6,375
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

Becoming Hauntologists: A New Model for Critical-Creative Heritage Practice

ORCID Icon

References

  • Aikens, Nick, ed. 2016. Ecologising Museums. Ghent: L’Internationale Online.
  • Alberge, Dalya. 2016. “Save Our Brutalist Masterpieces, Says Top Heritage Expert.” The Guardian, November 13. https://www.theguardian.com/artanddesign/2016/nov/13/save-brutalist-buildings-warns-simon-thurley.
  • Barad, Karen. 2010. “Quantum Entanglements and Hauntological Relations of Inheritance: Dis/Continuities, SpaceTime Enfoldings, and Justice-to-Come.” Derrida Today 3 (2): 240–268.
  • Barad, Karen. 2017. “No Small Matter: Mushroom Clouds, Ecologies of Nothingness, and Strange Topologies of Spacetimemattering.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt, G103–G120. Minneapolis: University of Minnesota Press.
  • Bell, Michael Mayerfield. 1997. “The Ghosts of Place.” Theory and Society 26 (6): 813–836.
  • Blanco, Maria del Pilar, and Esther Peeren, eds. 2013. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. New York: Bloomsbury.
  • Brown, Kate. 2017. “Mare Curie’s Fingerprints: Nuclear Spelunking in the Chernobyl Zone.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt, G33–G50. Minneapolis: University of Minnesota Press.
  • Bryant, Rebecca, and Yiannis Papadakis, eds. 2012. Cyprus and the Politics of Memory: History, Community and Conflict. London: I. B. Tauris.
  • Bryant, Levi, Nick Srnicek, and Graham Harman, eds. 2011. The Speculative Turn: Continental Materialism and Realism. Melbourne: re.press.
  • Calder, Barnabas. 2016. Raw Concrete: The Beauty of Brutalism. London: William Heinemann.
  • Davis, Colin. 2005. “Hauntology, Spectres and Phantoms.” French Studies 59 (3): 373–379.
  • Demos, T. J. 2012. Zarina Bhimji: Cinema of Affect. In: Zarina Bhimji et al., Zarina Bhimji [Catalogue of exhibition held at Whitechapel Gallery 20 January–14 April 2012]. London: Whitechapel Gallery; Kunstmuseum Bern; The New Art Gallery Walsall; Ridinghouse.
  • Demos, T. J. 2013. Return to the Postcolony: Specters of Colonialism in Contemporary Art. Berlin: Sternberg.
  • Derrida, Jacques. 1994. Spectres of Marx: The State of the Debt, the Work of Mourning and the New International. Translated by Peggy Kamuf. London: Routledge.
  • Derrida, Jacques, and Bernard Stiegler. 2013. “Spectographies.” In The Spectralities Reader, edited by Maria Del Pilar Blanco and Esther Peeren, 37–51. New York: Bloomsbury Academic.
  • Derrida, Jacques, and Elisabeth Roudinesco. 2004. For What Tomorrow: A Dialogue. Stanford, CA: Stanford University Press.
  • DeSilvey, Caitlin. 2017. Curated Decay: Heritage Beyond Saving. Minneapolis: University of Minnesota Press.
  • Diprose, Rosalyn. 2006. “Derrida and the Extraordinary Responsibility of Inheriting the Future-to-come.” Social Semiotics 16 (3): 435–447.
  • Edensor, Tim. 2005. Industrial Ruins: Space, Aesthetics and Materiality. Oxford: Berg.
  • Evans, Judith. 2019. “Inside the Tower Block Refurbished for Luxury Living.” Financial Times, May 3. Accessed May 2019. https://www.ft.com/content/f4e7a2c6-5aa1-11e9-939a-341f5ada9d40.
  • Fisher, Mark. 2012. “What is Hauntology?” Film Quarterly 66 (1): 16–24.
  • Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Winchester: Zero Books.
  • Fredengren, Christina. 2015. “Nature:Cultures – Heritage, Sustainability and Feminist Posthumanism.” Current Swedish Archaeology 23: 109–130.
  • Fredengren, Christina. 2016. “Unexpected Encounters with Deep Time Enchantment. Bog Bodies, Crannogs and ‘Otherwordly’ Sites. The Materializing Powers of Disjunctures in Time.” World Archaeology 48 (4): 482–499.
  • Gan, Elaine, Anna Tsing, Heather Swanson, and Nils Bubandt. 2017. “Introduction: Haunted Landscapes of the Anthropocene.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt, G1–G14. Minneapolis: University of Minnesota Press.
  • Gordon, Avery. 2008. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press.
  • Grindrod, John. 2014. Concretopia: A Journey Around the Rebuilding of Postwar Britain. Brecon: Old Street.
  • Harrison, Rodney. 2015. “Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of the Anthropocene.” Heritage & Society 8 (1): 24–42.
  • Hewison, Robert. 1987. The Heritage Industry: Britain in a Climate of Decline. London: Methuen.
  • Hopkins, Owen. 2017. Lost Futures: The Disappearing Architecture of Post-war Britain. London: Royal Academy of Arts.
  • Jacobson, Howard. 2014. J. London: Vintage.
  • Jameson, Fredric. 1991. Postmodernism: Or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
  • Jameson, Fredric. 1999. “Marx’s Purloined Letter.” In Ghostly Demarcations: A Symposium on Jacques Derrida’s Spectres of Marx, edited by Michael Sprinker, 26–67. London: Verso.
  • Kidd, Jenny, Sam Cairns, Alex Drago, Amy Ryall, and Miranda Stearn, eds. 2017. Challenging History in the Museum: International Perspectives. London: Routledge.
  • Mantel, Hilary. 2017. “Why I Became a Historical Novelist.” The Guardian, June 3. https://www.theguardian.com/books/2017/jun/03/hilary-mantel-why-i-became-a-historical-novelist.
  • Marrs, Colin. 2015. “C20 Society Demands Balfron Tower Rethink.” Architecture Journal, October 27. https://www.architectsjournal.co.uk/home/c20-society-demands-balfron-tower-rethink/8691067.article.
  • Matthews, Andrew S. 2017. “Ghostly Forms and Forest Histories.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt, G145–G156. Minneapolis: University of Minnesota Press.
  • McNeill, David. 2001. “Heritage and Hauntology: The Installation Art of Michael Goldberg.” In What is Installation?: An Anthology of Writings on Australian Installation Art, edited by Adam Geczy, and Benjamin Genocchio, 54–59. Sydney: Power Publications.
  • Meskell, Lynn. 2002. “Negative Heritage and Past Mastering in Archaeology.” Anthropological Quarterly 75 (3): 557–574.
  • Morton, Timothy. 2007. Ecology Without Nature: Rethinking Environmental Aesthetics. Cambridge, MA: Harvard University Press.
  • Mould, Oli. 2017. “Brutalism Redux: Relational Monumentality and the Urban Politics of Brutalist Architecture.” Antipode 49 (3): 701–720.
  • Navaro-Yashin, Yael. 2009. “Affective Spaces, Melancholic Objects: Ruination and the Production of Anthropological Knowledge.” Journal of the Royal Anthropological Institute 15: 1–18.
  • Onciul, Bryony. 2015. Museums, Heritage and Indigenous Voice: Decolonising Engagement. New York: Routledge.
  • Papadakis, Yiannis, Nicos Peristianis, and Gisela Emmi Welz, eds. 2006. Divided Cyprus: Modernity, History, and an Island in Conflict. Bloomington: Indiana University Press.
  • Parker, Ingrid M. 2017. “Remembering in Our Amnesia, Seeing in Our Blindness.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt, M155–M167. Minneapolis: University of Minnesota Press.
  • Roberts, David. 2017. “Make Public: Performing Public Housing in Ernö Goldfinger’s Balfron Tower.” The Journal of Architecture 22 (1): 123–150.
  • Roberts, Catherine, and Philip Stone. 2014. “Dark Tourism and Dark Heritage: Emergent Themes, Issues and Consequences.” In Displaced Heritage: Responses to Disaster, Trauma, and Loss, edited by Ian Convery, Gerard Corsane, and Peter Davis, 9–18. Woodbridge: The Boydell Press.
  • Ruin, Hans. 2014. “Spectral Phenomenology: Derrida, Heidegger and the Problem of the Ancestral.” In The Ashgate Companion to Memory Studies, edited by Siobhan Kattago, 61–74. London: Routledge.
  • Ruin, Hans. 2017. “Review Essay: History and its Dead.” History and Theory 56 (3): 407–417.
  • Ruin, Hans. 2019. Being with the Dead: Burial, Sacrifice, and the Origins of Historical Consciousness. Stanford, CA: Stanford University Press.
  • Sterling, Colin. 2014. “Spectral Anatomies: Heritage, Hauntology and the ‘Ghosts’ of Varosha.” Present Pasts 6 (1): 1–15.
  • Sterling, Colin. 2019. “Designing ‘Critical’ Heritage Experiences: Immersion, Enchantment and Autonomy.” Archaeology International 22 (1): 100–113.
  • Sterling, Colin. 2020. “Critical Heritage and the Posthumanities: Problems and Prospects.” International Journal of Heritage Studies 26 (11): 1029–1046.
  • Sully, Dean, ed. 2007. Decolonising Conservation: Caring for Maori Meeting Houses Outside New Zealand. Walnut Creek, CA: Left Coast Press.
  • Svenning, Jens-Christian. 2017. “Future Megafaunas: A Historical Perspective on the Potential for a Wilder Anthropocene.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt, G67–G87. Minneapolis: University of Minnesota Press.
  • Swanson, Heather, Anna Tsing, Nils Bubant, and Elaine Gan. “2017. “Introduction: Bodies Tumbled into Bodies.” In Arts of Living on a Damaged Planet, edited by Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, M1–M12. Minneapolis: University of Minnesota Press.
  • Tsing, Anna, Heather Swanson, Elaine Gan, and Nils Bubandt, eds. 2017. Arts of Living on a Damaged Planet. Minneapolis: University of Minnesota Press.
  • Van Dooren, Thom. 2014. “Life at the Edge of Extinction: Spectral Crows, Haunted Landscapes and the Environmental Humanities.” Humanities Australia 5: 8–22.
  • Waterton, Emma, and Steve Watson. 2014. The Semiotics of Heritage Tourism. Bristol: Channel View Publications.
  • Weber, Max. (1919) 1946. “Science as a Vocation.” In From Max Weber: Essays in Sociology, edited by H. H. Gerth, and C. Wright Mills, 129–156. Oxford: Oxford University Press.
  • Weisman, Alan. 2007. The World Without Us. London: Virgin Books.
  • Wilson, Fred. 1994. Mining the Museum: An Installation by Fred Wilson. Baltimore: The Contemporary.
  • Wright, Patrick. 1985. On Living in an Old Country: The National Past in Contemporary Britain. London: Verso.