“But how do you show that in a film?” Absence, Cartographic Anxiety, and Geographic Realism through the Landscapes of Akira Kurosawa’s Dersu Uzala

REFERENCES

• Aitken, S., and D. Dixon. 2006. Imagining geographies of film. Erdkunde 60:326–36. doi:10.3112/erdkunde.2006.04.03.
   Web of Science ®Google Scholar
• Alpers, S. 1983. The art of describing: Dutch art in the seventeenth century. Chicago: The University of Chicago Press.
   Google Scholar
• Anderson, J. L., and D. Richie. 1983. The Japanese film: Art and industry. Princeton, NJ: Princeton University Press.
   Google Scholar
• Arseniev, V. K. [1941] 1996. Dersu the trapper. Kingston, NY: McPherson.
   Google Scholar
• Avezzù, G. 2015. Film history and “cartographic anxiety.” In At the borders of (film) history: temporality, archaeology, theories, ed. A. Beltrame, F. Giuseppe, and A. Mariani, 423–30. Udine: Forum.
   Google Scholar
• Barnes, T. J., and J. S. Duncan. 1992. Introduction. In Writing worlds: Discourse, text and metaphor in the representation of landscape, ed. T. J. Barnes and J. S. Duncan, 1–17. London and New York: Routledge.
   Google Scholar
• Barthes, R. 1981. Camera lucida: Reflections on photography. Trans. R. Howard. New York:Hill and Wang.
   Google Scholar
• Bazin, A. 1960. The ontology of the photographic image. Film Quarterly 13 (4):4–9. doi:10.1525/fq.1960.13.4.04a00030.
   Google Scholar
• Bordwell, D. 1988. Ozu and the poetics of cinema. London: British Film Institute.
   Google Scholar
• Bruno, G. 2002. Atlas of emotion: Journeys in art, architecture, and film. New York: Verso.
   Google Scholar
• Butler, J. 2003. Violence, mourning, politics. Studies in Gender and Sexuality 4 (1):9–37. doi:10.1080/15240650409349213.
   Google Scholar
• Callon, M., and J. Law. 2004. Introduction: Absence–presence, circulation, and encountering incomplex space. Environment and Planning D: Society and Space 22 (1):3–12. doi:10.1068/d313.
   Web of Science ®Google Scholar
• Conley, T. 2011. An errant eye. Poetry and topography in early modern France. Minneapolis: University of Minnesota Press.
   Google Scholar
• Crary, J. 1992. Techniques of the observer: On vision and modernity in the nineteenth century. Cambridge: MIT Press.
   Google Scholar
• Cresswell, T. 2003. Landscape and the obliteration of practice. In Handbook of cultural geography, ed. K. Anderson, D. Domosh, S. Pile, and N. Thrift, 269–83. London: Sage.
   Google Scholar
• Della Dora, V. 2009. Travelling landscape-objects. Progress in Human Geography 33 (3):334–54. doi:10.1177/0309132508096348.
   Web of Science ®Google Scholar
• Derrida, J. 1978. Writing and difference. Chicago: The University of Chicago Press.
   Google Scholar
• Dewsbury, J. D. 2014. Non-representational landscapes and the performative affective forces ofhabit: From “live” to “blank.” Cultural Geographies 22 (1):1–19.
   Web of Science ®Google Scholar
• Doel, M. A., and D. B. Clarke. 2007. Afterimages. Environment and Planning D: Society and Space 25 (5):890–910.
   Web of Science ®Google Scholar
• Duncan, J., and D. Ley. 1993. Introduction. In Place/culture/representation, ed. J. Duncan and D. Ley, 1–21. London and New York: Routledge.
   Google Scholar
• Escher, A., and S. Zimmermann. 2001. Geography meets Hollywood: The role of landscape in feature films. Geographische Zeitschrift 89 (4):227–36.
   Google Scholar
• Escobar, A. 1999. After nature: Steps to an antiessentialist political ecology. Current Anthropology 40:1–30.
   Web of Science ®Google Scholar
• Frers, L. 2013. The matter of absence. Cultural Geographies 20 (4):431–45. doi:10.1177/1474474013477775.
   Web of Science ®Google Scholar
• Gordon, J. [1941] 1996. Preface to V. K. Arseniev’s Dersu the trapper. Kingston, NY: McPherson.
   Google Scholar
• Gregory, D. 1994. Geographical imaginations. Cambridge, UK: Blackwell.
   Google Scholar
• Hall, S. 2006. Blockbusters in the 1970s. In Contemporary American cinema, ed. M. Hammond and L. R. Williams, 164–83. New York: Open University Press.
   Google Scholar
• Harper, G., and J. R. Rayner. 2010. Cinema and landscape. Chicago: Intellect.
   Google Scholar
• Ingold, T. 1993. The temporality of landscape. World Archeology 25 (2):152–74. doi:10.1080/00438243.1993.9980235.
   Web of Science ®Google Scholar
• Ingram, D. 2004. Green screen: Environmentalism and Hollywood cinema. Exeter, UK: University of Exeter Press.
   Google Scholar
• Kolker, R. 2006. Film, form, and culture. 3rd ed. New York: McGraw-Hill.
   Google Scholar
• Kurosawa, A. ( Director). 1975. Dersu Uzala. Moscow: Mosfilm Studios.
   Google Scholar
• Kurosawa, A. 1982. Something like an autobiography. New York: Random House.
   Google Scholar
• Lefebvre, M. 2006. Landscape and film. London and New York: Routledge.
   Google Scholar
• Lefebvre, M. 2011. On landscape in narrative cinema. Canadian Journal of Film Studies 20 (1):61–78.
   Web of Science ®Google Scholar
• Lukinbeal, C. 2005. Cinematic landscapes. Journal of Cultural Geography 21 (1):3–22. doi:10.1080/08873630509478229.
   Google Scholar
• Lukinbeal, C. 2006. Runaway Hollywood: Cold Mountain, Romania. Erdkunde 60:337–45.
   Web of Science ®Google Scholar
• Lukinbeal, C. 2010. Mobilizing the cartographic paradox: Tracing the aspect of cartography and prospect of cinema. Digital Thematic Education 11 (2):1–32.
   Google Scholar
• Lukinbeal, C. 2012. On location filming in San Diego County from 1985–2005: How a cinematic landscape is formed through incorporative tasks and represented through mapped inscriptions. Annals of the Association of American Geographers 102 (1):171–90. doi:10.1080/00045608.2011.583574.
   Web of Science ®Google Scholar
• Lukinbeal, C., and L. Sharp. 2014. Geography and film. In Oxford bibliographies in geography, ed. B. Warf. New York: Oxford University Press.
   Google Scholar
• Maddern, J. F., and P. Adey. 2008. Editorial: Spectro-geographies. Cultural Geographies 15 (3):291–95. doi:10.1177/1474474008091328.
   Web of Science ®Google Scholar
• Meier, L., L. Frers, and E. Sigvardsdotter. 2013. The importance of absence in the present: Practices of remembrance and the contestation of absences. Cultural Geographies 20 (4):423–30. doi:10.1177/1474474013493889.
   Web of Science ®Google Scholar
• Melbye, D. 2010. Landscape allegory in cinema: From wilderness to wasteland. Hampshire, UK: Palgrave Macmillan.
   Google Scholar
• Melinkova, I. 2002. Representation of Soviet-Japanese encounters in co-production feature films part I: The musical harmony. Doshisha Studies in Language and Culture 5 (1):51–74.
   Google Scholar
• Meyer, M. 2012. Placing and tracing absence: A material culture of the immaterial. Journal of Material Culture 17:103−10.
   Web of Science ®Google Scholar
• Nogami, T. 2006. Waiting on the weather: Making movies with Akira Kurosawa. Berkeley, CA: Stone Bridge Press.
   Google Scholar
• Pickles, J. 2004. A history of spaces: Cartographic reason, mapping and the geo-coded world. London and New York: Routledge.
   Google Scholar
• Prince, S. 1999. The warrior’s camera: The cinema of Akira Kurosawa. Princeton, NJ: Princeton University Press.
   Google Scholar
• Richie, D. 1996. The films of Akira Kurosawa. 3rd ed. Berkeley: University of California Press.
   Google Scholar
• Rose, G., and D. P. Tolia-Kelly. 2012. Visuality/materiality: Images, objects and practices. Burlington, VT: Ashgate.
   Google Scholar
• Rose, M. 2002. Landscape and labyrinths. Geoforum 33 (4):455–67. doi:10.1016/S0016-7185(02)00030-1.
   Web of Science ®Google Scholar
• Rose, M. 2006. Gathering “Dreams of Presence”: A project for the cultural landscape. Environment and Planning D: Society and Space 24 (4):537–54. doi:10.1068/d391t.
   Web of Science ®Google Scholar
• Rose, M., and J. Wylie. 2006. Animating landscape. Environment and Planning D: Society and Space 24 (4):475–79. doi:10.1068/d2404ed.
   Web of Science ®Google Scholar
• Scott, J. C. 1998. Seeing like a state: How certain schemes to improve the human condition have failed. New Haven, CT: Yale University Press.
   Google Scholar
• Sharp, L., and C. Lukinbeal. 2015. Film geography: A review and prospectus. In Mediated geographies and geographies of media, ed S. P. Mains, J. Cupples, and C. Lukinbeal, 21–35. Dordrecht, The Netherlands: Springer.
   Google Scholar
• Spivak, G. [1974] 1997. Preface to J. Derrida’s Of grammatology. Baltimore, MD: Johns Hopkins University Press.
   Google Scholar
• Standish, I. 2006. A new history of Japanese cinema: A century of narrative film. New York: Continuum.
   Google Scholar
• Stiegler, B. 2002. The discrete image. In Echographies of television, ed. J. Derrida and B. Stiegler, 147–74. Cambridge, UK: Polity.
   Google Scholar
• Wilkening, K. 2004. Acid rain science and politics in Japan: A history and action toward sustainability. Cambridge, MA: MIT Press.
   Google Scholar
• Wylie, J. W. 2006. Depths and folds: On landscape and the gazing subject. Environment and Planning D: Society and Space 24 (4):519–35. doi:10.1068/d380t.
   Web of Science ®Google Scholar
• Wylie, J. W.. 2009. Landscape, absence and the geographies of love. Transactions of the Institute of British Geographers 34 (3):275–89. doi:10.1111/tran.2009.34.issue-3.
   Web of Science ®Google Scholar
• Yoshimoto, M. 2000. Kurosawa: Film studies and Japanese cinema. Durham, NC: Duke University Press.
   Google Scholar