9,521
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Remembrance of things past: The cultural context and the rise and fall in the popularity of photographer David Hamilton

| (Reviewing Editor)
Article: 1164930 | Received 23 Oct 2015, Accepted 08 Mar 2016, Published online: 11 Apr 2016

References

  • Anderson, K. (1997, July 11). The remoteness that betrays desire. Times Literary Supplement Book Review.
  • Baetens, P. (1995). David Hamilton. In K. Wilson (Ed.), Amateur photographer yearbook 1995 (pp. 110–115). Buckinghamshire: Annuals Publishing.
  • Barthes, R. (1981). Camera lucida (R. Howard, Trans.). New York, NY: Hill and Wang.
  • Barthes, R. (1977). Rhetoric of the image. In S. Heath (Ed. and Trans.). Image-music-text (pp. 32–51). New York, NY: Hill and Wang.
  • Becker, H. S. (1974). Photography and sociology. Studies in the Anthropology of Visual Communication, 1(1), 1–26.
  • Benjamin, W. (1999). The Arcades project (H. Eiland & K. McLaughlin, Trans.). Cambridge, MA: Harvard University Press.
  • Benjamin, W. (1968). The work of art in the age of mechanical reproduction. In H. Arendt (Ed.), Illuminations: Essays and reflections (H. Zohn, Trans., pp. 217–251). New York, NY: Schocken Books.
  • Berger, J. (1980). About looking. New York, NY: Pantheon Books.
  • Bertolotti, A. (2007). Livres de nus. Paris: Éditions de la Martinière.
  • Best, J. (1990). Threatened children: Rhetoric and concern about child victims. Chicago, IL: University of Chicago Press.
  • Bourdieu, P. (1991). Towards a sociology of photography. Visual Anthropology Review, 7, 129–133.10.1525/var.1991.7.issue-1
  • Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. London: Routledge.
  • Braukämper, T. (2010, May 5). Oysho set the scene. Retrieved from http://www.fashionising.com/pictures/b–Oysho-set-the-scene-for-Spring-4290.html
  • Bright, S., & Posener, J. (1996). Nothing but the girl: The blatant lesbian image. New York, NY: Cassell.
  • Clark, A. (2001, October, 27). Who’s that girl? The Guardian.
  • Couttès, D. (1976). Introduction. In D. Hamilton (Ed.), The best of David Hamilton (pp. 5–8). New York, NY: Morrow.
  • Doherty, B. (1998, May). Photo flap – The campaign against authors Jock Sturges and David Hamilton. Reason.
  • Faulkner, K. (2014). Grace made manifest: Hamo Thornycroft’s Artemis and the Healthy and Artistic Dress Union. The Sculpture Journal, 23, 317–330.
  • Frye, N. (1976). The secular scripture: A study of the structure of romance. Harvard, MA: Harvard University Press.
  • Frye, N. (1971). The critical path. Bloomington: Indiana University Press.
  • Fyler, J. M. (2002). Domesticating the exotic in the Squire’s Tale. In K. I. Lynch (Ed.), Chaucer’s cultural geography (pp. 32–55). London: Routledge.
  • Gautier, P. (1993). The ideal life. In D. Hamilton (Ed.), Twenty-five years of an artist (p. 7). London: Aurum Press.
  • Hamilton, D. (2006). David Hamilton. Paris: Éditions de la Martinière.
  • Hamilton, D. (1993). Twenty-five years of an artist. London: Aurum Press.
  • Hargreaves, J. (2010). Escape from reality. I.T Post. Retrieved from http://julystars.blogspot.com/2010/04/it-post-magazine.html
  • Hinton, P. R. (2016). The cultural construction of the girl “teen”: A cross-cultural analysis of feminine adolescence in popular culture. Journal of Intercultural Communication Research. doi:10.1080/17475759.2016.1141309
  • Ings-Chambers, E. (2008, February 23). Flared, floppy and fashionable. Financial Times.
  • Jones, D. (2000). The Lolita syndrome. GQ, 134, 118–121.
  • Kapferer, J.-N. (1997). Strategic brand management (2nd ed.). London: Kogan-Page.
  • La Ferla, R. (2015, March 18). The ‘70s are back in fashion. Again. New York Times. Retrieved from http://www.nytimes.com/2015/03/19/fashion/the-70s-are-back-in-fashion-again.html
  • Le Pajolec, S. (2010). Les amours juvéniles dans le cinéma des Trente Glorieuses. In V. Blanchard, R. Revenin, & J.-J. Yvorel (Eds.), Les Jeunes et la sexualité (pp. 129–143). Paris: Autrement.
  • Lehmann, U. (2001). Tigersprung: Fashion in modernity. Cambridge: MIT Press.
  • Lui. (1977). Bilitis ou les jeunes filles d’Hamilton au cinema. Lui, 159, 106–111.
  • McVay, D. (1967). The musical film. New York, NY: Barnes.
  • Milne, T. (1991). The time out film guide. London: Penguin Books.
  • Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16, 6–18.10.1093/screen/16.3.6
  • Muse. (2009). D'été et de poésie. Natasha, a jeune fille en fleur by David Hamilton. Muse The Fashionart Magazine, 19. Retrieved from http://www.musemagazine.it/d-ete-et-de-poesie/
  • Nuridsany, M. (2006). Un rêve de paradis. In D. Hamilton (Ed.), David Hamilton (p. 7). Paris: Éditions de La Martinière.
  • Photo. (1978). Special Hamilton. Photo, 135, 46–79.
  • Photo. (1976). David Hamilton l’ultime escalade avant la ‘Retraite’. Photo, 106, 22–31.
  • Photo. (1973). David Hamilton, Photo, 70, 30–47 & 78.
  • Photo. (1970). Les lecons d’un poete de la lumiere et de la femme par David Hamilton. Photo, 35, 18–39 & 69.
  • Pollock, G. (1977). What’s wrong with “Images of Women”? Screen Education, 24, 25–34.
  • Sontag, S. (1977). On photography. New York, NY: Farrar, Straus and Giroux.
  • Soon. (2011). Sisters by David Hamilton. Soon International, 13. Retrieved from http://www.sooninternational.com/magazine/soon-11/
  • Soon. (2009, March). Baby Doll: Mélanie Thierry by David Hamilton. Paradis perdu. Soon International, 9. Retrieved from http://www.sooninternational.com/magazine/soon-9/
  • Tagger, M. (1993). Text. In D. Hamilton (Ed.), Twenty five years of an artist (p. 149). London: Aurum Press.
  • Thornham, S. (2007). Women, feminism and media. Edinburgh: Edinburgh University Press.
  • Tidd, U. (2004). Simone de Beauvoir. London: Routledge.
  • Verwoert, J. (2001). Sirens. Frieze, 60, 84–89.
  • Weber, N. F. (1999). Balthus, a biography. New York, NY: Alfred A. Knopf.
  • Welters, L. (2008). The natural look: American style in the 1970s. Fashion Theory, 12(4), 489–510.
  • Woodward, R. B. (1992, September 27). The disturbing photography of Sally Mann. New York Times.