Insights into Soviet Life Provided by Soviet Movies: Political Actors and Their Ideologies in the 1970s and 1980s

References

• Anderson, W. (1990). Reality isn’t what it used to be. New York: Harper.
   Google Scholar
• Andrews, D. (1984). Concepts in film theory. Oxford: Oxford University Press.
   Google Scholar
• Berger, J. (1972). Ways of seeing. London: BBC and Penguin.
   Google Scholar
• Berger, P., & Luckmann, T. (1966). The social construction of reality. Garden City, NY: Doubleday.
   Google Scholar
• Braudy, L. (1976). The world in a frame: What we see in films. Garden City, NY: Anchor.
   Google Scholar
• Bulgakov, M. (1925/1968). Dog’s heart. New York: Harcourt, Brace & Wolff.
   Google Scholar
• Cohen, L. (1974). The cultural-political traditions and developments of the Soviet cinema, 1917–1972. New York: Arno.
   Google Scholar
• Dudintsev, V. (1987, February 17). Genetika sovesti [Genetics of the conscience], Sovietskaia Kul’tura, p. 3.
   Google Scholar
• Dyer, R, (1985). Entertainment and Utopia. In B. Nichols (Ed.), Movies and methods: An anthology (Vol. 2, pp. 220–232). Berkeley: University of California Press.
   Google Scholar
• Fiske, J. (1982). Introduction to communication studies. New York: Methuen.
   Google Scholar
• Gabrilovich, E. (1987, October 11). Tragedii i dramy shchastlivogo kontsa [Tragedies and dramas with happy endings]. Moskovskie Novosti, p. 16.
   Google Scholar
• Geertz, C. (1973). The interpretation of cultures. New York: Basic Books.
   Google Scholar
• Goffman, E. (1959). The presentation of self in everyday life. Garden City, NY: Doubleday.
   Google Scholar
• Golovskoy, V., & Rimberg, J. (1986). Behind the Soviet screen: The motion picture industry in the USSR, 1972–1982. Ann Arbor, MI: Ardis.
   Google Scholar
• Goodman, N. (1978). Ways of worldmaking. Indianapolis: Hacket.
   Google Scholar
• Gouldner, A. (1979). The future of the intellectuals and the future of the new class. New York: Seabury.
   Google Scholar
• Granin, D. (1987, May 27). Ekho dal’neie i blizkoie [Remote and near echoes]. Literaturnaia Gazeta, p. 9.
   Google Scholar
• Granin, D. (1988). Kak stat’ dobreie [How to become kinder], Nedelia, 3, 11.
   Google Scholar
• Grenville, J. A. S. (1971). Film as history: The nature offilm evidence. Birmingham, England: University of Birmingham.
   Google Scholar
• Hughes, W. (1976). The evaluation of film as evidence. In P. Smith (Ed.), The historian and film (pp. 49–80). Cambridge: Cambridge University Press.
   Google Scholar
• Iutkevich, S. (1986), Kino. Entsiklopedicheski Slovar [Soviet encyclopedia and dictionary]. Moscow: Sovietskaia Entsiklopedia.
   Google Scholar
• Iutkevich, S. (1988). My s uvlecheniem nachali s’iemki. Iskusstvo Kino, 2, 94–108.
   Google Scholar
• Kheifets, I. (1987, October 20). O druziakh-tovarishchakh [About friends and comrades]. Sovietskaia Kul’turn, p. 3.
   Google Scholar
• Klimov, E. (1988, June 19). Vlast—vot v chem vopros [About power—here there is a question], Moskovskie Novosti, p. 3.
   Google Scholar
• Kluckhohn, C. (1951). Values and value orientations in the theory of action. In T. Parsons & E. Shils (Eds.), Toward a general theory of action. Cambridge, MA: Harvard University Press.
   Google Scholar
• Kogan, L. (Ed.). (1968). Kino i zritel [Movie and spectator], Moscow: Iskusstvo.
   Google Scholar
• Kornilov, V. (1988, July 13). Pol’za vpechatlenii [Benefits of expression], Literaturnaia Gazeta, p. 7.
   Google Scholar
• Kracauer, S. (1960). Theory of film: The redemption of physical reality. New York: Oxford University Press.
   Google Scholar
• Lawton, A. (Ed.). (1987). An Introduction to Soviet cinema. Washington, DC: Kennan Institute for Advanced Russian Studies.
   Google Scholar
• MacBean, J. R. (1975). Film and revolution Bloomington: Indiana University Press.
   Google Scholar
• MacDonald, D. (1938a, July). The Soviet cinema: 1930–1939. Partisan Review, pp. 37–50.
   Google Scholar
• MacDonald, D. (1938b, August/September). The Soviet cinema: 1930–1939. Partisan Review, pp. 35–61.
   Google Scholar
• May, L. (1980). Screening out the past: The birth of mass culture and the motion picture industry. New York: Oxford University Press.
   Google Scholar
• Maynard, R. A. (Ed.). (1975). Propaganda on film: A nation at war. Rochelle Park, NJ: Hayden.
   Google Scholar
• Melentiev, I. (1986). Glazami naroda [In the people’s eyes]. Moscow: Sovremennik.
   Google Scholar
• Mitry, J. (1963). Esthetique et psychologie du cinema [The aesthetics and psychology of movies]. Paris: Editions Universitaires.
   Google Scholar
• Neale, S. (1985). Cinema and technology: Image, sound, and color. Bloomington: Indiana University Press.
   Google Scholar
• Nesterov, F. (1984). Sviaz vremen (2nd ed.). Moscow: Molodaia Gvardia.
   Google Scholar
• Nichols, B. (Ed.). (1985). Movies and methods: An anthology. Berkeley: University of California Press.
   Google Scholar
• Ogle, P. (1985). Technological and aesthetic influence on the development of deep-focus cinematography in the United States. In B. Nichols (Ed.), Movies and methods: An anthology (Vol. 2, pp. 58–82). Berkeley: University of California Press.
   Google Scholar
• Pomerants, G. (1985). Zhazhda dobra [Yearning for goodness], Strana i Mir, 9, 83–96; 10, 66–79.
   Google Scholar
• Prokhorov, A. (Ed.). (1983). Sovietski entsiklopedicheski Slovar [Soviet encyclopedia and dictionary]. Moscow: Sovietskaia Entsiklopedia.
   Google Scholar
• Quinney, R, (1982). Social existence: Metaphysics, Marxism, and the social sciences. Beverly Hills, CA: Sage.
   Google Scholar
• Raizman, I. (1988, June 4). Ia niaogda ne byl politikom [I was never a politician], Sovietskaia Kul tura.
   Google Scholar
• Rimberg, J. D. (1973). The motion picture in the Soviet Union 1918–1952: A sociological analysis. New York: Arno.
   Google Scholar
• Shkaratan, O. (1982). Peremeny v sotsialnom oblike gorozhan [Changes in the social aspects of townspeople]. In T. Riabushkin & G. Osipov (Eds.), Sovietskaia sotsiologia (Vol. 2, pp. 39–52). Moscow: Nauka.
   Google Scholar
• Shlapentokh, V. (1986). Soviet public opinion and ideology: Mythology and pragmatism in interaction. New York: Praeger.
   Google Scholar
• Shlapentokh, V. (1987). The politics of sociology in the Soviet Union. Boulder: Westview Press.
   Google Scholar
• Shlapentokh, V. (1988). Soviet ideologies in the period of glasnost: Response to Brezhnev’s stagnation. New York: Praeger.
   Google Scholar
• Shlapentokh, V. (1990). Soviet intellectuals and political power. Princeton, NJ: Princeton University Press.
   Google Scholar
• Shtein, A. (1987, May 23). Moie pokoleniie [My generation], Sovietskaia Kultura, p. 3.
   Google Scholar
• Shtein, A. (1988). I ne tolko o nem [And not only about him]. Teatr, 3, 169–187.
   Google Scholar
• Smith, P. (Ed.). (1976). The historian and film. Cambridge: Cambridge University Press.
   Google Scholar
• Solzhenitsyn, A. (Ed.). (1974). Iz-pod glyb [From under the rubble]. Paris: Imka.
   Google Scholar
• Steven, P. (Ed.). (1985). Jump cut: Hollywood, politics, and counter-cinema. New York: Praeger.
   Google Scholar
• Taylor, R. (1971, April). A medium for the masses: Agitation in the Soviet civil war. Soviet Studies, pp. 562–574.
   Google Scholar
• TsSU USSR. (1987). Narodonie khosiastvo SSSR za 79 Let [The national economy of the USSR for 20 years], Moscow: Finansy i Statistika.
   Google Scholar
• Turner, G. (1988). Film as social practice. London: Routledge.
   Google Scholar
• Volkov, V. (1974). Film i iego auditoriia [Movies and their audiences]. In L. Kogan & V. Volkov (Eds.), Sotsiologicheskiie issledovaniia problem dukhovnoi zAizni trudiashchikhsia Urala [Sociological analysis of the problems of the spiritual lives of the Ural’s workers] (pp. 94–131). Sverdlovsk: Ural’skii Zentr AN SSR.
   Google Scholar
• Voslenski, M. (1980). La nomenclature: Les privileges en l/RSS [The Nomenclature: Privileges in the USSR]. Paris: Pierre Belfon.
   Google Scholar
• White, D. M., & Averson, R. (1972). The celluloid weapon. Boston: Beacon.
   Google Scholar
• White, S. (1988). Ideology and Soviet politics. In S. White & A. Pravada (Eds.), Ideology and Soviet politics. New York: St. Martin’s.
   Google Scholar
• Woll, J. (1987). Daring voices in Soviet films. Dissent, 34, 159–162.
   Google Scholar
• Zaslavskaia, T. (1988). O strategii sotsialnogo upravlenia perestroikoi [About strategies of social management in perestroika]. In I. Afanasiev (Ed.), Inogo ne dano [There is no alternative] (pp. 9–50). Moscow: Progress.
   Google Scholar
• Zorkaya, N. M. (1989). The illustrated history of the Soviet cinema. New York: Hippocrene.
   Google Scholar