References
- Arenberg, Meg. “Tanzanian Ujamaa and the Shifting Politics of Swahili Poetic Form.” Research in African Literatures, vol. 50, no. 3, 2019, pp. 7–28.
- Arenberg, Meg. Ulimi Huiba (the Tongue Steals): Genre, Intertextuality and Identity-Making in Tanzanian Literature. PhD dissertation. Indiana University, 2016.
- Armillas-Tiseyra, Magalí. “The Contemporary Novel and the Global South: Relation, Recognition, and the Utopian Impulse.” Studies in the Novel, vol. 53, no. 2, 2021, pp. 165–185.
- Armillas-Tiseyra, Magalí. “The Dictator and His Objects: The Status of the Fetish in the African Dictator Novel.” Unmasking the African Dictator: Essays on Postcolonial African Literature, edited by Josphat Gichingiri Ndigirigi. The University of Tennessee Press, 2014, pp. 125–40.
- Bakhtin, Mikhail. Rabelais and His World. Translated by Helene Iswolsky. Indiana University Press, 1984, 1965.
- Bedasse, Monique. Jah Kingdom Rastafarians, Tanzania, and Pan-Africanism in the Age of Decolonization. University of North Carolina Press, 2017.
- Bertoncini-Zúbková, Elena. “Marx’s Shorts and Ancestors’ Caves: Tracing Critical Motifs in Kezilahabi’s Play and Poems.” Swahili Forum, vol. 3, no. 3, 1996, pp. 139–48.
- Bertoncini-Zúbková, Elena. Outline of Swahili Literature: Prose Fiction and Drama. E. J. Brill, 1989.
- Bertoncini-Zúbková, Elena. Outline of Swahili Literature: Prose Fiction and Drama. 2nd ed., Brill, 2009.
- Bjerk, Paul. Julius Nyerere. Ohio University Press, 2017.
- Boal, Augusto. Theatre of the Oppressed. Translated by Charles A. & Maria-Odilia Leal McBride. Theatre Communications Group, 1985, 1974.
- Brecht, Bertolt. Brecht on Theatre. Edited by Marc Silberman, Tom Kuhn, and Steve Giles. Bloomsbury Academic, 2019.
- Buck-Morss, Susan. Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. MIT Press, 2000.
- Bulcaen, Chris. “The Dialogue of an Author: Kezilahabi’s ‘Kaputula La Marx.” Swahili Forum, vol. 4, no. 4, 1997, pp. 107–15.
- Bystrom, Kerry, et al. The Cultural Cold War and the Global South: Sites of Contest and Communitas. Routledge Taylor & Francis Group, 2021.
- Coughlin, David. “Dancing in Their Own Style? Philosophy in Euphrase Kezilahabi’s Nagona/Mzingile and the Uses of Postcolonial Discourse in Its Analysis.” Journal of African Cultural Studies, vol. 28, no. 2, 2016, pp. 196–208.
- Davis, Caroline. African Literature and the CIA: Networks of Authorship and Publishing. Cambridge University Press, 2020.
- Djagalov, Rossen. From Internationalism to Postcolonialism: Literature and Cinema between the Second and the Third Worlds. McGill-Queen’s University Press, 2020.
- Engmann, Rachel Ama Asaa. “Under Imperial Eyes, Black Bodies, Buttocks, and Breasts: British Colonial Photography and Asante ‘Fetish Girls.” African Arts, vol. 45, no. 2, 2012, pp. 46–57.
- Fanon, Frantz. The Wretched of the Earth. 1961. Translated by Richard Philcox. Grove Press, 2004.
- Fiebach, J. “On the Social Function of Modern African Theatre and Brecht.” Umma: A Literary Magazine from the University of Dar Es Salaam, no. 5, 1975, pp. 159–71.
- Getachew, Adom. Worldmaking after Empire: The Rise and Fall of Self-Determination. Princeton University Press, 2019.
- Gromov, Mikhail D. “Swahili Literature in the Russian Language.” Swahili Forum, vol. 25, 2018, pp. 165–68.
- Gromov, Mikhail D. “Visions of the Future in the ‘New’ Swahili Novel: Hope in Desperation?” Tydskrif Vir Letterkunde, vol. 51, no. 2, 2017, pp. 40–51.
- Hartnoll, Phyllis. The Concise Oxford Companion to the Theatre. Oxford University Press, 1972.
- Hunter, Emma. “African Socialism.” Cambridge History of Socialism, edited by Marcel Van der Linden, vol. 2, Cambridge University Press, 2022, pp. 455–73.
- Kalliney, Peter J. The Aesthetic Cold War: Decolonization and Global Literature. Princeton University Press, 2022.
- Kezilahabi, Euphrase. Dunia Uwanja wa Fujo. East African Literature Bureau, 1975.
- Kezilahabi, Euphrase. Gamba la Nyoka. Vide-Muwa Publishers, 1979, 2006.
- Kezilahabi, Euphrase. Kaptula la Marx. African Proper Education Network, 2022, 1999.
- Kezilahabi, Euphrase. Nagona. Vide-Muwa Publishers, 1990, 2011.
- Kezilahabi, Euphrase. Mzingile. Dar es Salaam University Press, 1991, 2007, 2011.
- Kezilahabi, Euphrase. “Mayai Waziri wa Maradhi.” Mayai Waziri wa Maradhi na Hadithi Nyingine. K.W. Wamitila (Mhariri). Focus Publishers Ltd., 2004, pp. 63–77.
- Kruger, Loren. Post-Imperial Brecht : Politics and Performance, East and South. Cambridge University Press, 2004.
- Lal, Priya. African Socialism in Postcolonial Tanzania : Between the Village and the World. Cambridge University Press, 2015.
- Lal, Priya. “Maoism in Tanzania: Material Connections and Shared Imaginaries.” Mao’s Little Red Book : A Global History, edited by Alexander C. Cook, Cambridge University Press, 2013, pp. 96–115.
- Lanfranchi, Benedetta. “Daring to Be Destructive: Euphrase Kezilahabi’s onto-Criticism.” Swahili Forum, no. 19, 2012, pp. 72–87.
- Lazarus, Neil. Resistance in Postcolonial African Fiction. Yale University Press, 1990.
- Markle, Seth M. A Motorcycle on Hell Run: Tanzania, Black Power, and the Uncertain Future of Pan-Africanism, 1964–1974. Michigan State University Press, 2017.
- Mbembe, Achille. On the Postcolony. University of California Press, 2001.
- Mlama, Penina Muhando. Culture and Development : The Popular Theatre Approach in Africa. Scandinavian Institute of African Studies, 1991.
- Mudimbe, V. Y. The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge. Indiana University Press, 1988.
- Ngũgĩ Wa, Thiongʼo. Decolonising the Mind : The Politics of Language in African Literature. J. Currey/Heinemann, 1986.
- Osinubi, Taiwo Adetunji. “Cold War Sponsorships: Chinua Achebe and the Dialectics of Collaboration.” Journal of Postcolonial Writing, vol. 50, no. 4, 2014, pp. 410–422.
- Popescu, Monica. At Penpoint: African Literatures, Postcolonial Studies, and the Cold War. Duke University Press, 2020.
- Quinlan, Elizabeth, and Wendy Duggleby. “Breaking the Fourth Wall’: Activating Hope through Participatory Theatre with Family Caregivers.” International Journal of Qualitative Studies on Health and Well-Being, vol. 4, no. 4, 2009, pp. 207–219.
- Rettová, Alena. “Writing in the Swing? Neo-Realism in Post-Experimental Swahili Fiction.” Research in African Literatures, vol. 47, no. 3, 2016, pp. 15–31.
- Robinson, Morgan J. A Language for the World : The Standardization of Swahili. Ohio University Press, 2022.
- Shringarpure, Bhakti. Cold War Assemblages: Decolonization to Digital. 1st ed., Routledge, 2019.
- Sun, Jodie Yuzhou. “Historicizing African Socialisms: Kenyan African Socialism, Zambian Humanism, and Communist China’s Entanglements.” The International Journal of African Historical Studies, vol. 52, no. 3, 2019, pp. 349–74.
- Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press, 2003.
- Vulgarize, V. (2). Oxford English Dictionary, 2023.
- Watson, Jini Kim. Cold War Reckonings: Authoritarianism and the Genres of Decolonization. Fordham University Press, 2021.
- Yoon, Duncan M. China in Twentieth- and Twenty-First-Century African Literature. Cambridge University Press, 2023.
- Yoon, Duncan M. “Cold War Creolization: Ousmane Sembène’s Le Dernier de L’empire.” Research in African Literatures, vol. 50, no. 3, 2019, pp. 29–50.
- Yoon, Duncan M. “Figuring Africa and China.” Journal of World Literature, vol. 6, no. 2, 2021, pp. 167–196.
- Yoon, Duncan M. “A South African Imaginary of Maoist China: The Curious Case of Dennis Brutus’s China Poems (1975).” Verge: Studies in Global Asias, vol. 8, no. 1, 2022, pp. 141–166.
- Zhao, Lei. “Historia Fupi ya Tafsiri za Vitabu Vya Kiswahili Nchini China (a Short History of Translation of Kiswahili Books in China).” Swahili Forum, vol. 25, 2018, pp. 158–64.