154
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

The Archiving of Siti Binti Saad and her Engagement with the Music Industry in Shaaban Robert’s Wasifu wa Siti Binti Saad

References

  • Askew, Kelly M. 2002. Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago, London: University of Chicago Press.
  • Bandawe, Beatrice. 2015. “Bukwimba: I was Branded Barmaid, Prostitute … Yet I Won.” Sauti ya Siti 37: 5–7.
  • Bhabha, Homi. (1994) 2004. The Location of Culture. New York: Routledge.
  • Bourdieu, Pierre. 1984. Distinction: A Critique of the Judgement of Taste , Trans. Richard Nice. Cambridge, Massachusetts: Harvard University Press.
  • Danielson, Virginia. 1996. “New Nightingales of the Nile: Popular Music in Egypt since the 1970s.” Popular Music 15 (3): 299–312. doi: 10.1017/S0261143000008291
  • Deleuze, Gilles and Felix Guattari. 1977. Anti-Oedipus: Capitalism and Schizophrenia. Trans. Robert Hurley, Mark Seem and Helen R. Lane. New York: Penguin.
  • Derrida, Jacques. 1981. Dissemination, Trans. Barbara Johnson. New York, London: Continuum.
  • Derrida, Jacques. 1995. “Archive Fever: A Freudian Impression.” Trans. Eric Prenowtz. Diacritics 25 (2): 9–63. doi: 10.2307/465144
  • Fair, Laura. 1998. “Music, Memory and Meaning: The Kiswahili Recording of Siti Binti Saad.” AAP 55:1–16.
  • Fair, Laura. 2013. Historia ya Jamii ya Zanzibar na Nyimbo za Siti Binti Saad. Nairobi: Twaweza Communications.
  • Fair, Laura. 2001. Pastime and Politics: Culture, Community, and Identity in Post-Abolition Urban Zanzibar, 1890–1945. Athens, Ohio: Ohio University Press.
  • Fargion, Janet Topp. 2013. Taarab Music in Zanzibar in the Twentieth Century: A Story of “Old Is Gold” and Flying Spirits. London: Ashgate.
  • Fargion, Janet Topp. 1992. “The Role of Women in Taarab in Zanzibar: An Historical Examination of a Process of ‘Africanisation’.” World of Music 35 (2): 109–125.
  • Hilal, Nasra Mohamed. 2007. Mfinyanzi Aingia Kasri: Siti Binti Saad. Dar es Salaam: Mkuki na Nyota Publishers.
  • Impey, Angela. 1998. “Popular Music in Africa.” In The Garland Encyclopedia of World Music: Africa, ed. Ruth M. Stone, 415–437. New York, London: Garland Publishing Inc.
  • Johnson, Barbara. 1981. “Translator’s Introduction.” In Jacques Derrida, Dissemination, vii–xxxv. London, New York: Continuum.
  • Kiel, Hilda. 2012. “Travel on a Song: The Roots of Zanzibar Taarab.” African Music 9 (2): 75–93.
  • Kiwia, Angela. 2015. “Ester Bulaya: Confidence Kills Male Chauvinism.” Sauti ya Siti 37: 10–11.
  • Muller, Carol A. 2002. “Archiving Africanness in Sacred Song.” Ethnomusicology 46 (3): 409–31. doi: 10.2307/852717
  • Nzegwu, Nkiru. 1998. “Transgressive Vision: Subverting the Power of Masculinity.” In Issues in Contemporary African Art, ed. Nkiru Nzegwu, 105–134. Binghamton: International Society for the Study of Africa.
  • p’Bitek, Okot. 1986. Artist, the Ruler: Essays in Art, Culture and Values. Nairobi: East African Educational Publishers.
  • Perullo, Alex. 2011. Live from Dar es Salaam: Popular Music and Tanzania’s Music Economy. Bloomington, Indianapolis: Indiana University Press.
  • Robert, Shaaban. (1956) 1991a. Wasifu wa Siti Binti Saad. Dar es es Salaam: Mkuki na Nyota.
  • Robert, Shaaban. (1958) 1991b. Mapenzi Bora. Dar es es Salaam: Mkuki na Nyota.
  • Robert, Shaaban. (1946) 2013. Maisha Yangu Baada ya Miaka Hamsini. Dar es es Salaam: Mkuki na Nyota.
  • Rosenberg, Aaron Louis. 2014. “‘Sauti za Uhuru‘? Women Singers and Self-Definition on the Coasts of East Africa.” Dossier: Journal of Women Living under Muslim Law 32–33: 231–252.
  • Sanga, Imani. 2011. “Music and the Regulatory Regimes of Gender and Sexuality in Tanzania.” Journal of Popular Music and Society 34 (3): 351–368. doi: 10.1080/03007766.2010.522816
  • Sanga, Imani. 2014. “Postcolonial Archival Fever and the Archiving of African Identity in Selected Paintings by Elias Jengo.” Journal of African Cultural Studies 26(2): 140–154. doi: 10.1080/13696815.2013.850403
  • Sheikh, Leila Hashim. 1988. “Siti’s Magnetic Voice.” Sauti ya Siti 1(1): 3–4. 10.1080/13696815.2013.850403.
  • Sheikh, Leila Hashim. 1990. “A Survey of Sexual Harassment in Dar es Salaam.” Sauti ya Siti 10: 1–24.
  • Sheikh, Leila Hashim. 2004. “TAMWA: Levina’s Song-Supporting Women in Tanzania.” In Composing a New Song: Stories of Empowerment from Africa, edited by Hope Chigudu, 95–128. Harare: The Commonwealth Foundation.
  • Solomon, Eva. 2014. Development Journalism and Gender: A Case Study of Broadcasting Media in Tanzania. PhD Thesis, Berlin Free University.
  • Stiegler, Bernard. 2013. What Makes Life Worth Living: On Pharmacology, Trans. Daniel Ross. Cambridge: Polity Press.
  • Topan, Farouk. 1997. “Biography Writing in Swahili.” History in Africa 24:299–307. doi: 10.2307/3172032
  • Traore, Flavia Aiello. 2001. “Taarab and Swahili Prose.” Swahili Forum 8: 123–128.
  • Traore, Flavia Aiello. 2007. Women’s Taarab Lyrics in Contemporary Zanzibar. Swahili Forum 14, 181–195.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.