Stylistic choices in true-crime documentaries: the duty of responsibility between filmmaker and audience

References

• Angelone, S., R. C. Soriguer, and A. Melando. 2019. “Modes of Documentary Films Produced by the Future Generation of ‘Scientists-as-Filmmakers.” International Journal of Science Education, Part B 9 (4): 285–295.
   Web of Science ®Google Scholar
• Austin, Regina. 2006. “The Next New Wave: Law-Genre Documentaries, Lawyering in Support of the Creative Process, and Visual Legal Advocacy.” Media & Entertainment Law Journal 16 (3): 809–868.
   Google Scholar
• Berlinger, Joe. 2019. Conversations with a Killer: The Ted Bundy Tapes. Los Angeles, CA: Netflix.
   Google Scholar
• Berlinger, Joe. 2021. Crime Scene: The Vanishing at the Cecil Hotel. Los Angeles, CA: Netflix.
   Google Scholar
• Bernstein, Matthew. Spring 1994. “Roger and Me: Documentaphobia and Mixed Modes.” Journal of Film and Video 46 (1): 3–20.
   Web of Science ®Google Scholar
• Bond, Cynthia D. 2019. “Documenting Law: Reality and Representation on Trial.” Docplayer. Accessed 28th April 2020. https://docplayer.net/84120987-Documenting-law-reality-and-representation-on-trial.html.
   Google Scholar
• Bruzzi, Stella. 2016. “Making a Genre: The Case of Contemporary True Crime Documentary.” Law and Humanities 10(2) 249-280.
   Web of Science ®Google Scholar
• de Lestrade, Jean-Xavier. 2014-2018. The Staircase: An American Murder Mystery. Los Angeles, CA: Netflix.
   Google Scholar
• Demos, Moira, and Laura Ricciardi. 2015. Making a Murderer. Los Angeles, CA: Netflix.
   Google Scholar
• Eitzen, Dirk. 2018. “The Duties of Documentary in a Post-Truth Society.” In Cognitive Theory and Documentary Film, edited by Caitlin Brylla and Mette Kramer, 93–111. London: Palgrave MacMillan.
   Google Scholar
• Esquenazi, Deborah. 2016. Southwest of Salem: the Story of the San Antonio Four. New York: Investigation Discovery.
   Google Scholar
• Field, Syd. 2005. Screenplay: The Foundations of Screenwriting. New York: Random House.
   Google Scholar
• Fuhs, Kristen. 2014. “The Legal Trial and/in Documentary Film.” Cultural Studies 28 (5–6): 781–808.
   Web of Science ®Google Scholar
• Fuhs, Kristen. 2018. “‘The Dramatic Idea of Justice’: Wrongful Conviction, Documentary Television, and The Court of Last Resort.” Historical Journal of Film, Radio and Television 38 (1): 179–197.
   Web of Science ®Google Scholar
• Goldschmied, N., M. Sheplock, K. Kim, and Y. Galily. 2017. “Appraising Loftus and Palmer (1974) Post-event Information Versus Concurrent Commentary in the Context of Sport.” Quarterly Journal of Experimental Psychology 70 (11): 2347–2356. https://doi.org/http://dx.doi.org/10.1080/17470218.2016.1237980.
   PubMed Web of Science ®Google Scholar
• Larke-Walsh, George S. 2021. “Injustice Narratives in a Post-truth Society: Emotional Discourses and Social Purpose in Southwest of Salem: The Story of the San Antonio Four.” Studies in Documentary Film, 15 (1) 89–104..
   Web of Science ®Google Scholar
• Loftus, Elizabeth F., and John C Palmer. 1974. “Reconstruction of Automobile Destruction: An Example of the Interaction Between Language and Memory.” Journal of Verbal Learning and Verbal Behavior 13 (5): 585–589.
   Google Scholar
• Morgan, Piers. 2019. Psychopath: With Piers Morgan. Los Angeles, CA: Netflix.
   Google Scholar
• Morris, Errol. 1988. The Thin Blue Line. New York: Miramax Films.
   Google Scholar
• Nichols, Bill. 2010a. “How Can We Define Documentary Film.” Chap. 1 in Introduction to Documentary. Indiana: Indiana University Press.
   Google Scholar
• Nichols, Bill. 2010b. “Why Are Ethical Issues Central to Documentary Filmmaking.” Chap. 2 in Introduction to Documentary. Indiana: Indiana University Press.
   Google Scholar
• Nichols, Bill. 2016. “The Sound of Music.” In Speaking Truths with Film: Evidence, Ethics, Politics in Documentary, edited by Bill Nichols, 90-93. Oakland, CA: University of California Press.
   Google Scholar
• Pryluck, Calvin. Winter 1976. “Ultimately We Are All Outsiders: The Ethics of Documentary Filmmaking.” Journal of the University Film Association 28 (1): 21–29.
   Google Scholar
• Rabiger, M. 2009. “Using Music and Working with a Composer.” In Directing the Documentary, edited by Michael Rabiger, 504-512. Oxfordshire: Taylor and Francis Group.
   Google Scholar
• Russell, Tiller. 2021. Night Stalker: The Hunt for a Serial Killer. Los Angeles, CA: Netflix.
   Google Scholar
• Smith, Chris. 2019. The Disappearance of Madeleine McCann. Los Angeles, CA: Netflix.
   Google Scholar
• Theroux, Louis. 2019. The Night in Question. BBC.
   Google Scholar
• Vile, Jesse. 2020. The Ripper. Los Angeles, CA: Netflix.
   Google Scholar
• Werner, Wouter G. 2013. “We Cannot Allow Ourselves to Imagine What It All Means: Documentary Practices and the International Criminal Court.” Law and Contemporary Problems 76 (3–4): 319–340.
   Google Scholar
• Williams, Liza. 2019. The Yorkshire Ripper Files: A Very British Crime Story. London: BBC/Wall to Wall Media.
   Google Scholar