Mixing realities: reflections on presence and embodiment in intermedial performance design of Blue Hour VR

References

• Bakk, Á. K. 2019. “Performativity and Worldmaking.” Acta Universitatis Sapientiae, Film and Media Studies 17 (1) (October 1): 169–178.
   Web of Science ®Google Scholar
• Bay-Cheng, Sarah, Chiel Kattenbelt, Andy Lavender, and Robin Nelson, eds. 2010. Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press.
   Google Scholar
• Bertinetto, A. 2011. “Improvisation and Artistic Creativity.” Proceedings of the European Society for Aesthetics 3: 81–103.
   Google Scholar
• Biocca, Frank, and Mark R. Levy, eds. 1995. Communication in the Age of Virtual Reality. LEA’s Communication Series. Hillsdale, NJ: L. Erlbaum Associates.
   Google Scholar
• Chapple, Freda, and Chiel Kattenbelt, eds. 2006. Intermediality in Theatre and Performance. 1st ed. Themes in Theatre 2. Amsterdam: Rodopi.
   Google Scholar
• Deleuze, G., and F. Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press.
   Google Scholar
• Hannah, Dorita, and Olav Harsløf, eds. 2008. Performance Design. Copenhagen: Museum Tusculanum.
   Google Scholar
• Kang, L., S. J. Jackson, and P. Sengers. 2018. “Intermodulation: Improvisation and Collaborative Art Practice for HCI.” In Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 160:1–160:13. CHI ‘18. New York: ACM.
   Google Scholar
• Kattenbelt, C. 2008. “Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships.” Culture, Language and Representation VI: 19–29.
   Google Scholar
• Kilteni, K., R. Groten, and M. Slater. 2012. “The Sense of Embodiment in Virtual Reality.” Presence: Teleoperators and Virtual Environments 21 (4): 373–387.
   Web of Science ®Google Scholar
• King, A. F. 2018. “Moving Masks and Mobile Monkeys: The Technodramaturgy of Augmented Reality Puppets.” Theatre and Performance Design 4 (4): 324–341.
   Google Scholar
• Lee, K. M. 2004. “Presence, Explicated.” Communication Theory 14 (1): 27–50.
   Web of Science ®Google Scholar
• Machon, J. 2013. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke, Hampshire: Palgrave Macmillan.
   Google Scholar
• Mancewicz, A. 2014. Intermedial Shakespeares on European Stages. Palgrave Studies in Performance and Technology. London: Palgrave Macmillan UK.
   Google Scholar
• McKinney, Joslin, and Scott Palmer, eds. 2017. Scenography Expanded: An Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama.
   Google Scholar
• Merleau-Ponty, M. 1962. Phenomenology of Perception. London: Routledge.
   Google Scholar
• Milgram, P., and F. Kishino. 1994. “A Taxonomy of Mixed Reality Visual Displays.” IEICE Transactions on Information Systems E77-D, no. 12.
   Web of Science ®Google Scholar
• Noë, A. 2012. Varieties of Presence. Cambridge, MA: Harvard University Press.
   Google Scholar
• Núñez-Pacheco, C. 2018. “Reflection through Inner Presence: A Sensitising Concept for Design.” Multimodal Technologies and Interaction 2 (1): 5.
   Google Scholar
• Power, C. 2008. Presence in Play. A Critique of Theories of Presence in the Theatre. Amsterdam: Rodopi.
   Google Scholar
• Roberts-Smith, J., and P. Cegys. 2019. “Relational Scenography: Collaborative Scenographic Practices for Restorative Justice in Virtual Reality.” Paper presented at the PQ Talks as part of the Prague Quadrennial of Performance Design and Space, Prague, Czech Republic.
   Google Scholar
• Segura, E. M., L. T. Vidal, and A. Rostami. 2016. “Bodystorming for Movement-Based Interaction Design.” Human Technology 12 (2): 193–251.
   Google Scholar
• Slater, M. 2018. “Immersion and the Illusion of Presence in Virtual Reality.” British Journal of Psychology 109 (3): 431–433.
   PubMed Web of Science ®Google Scholar
• Speicher, M., B. D. Hall, and M. Nebeling. 2019. “What Is Mixed Reality?” In Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 537:1–537:15. CHI ‘19. New York: ACM.
   Google Scholar
• Uricchio, W. 2018. VR: Between Hope, Hype, and Humbug. Los Angeles Review of Books. https://lareviewofbooks.org/article/vr-between-hope-hype-and-humbug/
   Google Scholar
• Weijdom, J. 2016. Mixed Reality and the Theatre of the Future. Brussels: IETM. https://www.ietm.org/en/publications/fresh-perspectives-6-mixed-reality-and-the-theatre-of-the-future
   Google Scholar
• Wendrich, R. 2016. “Hybrid Design Tools for Conceptual Design and Design Engineering Processes: Bridging the Design Gap: Towards an Intuitive Design Tool.” PhD diss., University of Twente in Enschede, Netherlands.
   Google Scholar