On the distinction between creative and non-creative labour and on making comics in Guy Delisle’s graphic memoirs. From “travelogues” to “laborlogs”

References

• Abbott, A. 1981. “Status and Status Strain in the Professions.” American Journal of Sociology 86 (4): 819–835 . https://doi.org/10.1086/227318.
   Web of Science ®Google Scholar
• Arendt, H. [1958 (1998)]. The Human Condition. Chicago: The University of Chicago Press.
   Google Scholar
• Banks, M. 2007. The Politics of Cultural Work. London, New York: Palgrave Macmillan.
   Google Scholar
• Bauman, Z. 2000. Liquid Modernity. Cambridge: Polity Press.
   Google Scholar
• Beck, U. 1986 (1992). Risk Society. Towards a New Modernity. London: Sage Publications.
   Google Scholar
• Béteille, A. 1996. “The Mismatch Between Class and Status.” The British Journal of Sociology 47 (3): 513–525. https://doi.org/10.2307/591367.
   Web of Science ®Google Scholar
• Bulić, J. 2012. “The Travelling Cartoonist. Representing the Self and the World in Guy Delisle’s Graphic Travel Narratives.” Narodna Umjetnost: Hrvatski časopis za etnologiju i folkloristiku 49 (1): 61–80. Retrieved from. https://www.researchgate.net.
   Google Scholar
• Chan, T. W., and J. H. Goldthorpe. 2007. “Class and Status: The Conceptual Distinction and Its Empirical Relevance.” American Sociological Review 72 (4): 512–532. Retrieved from. http://www.jstor.org.
   Web of Science ®Google Scholar
• Chiu, M. 2014. “Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom: Delisle’s Burma Chronicles and Guibert, Lefèvre, and Lemercier’s The Photographer.” Asian American Literature: Discourses & Pedagogies 5 (5): 23–44. https://scholars.unh.edu.
   Google Scholar
• Davidson, R. 2016. “Drawing Fatherhood: The Working Father Figure in the Autobiographical Graphic Novels of Guy Delisle.” In Cultures of Comics Work, edited by C. Brienza and P. Johnston, 131–143. New York: Palgrave Macmillan.
   Google Scholar
• Davis, H., and R. Scase. 2000. Managing Creativity: The Dynamics of Work and Organization. Buckingham: Open University Press.
   Google Scholar
• Delisle, G. 2000a. Shenzhen. Paris: L’: Association.
   Google Scholar
• Delisle, G. 2000b. Shenzhen. A Travelogue from China. Montreal, Quebec: Drawn & Quarterly.
   Google Scholar
• Delisle, G. 2003. Pyongyang. Paris: L’: Association.
   Google Scholar
• Delisle, G. 2007a. Chroniques Birmanes. Paris: Dargaud.
   Google Scholar
• Delisle, G. 2007b. “Pyongyang.” In A Journey in North Korea. Montreal, Quebec: Drawn & Quarterly.
   Google Scholar
• Delisle, G. 2010. Burma Chronicles. Montreal, Quebec: Drawn & Quarterly.
   Google Scholar
• Delisle, G. 2011. Chroniques de Jérusalem. Paris: Delcourt.
   Google Scholar
• Delisle, G. 2012. Jerusalem. Chronicles from the Holy City. Montreal, Quebec: Drawn & Quarterly.
   Google Scholar
• Delisle, G. 2021a. Chroniques de Jeunesse. Paris: Delcourt.
   Google Scholar
• Delisle, G. 2021b. Factory Summers. Montreal, Quebec: Drawn & Quarterly.
   Google Scholar
• Delisle, G., and P. Verschuuren. 2014. “Chroniques Du Monde.” Revue Internationale et Stratégique n° 94 (2): 6–16. https://doi.org/10.3917/ris.094.0006.
   Google Scholar
• Eco, U. 2003. “Vegetal and Mineral Memory: The Future of Books.” Speech Delivered at the Bibliotheca Alexandrina on 1 November 2003. https://www.bibalex.org/attachments/english/Vegetal_and_Mineral_Memory.pdf.
   Google Scholar
• Florida, R. 2002. The Rise of the Creative Class, and How It’s Transforming Work, Leisure, Community, and Everyday Life. New York: Basic Books.
   Google Scholar
• Gavrilă, A. 2015. “Understanding Jerusalem and Its Cross-Cultural Dilemmas in Guy Delisle’s Jerusalem: Chronicles from the Holy City.” Acta Universitatis Sapientiae Philologica 7 (1): 133–144. https://doi.org/10.1515/ausp-2015-0042.
   Google Scholar
• Gereffi, G., J. Humphrey, and T. Sturgeon. 2005. “The Governance of Global Value Chains.” Review of International Political Economy 12 (1): 78–104. https://doi.org/10.1080/09692290500049805.
   Web of Science ®Google Scholar
• Gereffi, G., and M. Korzeniewicz, Eds. 1994. Commodity Chains and Global Capitalism. Westport Conn: Greenwood Press.
   Google Scholar
• Giddens, A. [1990 (1996)]. The Consequences of Modernity. Cambridge: Polity Press.
   Google Scholar
• Giddens, A., and P. W. Sutton. 2017. Sociology. Cambridge: Polity Press.
   Google Scholar
• Gravett, P. 2014. Comics Art. New Haven, London: Yale University Press.
   Google Scholar
• Hartmann, N. 2012. “Don’t Laugh at Kim-Il Sung: Anecdote, Occupational Narrative and Representation in Guy Delisle’s Pyongyang.” New Directions in Folklore 10 (1): 3–31. Retrieved from. https://scholarworks.iu.edu/journals/index.php/ndif/article/view/1928.
   Google Scholar
• Hesmondhalgh, S., and S. Baker. 2010. “‘A Very Complicated Version of freedom’: Conditions and Experiences of Creative Labor in Three Cultural Industries.” Poetics 38 (1): 4–20. https://doi.org/10.1016/j.poetic.2009.10.001.
   Web of Science ®Google Scholar
• Hesmondhalgh, S., and S. Baker. 2011. Creative Labor. Media Work in Three Cultural Industries. London & New York: Routledge.
   Google Scholar
• Hopkins, T. K., and I. Wallerstein. 1986. “Commodity Chains in the World-Economy Prior to 1800.” Review Fernand Braudel Center 10 (1): 157–170. Retrieved from. http://www.jstor.org/stable/40241052.
   Google Scholar
• Hwang, J. H. 2017. “Cosmopolitan Practice, Asian Otherness, and a Localized Cosmopolitanism in Guy Delisle’s Asian Travelogues.” Journal of Popular Culture 50 (5): 1087–1106. https://doi.org/10.1111/JPCU.12593.
   Web of Science ®Google Scholar
• Kocak, K., and G. Delisle. 2014. “Interview with Guy Delisle: Conducted in English by Kenan Kocak, 23 April 2014.” European Comic Art 7 (2): 90–114. Gale Literature Resource Center. doi”https://doi.org/10.3167/eca.2014.070205.
   Google Scholar
• Lahire, B. 2011. “Auctor in opera suo: Problématique existentielle, problématiquelittéraire.” In Ce qu’ils vivent, ce qu’ ils écrivent. Mises en scène littéraires du social et experiences socialisatrices des écrivains, 11–35. Paris: Éditions des Archives Contemporaines.
   Google Scholar
• Lazzarato, M. 1996. “Immaterial Labor.” In Radical Thought in Italy: A Potential Politics, edited by P. Virno and M. Hardt, 133–147. Minneapolis, Minnesota: University of Minnesota Press.
   Google Scholar
• Lee, H.-K. 2011. “Introduction: Animation Industry at a Crossroads.” Creative Industries Journal 3 (3): 183–187. https://doi.org/10.1386/cij.3.3.183_1.
   Google Scholar
• Loriol, M. 2023. “La bande dessinée comme moyen de saisir le geste ouvrier à l’usine.” 14(1. Images du Travail, Travail des Images: Bandes dessinées et romans graphiques au travail. (14). doi. https://doi.org/10.4000/itti.3554
   Google Scholar
• Marx, K., and F. Engels. [1848 (2016)]. “The Communist Manifesto.” The Collected Works of Karl Marx 422–460. www.delphiclassics.com.
   Google Scholar
• Menger, P. M. 1999. “Artistic Labor Markets and Careers.” Annual Review of Sociology 25 (1): 541–574. https://www.jstor.org/stable/223516.
   Web of Science ®Google Scholar
• Pedri, N. 2014. “Re-visualizing the map in Guy Delisle’s Pyongyang.” Arborescences Revue d’ Etudes Françaises 4 (4): 99–114. https://doi.org/10.7202/1027434ar.
   Google Scholar
• Ricoeur, P. [1958 (1983)]. “Condition de l’ homme moderne par Hannah Arendt.” In H. Arendt eds. La Condition de l’ Homme Moderne, 5–32. Paris: Calmann-Lévy.
   Google Scholar
• Rifkind, C. 2010. “A Stranger in a Strange Land? Guy Delisle Redraws the Travelogue.” International Journal of Comic Art 12 (2): 268–290. http://www.ijoca.net.
   Google Scholar
• Rivoal, I., and M. Armspach. 2023. “L’atelier de Marco. Energie, intention, ambiance et technique(s): un dessinateur de bande dissinée à l’ oeuvre.” Images du Travail, Travail des Images: Bandes dessinées et romans graphiques au travail 14 (1). https://doi.org/10.4000/itti.3882.
   Google Scholar
• Ryan, B. 1992. Making Capital from Culture: The Corporate Form of Capitalist Cultural Production. Berlin: de Gruyter.
   Google Scholar
• Saks, M. 2012. “Defining a Profession: The Role of Knowledge and Expertise.” Professions & Professionalism 2 (1): 1–10. https://doi.org/10.7577/pp.v2i1.151.
   Google Scholar
• Sennett, R. 1998. The Corrosion of Character. The Personal Consequences of the Work in the New Capitalism. New York, London: W. W. Norton and Company.
   Google Scholar
• Smith, A. [1776 (2010)]. The Wealth of Nations. New Jersey: Wiley and Sons.
   Google Scholar
• Travel. Entry Retrieved in Webster-Merriam Online Dictionary. https://www.merriam-webster.com.
   Google Scholar
• Tsang, F. T., and A. Goldstein. 2010. “The Outsourcing of “Creative” Work and the Limits of Capability: The Case of the Philippines’ Animation Industry.” IEEE Transactions on Engineering Management 57 (1): 132–143. https://doi.org/10.1109/TEM.2009.2028325.
   Web of Science ®Google Scholar
• Weber, M. [1922 (1978)]. Economy and Society. An Outline of Interpretive Sociology. Berkeley, Los Angeles, London: University of California Press.
   Google Scholar
• Westcott, T. 2011. “An Overview of the Global Animation Industry.” Creative Industries Journal 3 (3): 253–259. https://doi.org/10.1386/cij.3.3.253_1.
   Google Scholar
• Wise, A. 2013. “Pyramid Subcontracting and Moral Detachment: Down-Sourcing Risk and Responsibility in the Management of Transnational Labor in Asia.” The Economic and Labor Relations Review 24 (3): 433–455. https://doi.org/10.1177/1035304613498027.
   Web of Science ®Google Scholar
• Woo, B. 2013. “Why is It so Hard to Think About Comics as Labor?” Comics Forum. https://comicsforum.org/.
   Google Scholar
• Woo, B. 2016. “To the Studio! Comic Book Artists: The Next Generation and the Occupational Imaginary of Comics Work.” In Cultures of Comics Work, edited by C. Brienza and P. Johnston, 189–192. New York: Palgrave Macmillan.
   Google Scholar
• Yoon, H., and E. J. Malecki. 2009. “Cartoon Planet: Worlds of Production and Global Production Networks in the Animation Industry.” Industrial and Corporate Change 19 (1): 239–271. https://doi.org/10.1093/icc/dtp040.
   Web of Science ®Google Scholar