Network Novel: Ngũgĩ wa Thiongo’s Wizard of the Crow and Dialogues in African Literature

References

• Adejunmobi, Moradewun, and Carli Coetzee. Eds. 2019. Routledge Handbook of African Literature. London: Routledge. doi:10.4324/9781315229546.
   Google Scholar
• Anspaugh, Kelly. 1994. “Powers of Ordure: James Joyce and the Excremental Vision(s)”. Mosaic: An Interdisciplinary Critical Journal 27 (1): 73–100.
   Web of Science ®Google Scholar
• Armah, Ayi Kwei. 1968. The Beautyful Ones Are Not Yet Born. London: Heinemann.
   Google Scholar
• Bakhtin, Mikhail. 1968. Rabelais and His World. Trans. Hélène Iswolsky. Cambridge: MIT Press.
   Google Scholar
• Cooppan, Vilashini. 2013. “Net Work: Area Studies, Comparison, and Connectivity.” PMLA 128 (3): 615–21. doi:10.1632/pmla.2013.128.3.615.
   Google Scholar
• Esty, Joshua D. Spring 1999. “Excremental Postcolonialism.” Contemporary Literature 40 (1): 22–59. doi:10.2307/1208818.
   Web of Science ®Google Scholar
• Foucault, Michel. 1986. “Of Other Spaces” (translated by Jay Miskowiec). Diacritics 16 (1): 22–27
   Web of Science ®Google Scholar
• Fukuyama, Francis. 2002. Our Posthuman Future: Consequences of the Biotechnology Revolution. New York: Farrar, Straus, and Giroux.
   Google Scholar
• Gikandi, Simon. 2008. “The Postcolonial Wizard: A review of Ngũgĩ wa Thiong’o’s Wizard of the Crow (2006).” Print Transition 98: 156–69. doi:10.2979/TRS.2008.-.98.156.
   Google Scholar
• Gugler, Josef. 1994. “African Literature and the Use of Theory.” In Literary Theory and African Literature, edited by J. Gugler, H-J. Lüsebrink, and J. Martini, 1–15. Abu Dhabi: Lit Publishing.
   Google Scholar
• Haraway, Donna. 1989. Primate Visions: Gender, Race, and Nature in the World of Modern Science. New York: Routledge.
   Google Scholar
• Jagoda, Patrick. 2016. Network Aesthetics. Chicago: The University of Chicago Press. doi:10.7208/chicago/9780226346656.001.0001.
   Google Scholar
• Krishnan, Madhu. 2014. Contemporary African Literature in English Global Locations, Postcolonial Identifications. London: Palgrave. doi:10.1057/9781137378330.
   Google Scholar
• Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection, Trans. Leon S. Roudiez. New York: Columbia UP.
   Google Scholar
• Laing, Kojo. 1992. Major Gentl and the Achimota Wars. London: Heinemann.
   Google Scholar
• Lanzendörfer, Tim and Corinna Norrick-Rühl. Eds. 2020. The Novel as Network: Forms, Ideas, Commodities. Cham, Switzerland: Palgrave Macmillan.
   Google Scholar
• MacDonald, Ian P. Spring 2016. “The Cybogre Manifesto: Time, Utopia, and Globality in Ngũgĩ’sWizard of the Crow.” Research in African Literatures 47 (1): 57–75. doi:10.2979/reseafrilite.47.1.57.
   Web of Science ®Google Scholar
• Mbembe, Achille. 2001. On the Postcolony. Berkeley: University of California Press. Print doi:10.1525/9780520917538.
   Google Scholar
• Newell, Stephanie, and Louise Green. 2018. “Putting Dirt in its Place: The Cultural Politics of Dirt in Africa.” Social Dynamics 44 (1): 1–5. doi:10.1080/02533952.2018.1449658.
   Web of Science ®Google Scholar
• Ngũgĩ wa Thiongo. 2006. Wizard of the Crow (e-Book version). Trans. from Gĩkũyũ by the author. New York: Anchor.
   Google Scholar
• Nicholls, Brendon. 2010. Ngũgĩ wa Thiong’o, Gender, and the Ethics of Postcolonial Reading. Farnham: Ashgate Publishing Limited.
   Google Scholar
• Odamtten, Vincent. 1998. “Sojourners in the Lands of Former Colonizers.” In Challenging Hierarchies: Issues and Themes in Colonial and Postcolonial African Literature, edited by Leonard A. Podis and Yakubu Saaka, 247–61. New York: Peter Lang.
   Google Scholar
• Olaniyan, Tejumola, and Ato Quayson. 2007. African Literature: An Anthology of Criticism and Theory. Oxford: Blackwell Publishing.
   Google Scholar
• Podis, Leonard A. Winter 2020. “Literary Lions: Chinua Achebe and Ongoing Dialogues in Modern African Literature.” Research in African Literatures 50 (4): 142–164. doi:10.2979/reseafrilite.50.4.09.
   Web of Science ®Google Scholar
• Rono, Charles K. “Mediating the Vicious Cycle of Political Atrocities in Ngũgĩ wa Thiongo’s Wizard of the Crow”. In Cultural Archives of Atrocity: Essays on the Protest Tradition in Kenyan Culture and Society, edited Charles Kebaya, Colomba K. Muriungi and J.K.S Makokha, 123–131. London: Routledge. doi:10.4324/9780429262166-10.
   Google Scholar
• Rushdy, Ashraf H. A. 1991. “A New Emetics of Interpretation: Swift, His Critics and the Alimentary Canal.” Mosaic: An Interdisciplinary Critical Journal 24 (3/4): 1–32.
   Web of Science ®Google Scholar
• Sijpesteijn, Petra. 2018. “Shaving Hair and Beards in Early Islamic Egypt: An Arab Innovation?” Journal of the Medieval Mediterranean. 30 (1): 9–25. doi:10.1080/09503110.2018.1425809.
   Web of Science ®Google Scholar
• Smith, Brady. Fall 2015. “Wizards, Superwonders, and a Fictional African State: Money and the Ecology of the Grotesque in Ngũgĩ wa Thiong’o’s Wizard of the Crow.” Research in African Literatures 46 (3): 165–189. doi:10.2979/reseafrilite.46.3.165.
   Web of Science ®Google Scholar
• Walton, Susan. 2008. “From Squalid Impropriety to Manly Respectability: The Revival of Beards, Moustaches and Martial Values in the 1850s in England.” Nineteenth-Century Contexts 30 (3): 229–245. doi:10.1080/08905490802347247.
   Google Scholar
• Wright, Derek. 1989. “Totalitarian Rhetoric: Some Aspects of Metaphor in The Beautyful Ones Are Not Yet Born”. Critique: Studies in Contemporary Fiction 30 (3): 210–220.
   Web of Science ®Google Scholar