101
Views
1
CrossRef citations to date
0
Altmetric
Original Article

Transcending the caesura: The reading effects of Borges’s fiction

Pages 1617-1629 | Accepted 23 Jun 2011, Published online: 31 Dec 2017

References

  • Aizenberg E (1984). The aleph waver: Biblical, kabbalistic and Judaic elements in Borges. Potomac, MD: Scripta Humanistica.
  • Alazraki J (1971). Oxymoronic structure in Borges’ essays. Books Abroad 45(3):421–7.
  • Alazraki J (1977). Versiones, inversiones, reversiones: El espejo como modelo estructural del relato en los cuentos de Borges [Versions, inversions and reversions: The mirror as structural model in Borges’s stories]. Madrid: Gredos.
  • Barrenechea AM (1965). The labyrinth maker. Lima R, translator. New York, NY: New York UP.
  • Bell‐villada G (1999). Borges and his fiction. Austin, TX: U Texas Press.
  • Bion WR (1962). Learning from experience. London: Karnac.
  • Bion WR (1970). Attention and interpretation. London: Karnac.
  • Bion WR (1976). On a quotation from Freud. In: Clinical seminars and other works, 306–11. London: Karnac.
  • Bion WR (1977). Caesura. In: Two papers: The grid and the caesura, 35–56. London: Karnac.
  • Bion WR (1991). A memoir of the future. London: Karnac Books.
  • Bion WR (1992). Cogitations. London: Karnac Books.
  • Borges JL (1941). The garden of forking paths. In: Weinberger E, editor. Obras completas de Jorge Luis Borges [The complete works of Jorge Luis Borges], 472–80. Buenos Aires: Emece, 1974.
  • Borges BL (1944a). Artifices. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 129–80. New York, NY: New Directions, 1998.
  • Borges BL (1944b). The south. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 174–9. New York, NY: New Directions, 1998.
  • Borges JL (1944c). Theme of the traitor and the hero. In: Yates D, Irby J, editors. Irby J, translator. Labyrinths: Selected stories and other writings, 102–5. New York, NY: New Directions, 1964.
  • Borges JL (1944d). The shape of the sword. In: Yates D, Irby J, editors. Irby J, translator. Labyrinths: Selected stories and other writings, 222–31. New York, NY: New Directions, 1964.
  • Borges JL (1945). The aleph. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 274–86. New York, NY: New Directions, 1998.
  • Borges JL (1949a). History of the warrior and the captive maiden. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 208–11. New York, NY: New Directions, 1998.
  • Borges JL (1949b). The immortal. In: Yates D, Irby J, editors. Irby J, translator. Labyrinths: Selected stories and other writings, 135–9. New York, NY: New Directions, 1964.
  • Borges JL (1949c). The house of Asterion. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 220–2. New York, NY: New Directions, 1998.
  • Borges JL (1949d). The two kings in the two labyrinths. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 263–4. New York, NY: New Directions, 1998.
  • Borges JL (1949e). Ibn‐Hakkan al‐Bokhari‐ murdered in his labyrinth. In: Hurley A, translator. Collected fictions: Jorge Luis Borges, 255–62. New York, NY: New Directions, 1998.
  • Borges JL (1952a) John Wilkin’s analytical language. In: Borges JL (1999). Selected non‐fiction, 229–32. Weinberger E, editor. Allen E, Jill S, Weinberger E, translators. New York, NY: Penguin Putnam, 1999.
  • Borges JL (1952b). Partial magic in the quixote. In: Yates D, Irby J, editors. Irby J, translator. Labyrinths: Selected stories and other writings, 228–31. New York, NY: New Directions, 1964.
  • Borges JL (1952c). A new refutation of time. In: Weinberger E, editor. Borges: Selected non‐fiction, 317–32. Allen E, Jill S, Weinberger E, translators. New York, NY: Penguin Putnam, 1999.
  • Borges JL (1960). Borges and I. In: Borges JL (1998). Collected fictions: Jorge Luis Borges, 282–3. Hurley A, translator. New York, NY: Penguin, 1998.
  • Borges JL (1964). Labyrinths: Selected stories and other writings. Yates D, Irby J, editors. Irby J, translator. New York, NY: New Directions.
  • Borges JL (1998). Collected fictions: Jorge Luis Borges. Hurley A, translator. New York, NY: New Directions.
  • Borges JL (1999). Selected non‐fiction. Weinberger E, editor. Allen E, Jill S, Weinberger E, translators. New York, NY: Penguin Putnam.
  • Encyclopedia Britannica on‐line. Caesura (prosody). Available from: http://www.britannica.com; 25 May 2010.
  • Freud S (1926). Inhibitions, symptoms and anxiety. SE 20:77– 178.
  • Freud S (1937). Constructions in analysis. SE 23: 255– 70.
  • Gaddini R (1981). Bion’s ‘catastrophic change’ and Winnicott’s ‘breakdown’. Riv Psycoanal 27:610–62.
  • Keats J (2002). Selected letters of John Keats. Scott GF, editor. Revised edition. Cambridge, MA: Harvard UP.
  • Langer SK (1958). Philosophy in a new key: A study on the symbolism of reason, rite and art. Cambridge, MA: Harvard University Press.
  • Leavy SA (1970). John Keats: Psychology of creative imagination. Psychoanal Inq 39:173–9.
  • Navarro C (1973). The endlessness in Borges’ fiction. Mod Fiction Stud 19(3):395–405.
  • Ogden T (2009). Rediscovering psychoanalysis. Hove: Routledge.
  • Rodman FR (1987). The spontaneous gesture: Selected letters of D.W. Winnicott. Cambridge, MA: Harvard UP.
  • Rodriguez‐monegal E (1973). Symbols in Borges’ work. Mod Fiction Stud 19(3):325–40.
  • Sandler P (2005). The language of Bion. London: Karnac.
  • Todorov T (1984). Mikhail Bakhtin: The dialogical principle, Godzich W, translator. Minneapolis, MN: U Minnesota Press.
  • Winnicott DW (1971). Playing and reality. New York, NY: Basic Books.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.