171
Views
6
CrossRef citations to date
0
Altmetric
Original Articles

Measurements of Solvent Cleaning Effects on Oil Paintings

Pages 211-226 | Published online: 18 Jul 2013

References

  • Abelson, R. P. 1995. Statistics as principled argument. Hillsdale, N.J.: Lawrence Erlbaum Associates.
  • Berg, J. D. J van den, K. J. van den Berg, and J. J. Boon. 1999. Chemical changes in curing and aging oil paints. ICOM Committee for Conservation 12th Triennial Meeting Lyon 29 August–3 September 1999, ed. J. Bridgland. London: James & James (Science Publishers) Ltd. 248–53.
  • Birmingham, K. 2002. What is translational research? Nature Medicine 8:647.
  • Daley, M. 1993. A restoration tragedy. The Times Higher; June 4, 17.
  • Doelen, G. A. van der, M. te Marvelde, R. Jongsma, and L. Speleers. 2000. Varnish survey of Oranjezaal paintings. FOM Institute AMOLF, Amsterdam.
  • Erhardt, D., and J. S. Tsang. 1990. The extractable components of oil paint films. Cleaning, Retouching and Coatings: Technology and Practice for Easel Paintings and Polychrome Sculpture, Brussels Congress, 3–7 September 1990, eds. J. S. Mills and P. Smith. London: The International Institute for Conservation of Historic and Artistic Works. 93–7.
  • Erhardt, D., C. Tumosa, and M. Mecklenburg. 2000. Can artists’ oil paints be accelerated aged? Polymer Preprints 41:1790–1.
  • Hedley, G. 1980. Solubility parameters and varnish removal: A survey The Conservator 4:12–8.
  • Hedley, G. 1990. Long lost relations and new found relativities: Issues in the cleaning of paintings. In Appearance, opinion, change: Evaluating the look of paintings, eds. P. Booth, et al. London: The United Kingdom Institute for Conservation. 8–13.
  • Hendy, P. 1947. An exhibition of cleaned pictures (1936–1947). London: The National Gallery.
  • Laurie, A. P. 1935. Restrainers and solvents used in cleaning old varnish from pictures. Technical Studies in the Field of Fine Arts 4(1): 34–5.
  • McGlinchey, C. 1991. Thermal analysis of fresh and mature oil paint films:The effect of pigments as driers and the solvent leaching of mature paint films. In Materials issues in art and archaeology II, eds. P. B. Vandiver, et al. Pittsburgh: Materials Research Society. 93–103.
  • Miller, C. 1959. Degradation of drying oil films. Journal of the American Oil Chemists’ Society 36:596–600.
  • Mills, J. S. 1966. The gas chromatographic examination of paint media. Part 1. Fatty acid composition and identification of dried oil films. Studies in Conservation 11:92–107.
  • National Gallery. 1955. The National Gallery 1938–1954. London: The National Gallery.
  • Phenix, A., C. Stravroudis, D. Erhardt, and J. Bischoff. 1995. Correspondence. Studies in Conservation 40:207–12.
  • Phenix, A. 1998. Solubility parameters and the cleaning of paintings: An update and review. Zeitschrift für Kunsttechnologie und Konservierung 12:387–410.
  • Phenix, A., and K. Sutherland. 2001. The cleaning of paintings: Effects of organic solvents on oil paint films. Reviews in Conservation 2:47–60.
  • Rasti, F., and G. Scott. 1980. The effects of some common pigments on the photo-oxidation of linseed oil-based paint media. Studies in Conservation 25:145–56.
  • Ruhemann, H. 1968. The cleaning of paintings. New York: Frederick A. Praeger.
  • Schilling, M. R., H. P. Khanjian, and D. M. Carson. 1997. Fatty acid and glycerol content of lipids; effects of aging and solvent extraction on the composition of oil paints. Techne 5:71–8.
  • Schmid, P. 1973. Extraction and purification of lipids: 2. Why is chloroform-methanol such a good lipid solvent? Physiological Chemistry and Physics 5:141–50.
  • Spence, J.T., J.W. Cotton, B. J. Underwood, and C. P. Duncan. 1990. Elementary statistics. Englewood Cliffs, N.J.: Prentice Hall.
  • Stolow, N. 1985. Solvent action: Some fundamental researches into the picture-cleaning problem. In On Picture Varnishes and their Solvents. Revised and enlarged edition. R.L. Feller, N. Stolow, and E.H. Jones. Washington, D.C.: National Gallery of Art. 47–116.
  • Sutherland, K. 2001. Solvent extractable components of oil paint films. PhD diss., University of Amsterdam. Amsterdam: FOM Institute AMOLF.
  • Sutherland, K. 2003. Solvent extractable components of linseed oil paint films. Studies in Conservation 48:111–35.
  • White, R., and J. Pilc. 1996. Analyses of paint media. National Gallery Technical Bulletin 17:91–103.
  • White, R., and A. Roy. 1998. GC-MS and SEM studies on the effects of solvent cleaning on old master paintings from the National Gallery, London. Studies in Conservation 43:159–76.
  • Wolbers, R., D. Erhardt, and J. Bischoff. 1994. Correspondence. Studies in Conservation 39:284–6.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.