1,626
Views
4
CrossRef citations to date
0
Altmetric
VISUAL & PERFORMING ARTS

Seeing different motifs in one picture: Identifying ambiguous figures in South Scandinavian Bronze Age rock art

, & | (Reviewing editor)
Article: 1802804 | Received 23 Jan 2020, Accepted 04 Jul 2020, Published online: 17 Aug 2020

References

  • Almgren, O. (1927). Hällristningar och kultbruk: Bidrag till belysning av de nordiska bronsåldersristningarnas innebörd. Wahlström & Widstrand.
  • Bertilsson, U. (1987). The rock carvings of northern Bohuslän: Spatial structures and social symbols. Stockholm University.
  • Coles, J. (1999). The Dancer on the Rock; record and analysis at Järrestad, Sweden. Proceedings of the Prehistoric Society, 65, 167–21. https://doi.org/10.1017/S0079497X00001985
  • Danesi, M. (2004). Studies in linguistic and cultural anthropology. In M. Danesi (Ed.), A basic textbook in semiotics and communication (3rd ed.). Canadian Scholars’ Press.
  • Fibonacci. (2007). The Kanizsa triangle. Wikimedia Commons. (Original published 1979 by G. Kanizsa). Retrieved October 30, 2019, from https://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Kanizsa_triangle.svg/768px-Kanizsa_triangle.svg.png
  • Goldhahn, J. (2004). Mångtydighetens tydlighet. In G. Milstreu & H. Prøhl (Eds.), Bilden som arkeologisk källa (pp. 121–135, pp. 205–208). Gotarc Serie C. Arkeologiska Skrifter 50.
  • Goldstein, E. B. (2010). Sensation and perception. Wadsworth.
  • Hagen, M. (1986). Varieties of realism. Geometries of representational art. Cambridge University Press.
  • Hald, M. (1972). Primitive shoes: An archaeological-ethnological study based upon shoe finds from the Jutland peninsula. Arkæologisk-historisk række, 13. National Museum of Denmark.
  • Hauptman, K. (2002). Bilder av betydelse: Hällristningar och bronsålderslandskap i nordöstra Östergötland. Stockholm University.
  • Hodgson, D., & Pettitt, P. (2018). The origins of iconic depictions: A falsifiable model derived from the visual science of Palaeolithic cave art and world rock art. Cambridge Archaeological Journal, 28(4), 591–612. https://doi.org/10.1017/S095774318000227
  • Janik, L. (2014). Seeing visual narrative: New methodologies in the study of prehistoric visual depictions. Archaeological Dialogues, 21(1), 103–126. https://doi.org/10.1017/S138023814000129
  • Jastrow, J. (1899/2006). ‘The duck/rabbit illusion’. The mind’s eye. Popular Science Monthly, 54, 299–312. Retrieved October 28, 2019, from https://commons.wikimedia.org/wiki/File:Duck-Rabbit_illusion.jpg#filehistory
  • Kaul, F. (1998). Ships on bronzes: A study in Bronze Age religion and iconography. National Museum.
  • Leopold, D. A., Wilke, M., Maier, A., & Logothetis, N. K. (2002). Stable perception of visually ambiguous patterns. Nature Neuroscience, 5(6), 605–609. https://doi.org/10.1038/nn851
  • Lindstrøm, T. C., & Kristoffersen, S. (2001). Figure it out! Psychological perspectives on perception of migration period animal art. Norwegian Archaeological Review, 34(2), 65–84. https://doi.org/10.1080/00293650127468
  • Ling, J. (2008). Elevated rock art: Towards a maritime understanding of Bronze Age rock art in northern Bohuslän, Sweden. University of Gothenburg.
  • Ling, J. (2013). Rock art and seascapes in Uppland. Oxbow Books.
  • Ling, J., & Rowlands, M. (2015). The ‘Stranger King’ (bull) and rock art. In P. Skoglund, J. Ling, & U. Bertilsson (Eds.), Picturing the Bronze Age (pp. 89-104). Oxbow Books.
  • Ljunge, M. (2015). Bortom avbilden: Sydskandinaviska hällbilders materialitet. Stockholms universitet.
  • Malmer, M. P. (1981). A chorological study of North European rock art. Vitterhets-, historie- och antikvitetsakademien.
  • Marstrander, S. (1963). Østfølds Jordbruksristninger – Skjeberg. Universitetsforlaget.
  • Nilsson, A. (2014). Affekter, relationer, operationer – Grunden för Homo psychicus. Mot en människoteori i dynamiken mellan det analoga och det digitala. Östlings Bokförlag Symposion AB.
  • Nilsson, P. (2017). Brukade bilder: Södra Skandinaviens hällristningar ur ett historiebruksperspektiv. Stockholms universitet.
  • Peirce, C. S. (1894/1998a). What is a sign? In C. J. W. Kloesel & N. Houser (Eds.), The essential Peirce, vol II (pp. 5–26). Indiana University Press.
  • Peirce, C. S. (1903/1998b). Sundry logical conceptions. In C. J. W. Kloesel & N. Houser (Eds.), The essential Peirce, vol II (pp. 267–288). Indiana University Press.
  • Peirce, C. S. (1903/1998c). Nomenclature and divisions of triadic relations, as far as they are determined. In C. J. W. Kloesel & N. Houser (Eds.), The essential Peirce, vol II (pp. 289–299). Indiana University Press.
  • Preucel, R. W., & Bauer, A. A. (2001). Archaeological pragmatics. Norwegian Archaeological Review, 34(2), 86–96. https://doi.org/10.1080/00293650127469
  • Ranta, M., Skoglund, P., Cabak Rédei, A., & Persson, T. (2019). Levels of narrativity in Scandinavian Bronze Age petroglyphs. Cambridge Archaeological Journal, 9(3), 497–516. https://doi.org/10.1017/S0959774319000118
  • Rédei, A. C., Skoglund, P., & Persson, T. (2018). Applying cartosemiotics to rock art: An example from Aspeberget, Sweden. Social Semiotics, 29(4), 543–556. https://doi.org/10.1080/10350330.2018.1488338
  • Rex Svensson, K. (1982). Hällristningar i Älvsborgs län: En inventering av samtliga kända hällristningar i Dalsland och Göta älvdalen. Älvsborgs länsmuseum.
  • Rubin, E. (1915/2005). Vase/face illusion. Original published in Synsoplevede Figurer [‘Visual Figures’]. Retrieved October 28, 2019, from https://da.wikipedia.org/wiki/Edgar_Rubin#/media/Fil:Facevase.png
  • Sass, L. A. (1992). Madness and modernism. Insanity in the light of modern art, literature, and thought. Basic Books.
  • Sims, L. (2006). The ‘solarization’ of the moon: Manipulated knowledge at Stonehenge. Cambridge Archaeological Journal, 16(2), 191–207. https://doi.org/10.1017/S0959774306000114
  • Skoglund, P. (2016). Rock art through time: Scanian rock carvings in the Bronze Age and earliest Iron Age. Oxbow Books.
  • Skoglund, P., Nimura, C., & Bradley, R. (2017). Interpretations of footprints in the Bronze Age rock art of south Scandinavia. Proceedings of the Prehistoric Society, 83, 289–303. https://doi.org/10.1017/ppr.2017.2
  • Sonesson, G. (1989). Pictorial concepts. Lund University Press.
  • Sonesson, G. (2013). The natural history of branching: Approaches to the phenomenology of firstness, secondness, and thirdness. Signs and Society, 1(2), 297–325. https://doi.org/10.1086/673251
  • Tilley, C. (1991). Material culture and text. The art of ambiguity. Routledge.
  • Treisman, A., & Gelade, G. (1980). A feature integration theory of attention. Cognitive Psychology, 12(1), 97–136. https://doi.org/10.1016/0010-0285(80)90005-5
  • Van Sommers, P. (1991). Where writing starts: The analysis of action applied to the historical development of writing. In J. Wann, A. M. Wing, & N. Sövik (Eds.), Development of graphic skills. Research, perspectives and educational implications (pp. 3–38). Academic Press Limited.
  • Verbeek, G. (1904/2005). A fish story. The New York Herald. Retrieved October 18, 2019, from https://commons.wikimedia.org/wiki/File:Verbeek-rocanoe.gif
  • Welinder, S. (1974). A study on the Scanian rock carvings by quantitative methods. Meddelanden Från LUHM, 1973-74, 244–275.