References
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- Emecheta, Buchi. The Joys of Motherhood. New York: George Braziller, 1979.
- Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press, 1985.
- Kuzwayo, Ellen. Call Me Woman. San Francisco: Aunt Lute Books, 1985.
- Mascia-Lees, Frances E., Patricia Sharpe, and Colleen B. Cohen. “Double Liminality and the Black Woman Writer.” American Behavioral Scientist, vol. 31, no. 1, 1987, pp. 101–114.
- Nkealah, Naomi. “Being Human in a Time of Catastrophe: African Feminism, Feminist Humaneness, and the Poetry of Joyce Ash.” Journal of Literary Studies, vol. 38, no. 1, 2022, pp. 1–17.
- Norridge, Zoe. Perceiving Pain in African Literature. Basingstoke: Palgrave, Macmillan, 2013.
- Sackeyfio, Rose A. “Engaging the Diaspora Contemporary Works by African Women Writers.” Transnational Africana Women’s Fictions, edited by Cheryl Sterling. New York: Routledge, 2022, pp 102–109.
- Sample, Maxine. “Gender, Identity, and the Liminal Self: The Emerging Woman in Buchi Emecheta’s the Bride Price and Maya Angelou’s I Know Why the Caged Bird Sings.” North-South Linkages and Connections in Continental and Diaspora African Literatures, edited by Edris Makward, Mark L. Lilleleht, & Ahmed Saber. Trenton: New Jersey, Africa World Press, 2005, pp. 213–215.
- Spillers, Hortense J. “The Elusive Postcolonial: Women Writers in/and the African Diaspora.” Feminism as World Literature, edited by Robin Truth Goodman. New York: Bloomsbury Academic & Professional, 2022, pp. 180–2.
- Turner, Victor W. “Betwixt and Between: The Liminal Period in Rites of Passage.” Betwixt and between: Patterns of Masculine and Feminine Initiation, edited by Louise Carus Mahdi, Steven Foster and Meredith Little. LaSalle, IL: Open Court, 1987, pp. 3–4.