REFERENCES
- E. W. Newberry, ‘Embroideries from Egypt’, Embroidery, Vol. 8, pt I (1940 ), pp. 11–18.
- C. J. Lamm, ‘Some Mamluk Embroideries’, Ars Islamica, IV (1937 ), pp. 64–76.
- Lamm, Opecit. p. 68.
- D. King, Samplers (London, 1960 ), pp. 3–4.
- Newberry, Opecit. p. 17.
- Newberry, Opecit. p. 18.
- Hali, ‘Recording Pattern’, LXVII (1993 ), p. 102.
- A. Gayet, Le Costume en Egypte du IIIe au XIIIe Siècle d’après les Fouilles de M. Al. Gayet (Paris, 1900 ). The tunics are in the collection of the National Museums of Scotland, Chambers Street, Edinburgh, inv. nos. 1924.328 and 1924.329. J. Scarce, Women’s Costume of the Near and Middle East (London, 1987), pls. 82, 83, pp. 118–20.
- D. Behrens-Abouseif, ‘The Citadels of Cairo’, Annales lslamologique, XXIV (1988 ), p. 43.
- S. D. Goitein, A Mediterranean Society, Vol. 4 Daily Life (1983 ), p. 399.
- L. Golombek and V. Gervers, ‘Tiraz Fabrics in the Royal Ontario Museum’, Studies in Textile History (Toronto 1977 ), footnote 48, p. 123. Refers to late Coptic tunics being constructed from three narrow widths of fabric.
- For instance, see R. Ewles, One Man’s Samplers, nos. 53, 59.
- J. Raby, Venice, Durer and the On’ental Mode (London, 1982 ), p. 43.
- R. B. Sergeant, Islamic Textiles (Beiruit, 1972 ), p. 214.
- S. Messinger, Broderies Marocaines Textiles (Paris, 1991 ), ill. no. 26, p. 47.
- Textilmuseum mit Textilbibliothek, St Gallen, Switzerland, inv. no. J2937. See M. Symonds and L. Preece, Needlework Through the Ages (London, 1928 ), pp. 246, 247, pl. 43, no. 3, for comment that it is Italian with Greek influence.
- Lamm, op. cit. p. 66.
- P. Quentel, Musterbuchfur Ornamente und Stickmuster (Leipzig, 1882).
- Donald King, book review of ‘Greek Island Embroidery’, Embroidery, Spring (1962 ), p. 25.
- Victoria & Albert Museum, London, inv. no. 83°4–1863, attributed to Astypalaia, Dodecanese.
- J. Eaton, Mary Thomas’s Dictionary of Embroidery Stitches (London, 1989 ). See under Greek stitch, p. 134 for method of working.
- Victoria & Albert Museum, inv. no. 1100–1904. See A. C. Weibel, Two Thousand Years of Textiles (New York, 1952), p. 126, pl. 126. See C. Louca, ‘Etoffes Mamlukes du Musee des Tissus de Lyon’, CIETA Bulletin, LXXII (1994), pp. 20–33.
- For instance VAM 490–1906.
- Messinger, op. cit., ill. nos. 44,45, p. 48.
- Eaton, op. cit., p. 134.
- VAM, London, inv. no. C.162–1932. See Arts of Islam, Hayward Gallery exhibition catalogue (London, 1976), no. 319, p. 236.
- J. Harris, Five Hundred Years of Textiles (London, 1993 ), ill. no. 75, p. 74.
- Op. cit. Arts of Islam, no. 14, p. 79.
- A. Kasparian, Armenian Needlelace and Embroidery (Virginia, 1983 ), p. 82.
- R. Ettinghausen, ‘New Light on Early Animal Carpets’, Aus der Welt der Islamischen Kuns, (Berlin, 1957 ), pp. 93–116.
- Symonds and Preece, op. cit. pI. 35, p. 214. B. Schmedding, Mittelalterliche Textilien in Kirchen und Klöstern der Schweiz (Bern, 1978 ), no. 266, p. 281.
- M. Abegg, Apropos Patternsfor Embroidery, Lace and Woven Textiles (Bern, 1978 ), ill. no. 13, p. 25.
- J. Eaton, op. cit. p. 185.
- R. Ettinghausen, ‘Kufesque in Byzantine Greece, the Latin West and the Muslim World’, Islamic Art and Archaeology Collected Papers (Berlin, 1984 ), chapter D, pp. 752–71.
- R. Barnes and M. Ellis, Islamic Embroideries from Egypt. The Newberry Collection in the Ashmolean Museum, Oxford (in prep.). M. Ellis, Embroideries and Samplers from Islamic Egypt (forthcoming 2001).