Djuna Barnes’s journalism and women’s leisure in the modern city

Bibliography

• Barnes, Djuna. “My Sisters and I at a New York Prizefight.” In New York: Djuna Barnes, edited by Alyce Barry, 168–173. Los Angeles, CA: Sun & Moon Press, 1989.
   Google Scholar
• Barnes, Djuna. “Seeing New York With the Soldiers.” In New York: Djuna Barnes, edited by Alyce Barry, 325–335. Los Angeles, CA: Sun & Moon Press, 1989.
   Google Scholar
• Barnes, Djuna. “You Can Tango-A Little-At Arcadia Dance Hall.” In New York: Djuna Barnes, edited by Alyce Barry, 13–19. Los Angeles, CA: Sun & Moon Press, 1989.
   Google Scholar
• Biers, Katherine. “Djuna Barnes Makes a Specialty of Crime: Violence and the Visual in Her Early Journalism.” In Women’s Experience of Modernity, edited by Ann Ardis, and Leslie Lewis, 237–253. Baltimore: Johns Hopkins University Press, 2003.
   Google Scholar
• Biers, Katherine. Virtual Modernism: Writing and Technology in the Progressive Era. Minneapolis: University of Minnesota Press, 2013.
   Google Scholar
• Bombaci, Nancy. “‘Well of Course, I Used to Be Absolutely Gorgeous Dear’: The Female Interviewer as Subject/Object in Djuna Barnes’s Journalism.” Criticism 44, no. 2 (2002): 161–185. doi:10.1353/crt.2002.0019.
   Google Scholar
• Brand, Dana. The Spectator and the City in Nineteenth-Century American Literature. New York: Cambridge University Press, 1991.
   Google Scholar
• Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940. New York: BasicBooks, 1994.
   Google Scholar
• Cook, Susan C. “Passionless Dancing and Passionate Reform: Respectability, Modernism, and the Social Dancing of Irene and Vernon Castle.” In The Passion of Music and Dance: Body, Gender and Sexuality., edited by William Washabaugh, 133–150. New York: Berg Publishers, 1998.
   Google Scholar
• de Certeau, Michel. The Practice of Everyday Life. 1980. Translated by Steven Rendall. Berkeley, CA: The University of California Press, 1984.
   Google Scholar
• Elkin, Lauren. Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London. New York: Farrar, Straus and Giroux, 2017.
   Google Scholar
• Fahs, Alice. Out on Assignment: Newspaper Women and the Making of Modern Public Space. Chapel Hill: The University of North Carolina Press, 2011.
   Google Scholar
• Felski, Rita. The Gender of Modernity. Cambridge, MA: Harvard University Press, 1995.
   Google Scholar
• Ferguson, Priscilla Parkhurst. “The flâneur on and off the Streets of Paris.” In The Flâneur, edited by Keith Tester, 22–42. New York: Routledge, 1994.
   Google Scholar
• Field, Andrew. Djuna: The Formidable Miss Barnes. Austin: University of Texas Press, 1985.
   Google Scholar
• Goody, Alex. “Djuna Barnes on the Page.” In Shattered Objects: Djuna Barnes’s Modernism, edited by Elizabeth Pender, and Cathryn Setz, 26–45. University Park, PA: The Pennsylvania State University Press, 2019.
   Google Scholar
• Gotfrit, Leslie. “Women Dancing Back: Disruption and the Politics of Pleasure.” In Postmodernism, Feminism, and Cultural Politics, edited by Henry A. Giroux, 174–195. Albany: State University of New York Press, 1991.
   Google Scholar
• Green, Barbara. Spectacular Confessions: Autobiography, Performative Activism, and the Sites of Suffrage 1905–1938. New York: St. Martin’s Press, 1997.
   Google Scholar
• Heise, Thomas. “Degenerate Sex and the City: Djuna Barnes’s Urban Underworld.” Twentieth-Century Literature 55, no. 3 (2009): 287–321. https://doi-org.spot.lib.auburn.edu/10 .1215/0041462X-2009-4004.
   Web of Science ®Google Scholar
• Herring, Phillip. Djuna: The Life and Works of Djuna Barnes. New York: Viking Press, 1995.
   Google Scholar
• Herzig, Carl. “Roots of Night: Emerging Style and Vision in the Early Journalism of Djuna Barnes.” The Centennial Review 31, no. 3 (1987): 255–269. https://search-ebscohost-com.spot.lib.auburn.edu/login.aspx?direct=true&db=edsjsr&AN=edsjsr.23738871&site=eds-live&scope=site.
   Google Scholar
• Levine, Nancy. “‘Bringing Milkshakes to Bulldogs’: The Early Journalism of Djuna Barnes.” In Silence and Power: A Reevaluation of Djuna Barnes, edited by Mary Lyn Broe, 27–34. Carbondale: Southern Illinois University Press, 1991.
   Google Scholar
• Loncraine, Rebecca. “Voix-de-Ville: Djuna Barnes’s Stunt Journalism, Harry Houdini and the Birth of Cinema.” Women: A Cultural Review 19, no. 2 (2008): 156–171. doi:10.1080/09574040802137250.
   Google Scholar
• Lutes, Jean Marie. Front Page Girls: Women Journalists in American Culture and Fiction, 1880–1930. Ithaca, NY: Cornell University Press, 2006.
   Google Scholar
• Massey, Doreen. Space, Place, and Gender. Minneapolis: University of Minnesota Press, 1994.
   Google Scholar
• McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States. New York: New York University Press, 2000.
   Google Scholar
• McDowell, Linda. Gender, Identity, and Place: Understanding Feminist Geographies. Minneapolis: University of Minnesota Press, 1999.
   Google Scholar
• Messerli, Douglass. “Foreword.” In New York: Djuna Barnes, edited by Alyce Barry, 11–12. Los Angeles, CA: Sun & Moon Press, 1989.
   Google Scholar
• Mumford, Kevin J. Interzones: Black/White Sex Districts in Chicago and New York in the Early Twentieth Century. New York: Columbia University Press, 1997.
   Google Scholar
• Nasaw, David. Going Out: The Rise and Fall of Public Amusements. Cambridge, MA: Harvard University Press, 1993.
   Google Scholar
• Nott, James. Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918–1960. New York: Oxford University Press, 2015.
   Google Scholar
• Parsons, Deborah H. Streetwalking the Metropolis: Women, the City and Modernity. New York: Oxford University Press, 2000.
   Google Scholar
• Peiss, Kathy. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York, 1880–1920. Philadelphia, PA: Temple University Press, 1986.
   Google Scholar
• Pile, Steve. The Body and the City: Psychoanalysis, Space and Subjectivity. New York: Routledge, 1996.
   Google Scholar
• Plumb, Cheryl J. Fancy’s Craft: Art and Identity in the Early Works of Djuna Barnes. Selinsgrove, PA: Susquehanna University Press, 1986.
   Google Scholar
• Pollock, Griselda. Vision and Difference: Femininity, Feminism, and the Histories of Art. New York: Routledge, 1988.
   Google Scholar
• Ridinger Smorul, Kate. “Of Marionettes, Boxers, and Suffragettes: Djuna Barnes’s Performative Journalism.” Journal of Modern Literature 39, no. 1 (2015): 55–71. doi:10.2979/jmodelite.39.1.55.
   Web of Science ®Google Scholar
• Roggenkamp, Karen. Narrating the News: New Journalism and Literary Genre in Late Nineteenth-Century Newspapers and Fiction. Kent, OH: The Kent State University Press, 2005.
   Google Scholar
• Rose, Gillian. Feminism and Geography: The Limits of Geographical Knowledge. Minneapolis: University of Minnesota Press, 1993.
   Google Scholar
• Schudson, Michael. Discovering the News: A Social History of American Newspapers. New York: Basic Books, Inc, 1978.
   Google Scholar
• Sewell, Jessica Ellen. Women and the Everyday City: Public Space in San Francisco, 1890–1915. Minneapolis: University of Minnesota Press, 2011.
   Google Scholar
• Studlar, Gaylyn. “Valentino, ‘Optic Intoxication,’ and Dance.” In Screening the Male: Exploring Masculinities in the Hollywood Cinema, edited by Steve Cohan, and Ina Rae, 23–45. New York: Routledge, 1993.
   Google Scholar
• Tester, Keith. “Introduction.” In The Flâneur, edited by Keith Tester, 1–21. New York: Routledge, 1994.
   Google Scholar
• Thiel-Stern, Shayla. From the Dance Hall to Facebook: Teen Girls, Mass Media, and Moral Panic in the United States 1905–2010. Boston: University of Massachusetts Press, 2014.
   Google Scholar
• Williams, Raymond. The Country and the City. New York: Oxford University Press, 1973.
   Google Scholar
• Wilson, Elizabeth. Contradictions of Culture: Cities: Culture: Women. London: SAGE Publications, 2001.
   Google Scholar
• Wolff, Janet. “The Invisible Flâneuse: Women and the Literature of Modernity.” In Problems of Modernity: Adorno and Benjamin, edited by Andrew Benjamin, 141–156. London: Routledge, 1989.
   Google Scholar