3,617
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The chronotope of third space in Bharati Mukherjee’s “The Management of Grief”

& | (Reviewing editor)
Article: 1656935 | Received 03 Jun 2018, Accepted 13 Aug 2019, Published online: 27 Aug 2019

References

  • Adams, M. (2017). Could it happen here? Canada in the age of trump and brexit. New York & Toronto: Simon & Schuster.
  • Anderson, S. L. (2016). Immigration, assimilation, and the cultural construction of American national identity. New York, NY: Routledge.
  • Bakhtin, M. M. (1981). The dialogical imagination: Four essays. M. Holquist (Ed.). C. Emerson & M. Holquist (Trans.). Austin and London: University of Texas press.
  • Banerjee, D. (1993). In the presence of history: The representation of past and present Indias in Bharati Mukherjee’s fiction. In E. S. Nelson (Ed.), Bharati Mukherjee: Critical perspectives (pp. 161–17). New York, NY: Garland.
  • Bhabha, H. K. (2007). The location of culture. New York, NY: Routledge.
  • Bowen, D. (1997). Spaces of translation: Bharati Mukherjee’s ‘The Management of Grief’. ARIEL, 28(3), 47–60.
  • Desai, J. (2004). Beyond bollywood: The cultural politics of South Asian diasporic film. London: Routledge.
  • Gabriel, S. P. (1999). Construction of home and nation in the literature of the Indian Diaspora, with particular reference to selected works of Bharati Mukherjee, Salman Rushdie, Amitav Ghosh and Rohinton Mistry (Unpublished doctoral dissertation). The University of Leeds, West Yorkshire, England.
  • Hammond, A. (2007). Cultural perspectivism in Bharati Mukherjee’s short stories. In J. Kuortti& & R. Mittapalli (Eds.), Indian women’s short fiction (pp. 191–210). New Delhi: Atlantic Publishers & Distributors LTD.
  • Heyer, K. E. (2018). Internalized borders: Immigration ethics in the age of Trump. Theological Studies, 79(1), 146–164. doi:10.1177/0040563917744396
  • Holquist, M. (2002). Dialogism: Bakhtin and his world (2nd ed.). London & New York: Routledge.
  • Jaidka, M. (1999). Leave it to me by Bharati Mukherjee. Review. MELUS, 24(4), 202–204. doi:10.2307/468189
  • Knippling, A. S. (1993). Toward an investigation of the subaltern in Bharati Mukherjee’s The Middleman and other stories and jasmine. In E. S. Nelson (Ed.), Bharati Mukherjee: Critical perspectives (pp. 143–160). New York, NY: Garland.
  • Lawson, J. (2011). Chronotope, story, and historical geography: Mikhail Bakhtin and the space-time of narratives. Antipode, 43(2), 384–412. doi:10.1111/j.1467-8330.2010.00853.x
  • Mabardi, S. (2000). Encounters of a heterogeneous kind: Hybridity in cultural theory. In R. Grandis & Z. Bernd (Eds.), Unforeseeable Americas: Questioning cultural hybridity in the Americas (pp. 1–20). Amsterdam: Rodopi.
  • Miller, K. (2004). Mobility and identity construction in Bharati Mukherjee’s desirable daughters: The tree wife and her rootless namesake. Studies in Canadian Literature, 29(1), 63–73.
  • Morris, P. (1994). The Bakhtin reader. London: Edward Arnold.
  • Mukherjee, B. (1971). The Tiger’s Daughter. Massachusetts: Houghton Mifflin.
  • Mukherjee, B. (1975). Wife. Massachusetts: Houghton Mifflin.
  • Mukherjee, B. (1981, March). An invisible woman. Saturday Night, 96, 36–40.
  • Mukherjee, B. (1985). Darkness. New York, NY: Fawcett Cress.
  • Mukherjee, B. (1989a). An interview with Bharati Mukherjee. Interview by A.B. Carb. The Massachusetts Review, 29(4), 645–654.
  • Mukherjee, B. (1989b, January 30). An interview with Bharati Mukherjee. Interview by C. McGree. Foreign Correspondent.
  • Mukherjee, B. (1989c). Jasmine. New York, NY: Fawcett Crest.
  • Mukherjee, B. (1990a). An interview with Bharati Mukherjee and Clark Blaise. Interview by M. Connell, J. Grearson, & T. Grimes. The Iowa Review, 20(3), 7–32. doi:10.17077/0021-065X.3908
  • Mukherjee, B. (1990b). An interview with Bharati Mukherjee. Interview by M. Jaggi. Bazaar: South Asian Arts Magazine, 13(8), 9.
  • Mukherjee, B. (1995, December 31). Bharati Mukherjee: Interview. Interview by V. Nabar. Times of India.
  • Mukherjee, B. (1998). Leave it to me. New York, NY: Fawcett Crest.
  • Mukherjee, B. (2002a). The management of grief. In J. G. Parks (Ed.), American short stories since 1945 (pp. 611–623). New York, NY: Oxford University Press.
  • Mukherjee, B. (2002b). Desirable daughters: A novel. New York, NY: Hyperion Books.
  • Mukherjee, B. (2004). The tree bride. New York, NY: Theia.
  • Mukherjee, B., & Blaise, C. (1977). Days and nights in Calcutta. New York, NY: Doubleday.
  • Naficy, H. (2001). An accented cinema: Exilic and diasporic filmmaking. New Jersey & Oxfordshire: Princeton University Press.
  • Nunning, A. (2001). On the perspective structure of narrative texts. In W. V. Peer & S. B. Chatman (Eds.), New perspectives on narrative perspective (pp. 207–223). New York: State University of New York Press.
  • Nyman, J. (2004). Imagining transnationalism in Bharati Mukherjee’s leave it to me. In J. Kupiainen, E. Sevänen, & J. Stotesbury (Eds.), Cultural identity in transition: Contemporary conditions, practices and politics of a global phenomenon (pp. 399–418). New Delhi: Atlantic Publishers & Dist.
  • Peeren, E. (2007). Through the lens of the chronotope: Suggestions for a spatio-temporal perspective on diaspora. In M. A. Baronian, S. Besser&, & Y. Jansen (Eds.), Diaspora and memory: Figures of displacement in contemporary literature, arts and politics (pp. 67–78). Amsterdam & New York: Rodopi.
  • Reid, D. (2013). Bakhtin on the nature of dialogue: Some implications for dialogue between Christian Churches. The Finnish Society for the Study of Religion. Temenos, 49(1), 65–82.
  • Roy, A. (1993). The aesthetics of an (Un)willing immigrant: Bharati Mukherjee’s days and nights in Calcutta and Jasmine. In E. S. Nelson (Ed.), Bharati Mukherjee: Critical perspectives (pp. 127–142). New York, NY: Garland.
  • Sarup, M. (2005). Home and Identity. In G. Robertson, M. Mash, L. Tickner, J. Bird, & T. Putnam (Eds.), Traveler’s tales: Narratives of home and displacement (pp. 89–101). London & New York: Taylor & Francis e-Library.
  • Singh, R. P. (2010). “I want to be surprised when I hear your voice”: Who speaks for Jasmine? In K. Singh & R. Chetty (Eds.), Indian writers: Transnationalisms and diasporas (pp. 69–86). New York, NY: Peter Lang.
  • Smith, A. (2004). Migrancy, hybridity, and postcolonial literary studies. In N. Lazarus (Ed.), The Cambridge companion to postcolonial literary studies (pp. 241–261). Cambridge: Cambridge University Press.
  • Stoneham, G. (1996). ‘It’s a free country’: Bharati Mukherjee’s vision of hybridity in the metropolis. Wasafiri, 12(24), 18–21. doi:10.1080/02690059608589499
  • Tandon, S. (2004). Bharati Mukherjee’s fiction: A perspective. New Delhi: Sarup & Sons.
  • Tlostanova, M. (2010). The imperial-colonial chronotope: Istanbul-Baku-Khurramabad. In W. D. Mignolo & A. Escobar (Eds.), Globalization and the decolonial option (pp. 260–281). London & New York: Routledge.
  • Wong, L. (2015). Multiculturalism and ethnic pluralism in sociology: An analysis of the fragmentation position discourse. In L. Wong & S. Guo (Eds.), Revisiting multiculturalism in Canada: Theories, policies and debates (pp. 69–90). The Netherlands: Sense Publishers.
  • Wong, L., & Guo, S. (2015). Revisiting multiculturalism in Canada: An Introduction. In L. Wong & S. Guo (Eds.), Revisiting multiculturalism in Canada: Theories, policies and debates (pp. 1–16). The Netherlands: Sense Publishers.
  • Young, J. G. (2017). Making America 1920 again? Nativism and US immigration, past and present. JMHS, 5(1), 217–235. doi:10.1177/233150241700500111