press.
  • Tatulici, M. 2000. Nemuritorii. Interviuri filmate şi nedifuzate [The Immortals. Interviews Filmed and not Broadcasted]. Bucureşti: Privirea.
  • Tismăneanu, V. 1999. The Revolutions of 1989. London: Routledge.
  • Titu, A. 2003. Experimentul în Arta Românească după 1960 [The Experiment in Romanian Art after 1960]. Bucureşti: Meridiane.
  • Tzigara-Samurcaș, A. 1937. Musée National Carol I: Catalogue de la Section d’Art Paysan [National Museum Carol I: Catalogue of the Peasant Art Section]. Bucureşti: Imprimeria Naţională.
  • Verdery, K. 2012. “Post-socialist Cleansing in Eastern Europe: Purity and Danger in Transitional Justice.” In Socialism Vanquished, Socialism Challenged: Eastern Europe and China, 1989–2009, edited by N. Bandelj and D. J. Solinger, 63–82. Oxford: Oxford University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.