References
- Bruzzi, S. (1995). Tempestuous petticoats: Costume and desire in the piano. Screen, 36, 257–266. Retrieved from http://screen.oxfordjournals.org10.1093/screen/36.3.257
- Butler, J. (2006). Gender trouble: Feminism and the subversion of identity (2nd ed.). New York, NY: Routledge.
- Goscilo, H. (2006). Polanski’s existential body – As somebody, nobody and anybody. In J. Orr, & E. Ostrowska (Eds.), The cinema of Roman Polanski: Dark spaces of the world (pp. 22–37). London: Wallflower.
- Hawkes, G. L. (1995). Dressing‐up — Cross‐dressing and sexual dissonance. Journal of Gender Studies, 4, 261–270. Retrieved 2015, April 9 from EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&db=afh&AN=9603280625&site=ehost-live10.1080/09589236.1995.9960612
- Hollander, A. (1971). The clothed image: Picture and performance. New Literary History: Performances in Drama, the Arts, and Society, 2, 477–493. Retrieved 2015, April 8 from JSTOR http://www.jstor.org/stable/46833410.2307/468334
- Le Cain, M. (2006). Into the mouth of madness: The tenant. In J. Orr & E. Ostrowska (Eds.), The cinema of Roman Polanski: Dark spaces of the world (pp. 121–132). London: Wallflower.
- Marciniak, K. (2000). Cinematic exile: Performing the foreign body on screen in Roman Polanski's the tenant. Camera Obscura, 15, 1–43. Retrieved 2015, January 18 from Project MUSE http://muse.jhu.edu/10.1215/02705346-15-1_43-1
- Oliver, K. (1998). Subjectivity without subjects: From abject fathers to desiring mothers. New York, NY: Rowman and Littlefield.
- Tulloch, C. (1999). That little magic touch: The headtie. In A. de la Haye & E. Wilson (Eds.), Defining dress: Dress as object, meaning and identity (pp. 63–78). Manchester, NH: Manchester University Press.
Filmography
- Polanski, R. (Director). (1965). Repulsion. UK.
- Polanski, R. (Director). (1966). Cul-de-Sac. UK.
- Polanski, R. (Director). (1968). Rosemary’s Baby. USA.
- Polanski, R. (Director). (1976). The Tenant. USA.