The effect of language patterns on architectural forms (From the perspective of semiotics on Zaha Hadid’s works)

References

• Ahmadi, B. (1993). Structure and text interpretation. Tehran: Markaz Entesharat  (in Persian). (First published 1992). pp. 327. ISBN: 978-964-305-205-8
   Google Scholar
• Dabbagh, A. M. (2016). Architectural reading from the point of view of semiotics. 1735-9333. (Vol. 113, pp. 17–22). Tehran: Database (magiran) (in Persian), Hekmat & Marefat.
   Google Scholar
• Barthes, R. (1999). Elements Semiology. A. Levers, C. Smith, Hill, & Wang (ed.), (pp. 978–0374521462). New York, NY: Hill&Wang.
   Google Scholar
• Basirat, A. (2010). Zaha Hadid: The resurrection against the reality of conventional things and stockholm language syndromet. Fars-Marvdasht: Journal of Anthropology and Culture(in persian).
   Google Scholar
• Beko Masterplan - Masterplans - Zaha Hadid Architects. (2012). Retrieved from www.zaha-hadid.com/masterplans/beko-masterplan/
   Google Scholar
• Caroline, D. (2016). Queen of the curve’ Zaha Hadid dies aged 65 from heart attack. USA: Booth,Robert and Brown Mark,guardian.
   Google Scholar
• Chandler, D. (2007). Semiotics: The basics (2 ed.). London: Routledge ISBN-13: 978-0415363754
   Google Scholar
• Derrida, J. (1966). LA STRUCTURE, LE SIGNS ET LE JEU DANS LE DISCOURS DES SCIENCES HUMAINES, Conference prononcee au Colloque international de I’Universite’ Johns Hopkins Baltomore) sur Les Langages critiques et les sciences de I’homme (pp. 1966). Paris: Johns Hopkins University.
   Google Scholar
• Derrida, J. (1982). Margins of philosophy. [trans.] Bass.Alan. USA: University of Chicago Press(second edition). 978–0226143262.
   Google Scholar
• Eco, U. (1979/1997). Function and sign: The semiotics of architecture in rethinking architecture: A reader in cultural theory. (N. Leach, ed.). London: Routlege. 978-0415128261
   Google Scholar
• Fazayelli, H. (1971). Atlas line. Esfehan: Mashal (in Persian).
   Google Scholar
• Fotos de Centro Cultural Heydar Aliyev. (n.d.). Retrieved from Minube: https://www.minube.com/fotos/rincon/3711636
   Google Scholar
• Ghaeminia, A. (2006). Semiotics and philosophy of language 1735-0743 Issue 27 (pp. 3 -24). Tehran: Mind magazine(in persian).
   Google Scholar
• Herati, M. M. (2004). Application of lines in graphic arts, line application (1st ed.). Tehran, Tehran: kamale honar(in persian). doi: ISBN 2004: 0-49-7254-964
   Google Scholar
• Hof, S. (2012, September). Pierres Vives / Zaha Hadid Architects | ArchDaily. Retrieved from https://www.archdaily.com/.../pierres-vives-zaha-hadid-archi.
   Google Scholar
• Hufton + Crow | Projects | Heydar Aliyev Centre. (2014). Retrieved from www.huftonandcrow.com/projects/.../heydar-aliyev-centre/
   Google Scholar
• In the Third Sleep | The Art Institute of Chicago (n.d.). Retrieved from www.artic.edu/aic/collections/artwork/53237
   Google Scholar
• Jazayeri, M. (2013). Kofi's writings: World heritage. Tehran: Aban. doi: 978-600-6413-11-2
   Google Scholar
• Kapoor, A. (1999). Installing Taratantara. Retrieved from anishkapoor.com/324/installing-taratantara
   Google Scholar
• Larsen, S. E. (2005). Semiotics:TheEncyclopaediaof language and linguistics (978008–0448541). (K. Brown, ed.). Canada: Elsevier Science.
   Google Scholar
• Leach, N. (2008). Rethinking architecture a reader in cultural theory. New York: Routlege, 978–0415128261.
   Google Scholar
• Neumann, N. S. (1986). Semiotics of architectural ornament: A method of analysis, arch and comport. Architecture and Behavior, 3(1), 37-53.
   Google Scholar
• Nicolai, O. (2006, June 2). Zaha Hadid: A Diva for the digital age. New York, NY: New York Times.
   Google Scholar
• Panahi Ghahar, F. (2013). The impact of Chinese calligraphy on the painting of abstract expressionism (Vol. 47, pp. 126–147). Tehran: Quarterly Art.
   Google Scholar
• RIVERSIDE MUSEUM, GLASGOW ‹ Digital Facade Group (2014). Retrieved from www.digitalfacadegroup.com/?page_id=109
   Google Scholar
• Saussure, F. D. (1983). Course in general linguistics. R. Harris (ed.), (pp. 236). London: Bloomsbury.
   Google Scholar
• Seabrook, X. (2009, December 21). The abstractionist: Zaha Hadid’s unfettered invention. New York: New Yorker.
   Google Scholar
• Singhal, S. (2011, November). Heydar Aliyev cultural centre in Baku, Azerbaijan by Zaha Hadid. Retrieved from: https://www10.aeccafe.com/.../heydar-aliyev-cultural-centre
   Google Scholar
• Sojoodi, F. (2010). Applied semiotics. Tehran: ELM (in Persian). ISBN: 978-964-405-956-8
   Google Scholar
• Sojoodi, F. (2011). Semiotics: Theory and practice (2nd ed.). Tehran: Elm (in Persian). ISBN: 978-964-224-065-4.
   Google Scholar
• Wigley, M. (2003). Deconstructivist architecture in deconstruction,crotical concepts in library and cultural studies. J. Culler (Ed.), (Vol. III, pp. 367–385). London: Routlege.
   Google Scholar
• Zaha. (2009). ARIV Zaha Hadid Architects Library & Learning … - Divisare. Retrieved from https://divisare.com/…/83725-zaha-hadid-architects-library-
   Google Scholar
• Zaha. (n.d.). Retrieved from ARIV.Zaha Hadid Architects Library & Learning…. - Divisare. (2009). https://divisare.com/.../83725-zaha-hadid-architects-library-
   Google Scholar