Works cited
- Adedeji, Joel. “Traditional Yoruba Travelling Theatre.” Theatre in Africa. Eds. Oyin Ogunba, and Abiola Irele. Ibadan: Oxford UP, 1978. 27–51.
- Adejunmobi, Moradewun. “Charting Nollywood's Appeal Locally and Globally.” Film in African Literature Today. Ed. Ernest Emenyonu. Woodbridge, Suffolk: James Currey, 2010. 106–21.
- Adejunmobi, Moradewun. “Neoliberal Rationalities in Old and New Nollywood.” African Studies Review 58.3 (2015a): 31–53.
- Adejunmobi, Moradewun. “Provocations: African Societies and Theories of Creativity.” Rethinking African Cultural Productions. Eds. Frieda Ekotto, and Kenneth Harrow. Bloomington: Indiana UP, 2015b. 52–77.
- Bailey, Cameron. “Cameron Bailey Explains Why TIFF ’16 Has Put the Spotlight on Lagos and Nigerian Cinema.” http://www.tiff.net/the-review/cameron-bailey-explains-why-tiff-16-has-put-the-spotlight-on-lagos-and/.
- Barber, Karin. The Generation of Plays: Yorùbá Popular Life in Theater. Bloomington: Indiana UP, 2000.
- Dixon, Wheeler Winston. Movies, Media, and Instant Access. Lexington: Kentucky UP, 2013.
- Dovey, Lindiwe. Curating Africa in the Age of Film Festivals. New York: Palgrave Macmillan, 2015.
- Gabriel, Teshome. Third Cinema in Third World: The Dynamics of Style and Ideology. PhD Diss. Uof California, Los Angeles, 1979.
- Haynes, Jonathan. “New Nollywood: Kunle Afolayan.” Black Camera 5.2 (2014): 53–73.
- Haynes, Jonathan. Nollywood: The Creation of Nigerian Film Genres. Chicago: U of Chicago P, 2016a.
- Haynes, Jonathan. “Neoliberalism, Nollywood and Lagos.” Global Cinematic Cities: New Landscapes of Film and Media. Eds. John Andersson, and Lawrence Webb. New York: Columbia UP, 2016b. 59–76.
- Haynes, Jonathan. Hostile Takeover: Corporate Interventions in Nollywood. Evanston, IL: PAS (Program of African Studies) Working Papers, Northwestern U, 2016c.
- Jedlowski, Alessandro. “African Media and the Corporate Takeover: Video Film Circulations in the Age of Neoliberal Transformations.” African Affairs 116/465 (2017): 671–691.
- Jeyifo, Biodun. The Truthful Lie: Essays in a Sociology of African Drama. London: New Beacon Books, 1985.
- Jeyifo, Biodun. The Yoruba Popular Travelling Theatre of Nigeria. Lagos: Nigeria Magazine, 1984.
- Jeyifo, Biodun. “Will Nollywood Get Better? Did Hollywood and Bollywood Get Better?” West Africa Review 12 (2008): 13–31.
- Miller, Jade. Nollywood Central. London: British Film Institute, 2016.
- Ogunbiyi, Yemi, ed. Drama and Theatre in Nigeria. 2nd ed. Lagos: Tanus Books, 2014.
- Peretz, Eyal. “An Interview with Biodun Jeyifo.” The Yearbook of Comparative Literature 55 (2009): 163–199.
- Ryan, Connor. “New Nollywood: A Sketch of Nollywood's Metropolitan New Style.” African Studies Review 58.3 (2015): 55–76.
- Tsika, Noah. “Elevating the Amateur Nollywood Critics and the Politics of Diasporic Film Criticism.” Film Criticism in the Digital Age. Eds. Mattias Frey, and Cecilia Sayad. Rutgers: Rutgers UP, 2015. 137–154.
Filmography
- A Trip to Jamaica. Dir. Robert Peters, 2016.
- 10 Days in Sun City. Dir. Robert Peters, 2017.
- 30 Days in Atlanta. Dir. Robert Peters, 2014.
- 93 Days. Dir. Steve Gukas, 2016.
- Confusion Na Wa. Dir. Kenneth Gyang, 2013.
- Ezra. Dir. Newton Aduaka, 2008.
- Fifty. Dir. Biyi Bandele, 2015
- Flower Girl. Dir. Michelle Bello, 2013
- Gbomo Gbomo Express. Dir. Walter Taylaur, 2015.
- Man on Ground. Dir. Akin Omotoso, 2011
- Of Good Report. Dir. Jahmil X.T. Qubeka, 2013.
- Osuofia in London. Dir. Kingsley Ogoro, 2003.
- Pumzi. Dir. Wanuri Kahiu, 2009.
- Rebecca. Dir. Shirley Frimpong-Manso, 2016.
- Taxi Driver. Oko Ashewo. Dir. Daniel Oriahi, 2015.
- Taxi Driver. Dir. Martin Scorsese, 1976.
- The Amazing Grace. Dir. Jeta Amata, 2006.
- The Wedding Party. Dir. Kemi Adetiba, 2016.