References
- Abdelrazaq, L. 2015. Baddawi. Charlottesville: Just World Books.
- Baxter, J., J. Faudem, and K. Shadmi. 2015. Mike’s Place: A True Story of Love, Blues and Terror in Tel Aviv. New York: First Second.
- Bellow, S. 1998. To Jerusalem and Back. New York: Penguin Books.
- Chaney, M. A. 2011. “Introduction.” In Graphic Subjects: Critical Essays on Autobiography and Graphic Novels, edited by M. A. Chaney, 3–9. Madison: University of Wisconsin Press.
- Davis, R. G. 2005. “A Graphic Self: Comics as Autobiography in Marjane Satrapi’s Persepolis.” Prose Studies 27 (3): 264–279. doi:10.1080/014403500223834.
- Delisle, G. 2012. Jerusalem: Chronicles from the Holy City. Montreal: Drawn & Quarterly.
- Fisher, N. 2015. “Facing the Arab ‘Other’?: Jerusalem in Jewish women’s comics.” Studies in Comics. 6 (2): 291–311. doi:10.1386/stic.6.2.291_1.
- Folman, A., and D. Polonsky. 2009. Waltz with Bashir: A Lebanon War Story. New York: Metropolitan Books.
- Furman, A. 1995. “A New ‘Other’ Emerges in American Jewish Literature: Philip Roth’s Israel Fiction.” Contemporary Literature 36 (4): 633–653. doi:10.2307/1208944.
- Glidden, S. 2010. How to Understand Israel in 60 Days or Less. New York: Vertigo.
- Kahn, A. 2016. “Pursuing Paradise: Jewish Travel Comics as Feminist Spiritual Quests.” Studies in Comics 7 (2): 237–264. doi:10.1386/stic.7.2.237_1.
- Lewisohn, L. 1925. Israel. New York: Albert and Charles Boni.
- Libicki, M. 2008. Jobnik! Quitlam: Real Gone Girl Studios.
- Lubin, A. 2008. “’We are All Israelis’: The Politics of Colonial Comparisons.” South Atlantic Quarterly 107 (4): 671–690. doi:10.1215/00382876–2008–012.
- McCloud, S. 1993. Understanding Comics: The Invisible Art. New York: Harper Perennial.
- Oksman, T. 2016. ‘How Come Boys Get to Keep Their Noses?’: Women and Jewish American Identity in Contemporary Graphic Memoirs. New York: Columbia University Press.
- Pekar, H., and J. T. Waldman. 2012. Not the Israel My Parents Promised Me. New York: Farrar, Straus and Giroux.
- Pew Research Center. 2013. “Connection with and Attitudes toward Israel.” A Portrait of Jewish Americans.
- Reingold, M. 2017. “Not the Israel of My Elementary School: An Exploration of Jewish-Canadian Secondary Students’ Attempts to Process Morally Complex Israeli Narratives.” The Social Studies 108 (3): 87–98. doi:10.1080/00377996.2017.1324392.
- Reingold, M. 2018. “Broadening Perspectives on Immigrant Experiences: Secondary Students Study the Absorption Difficulties Faces byMizrachi Immigrants to Israel.” The Journal of Jewish Education 84 (3): 313–331. doi:10.1080/15244113.2018.1478531.
- Richler, M. 1995. This Year in Jerusalem. Toronto: Vintage Canada.
- Sacco, J. 2002. Palestine. Seattle: Fantagraphics Books.
- Sacco, J. 2010. Footnotes in Gaza: A Graphic Novel. New York: Metropolitan Books.
- Saxe, L., and M. Boxer. 2012. “Loyalty and Love of Israel by Diasporan Jews.” Israel Studies 17 (2): 92–101. doi:10.2979/israelstudies.17.2.92.
- Shapiro, M. 2017. “Zionism Is Ludwig Lewisohn’s Novel the Last Days of Shylock.” In Wrestling with Shylock: Jewish Responses to the Merchant of Venice, edited by E. Nahshon and M. Shapiro, 319–336. Cambridge: Cambridge University Press.
- Sokoloff, N. 1991. “Imagining Israel in American Jewish Fiction: Anne Roiphe’s Lovingkindness and Philip Roth’s the Counterlife.” Studies in American Jewish Literature 10 (1): 65–80.
- Sokoloff, N. 2015. “Israel in the Jewish American Imagination.” In The Cambridge History of Jewish American Literature, edited by H. Wirth-Nesher, 362–378. Cambridge: Cambridge University Press. doi:10.1017/CHO9781107261341.018.
- Solotaroff, T. 1992. “The Open Community: Introduction.” In Writing Out Way Home: Contemporary Stories by American Jewish Writers, edited by T. Solotaroff and N. Rapoport, xii–xxvi. New York: Schoken.
- Whitlock, G. 2007. Soft Weapons: Autobiography in Transit. Chicago: University of Chicago Press.