The Re-Birth of Venus

Notes

Bibliography

• Bieber, Margarete. Ancient Copies: Contributions to the History of Greek and Roman Art. New York: New York University Press, 1977.
   Google Scholar
• Bissonnette, Anne. “Dessiné d’après nature: Renditions from Life in the Journal des Dames et des Modes 1798–1799.” Journal for Eighteenth-Century Studies (2014): 1–25, http://onlinelibrary.wiley.com/doi/10.1111/1754-0208.12205/abstract (Accessed March 8, 2015).
   Google Scholar
• Bonfante, Larissa. “Nudity as a Costume in Classical Art.” American Journal of Archaeology 93, no. 4 (1989): 543–570.
   Web of Science ®Google Scholar
• Boucher, François. Histoire du costume en Occident des origines à nos jours. S.P.A.D.E.M., 1965; reprint, Paris: Flammarion, 1985.
   Google Scholar
• Cage, E. Claire. “The Sartorial Self: Neoclassical Fashion and Gender Identity in France, 1797–1804.” Eighteenth-Century Studies 42, no. 2 (Winter 2009): 193–215.
   Web of Science ®Google Scholar
• Corbin, Alain. Le miasme et la jonquille: L’odorat et l’imaginaire social XVIIIe–XIXe siècles. Paris: Aubier Montaigne, 1982.
   Google Scholar
• Croom, A. T. Roman Clothing and Fashion. Charleston, SC: Tempus Publishing Inc., 2000.
   Google Scholar
• D’Ambra, Eve. “The Calculus of Venus: Nude Portraits of Roman Women.” In Sexuality in Ancient Art: Near East, Egypt, Greece and Italy. Edited by N.B. Kampen, 219–232. Cambridge: Cambridge University Press, 1996.
   Google Scholar
• de Marly, Diana. Fashion for Men: An Illustrated History. New York: Holmes & Meier, 1985.
   Google Scholar
• Department of Greek and Roman Art. “Ancient Greek Dress.” Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/grdr/hd_grdr.htm. (Accessed October 2003).
   Google Scholar
• Ehrensvärd, Gustaf Johan and Erik, Vihelm Montan. Dagboksanteckningar förda vid Gustav III’s hof. Stockholm: P.A. Norstedt and Söner, 1878.
   Google Scholar
• Entwistle, Joanne. “Fashion and the Fleshy Body: Dress as Embodied Practice.” Fashion Theory: The Journal of Dress, Body and Culture 4, no. 3 (2000): 323–348.
   Google Scholar
• ________and Elizabeth Wilson, eds. Body Dressing. Oxford: Berg, 2001.
   Google Scholar
• Evelyn, John. The Diary of John Evelyn. Edited by E.S. de Beer. London: Oxford University Press, 1959.
   Google Scholar
• Garland, Robert. Daily Life of the Ancient Greeks. 2nd ed. Westport, Connecticut: Greenwood Press, 2009.
   Google Scholar
• Haskell, Francis and Nicholas Penny. Taste and the Antique: The Lure of Classical Sculpture 1500–1900. New Haven: Yale University Press, 1981.
   Google Scholar
• Havelock, Christine. The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art. Ann Arbor: The University of Michigan Press, 1995.
   Google Scholar
• Hollander, Anne. Fabric of Vision: Dress and Drapery in Painting. London: National Gallery and Yale University Press, 2002.
   Google Scholar
• Hughes, Jessica. “The Return of Myth: Restoration as Reception in Eighteenth-Century Rome.” Classical Receptions Journal 3, no. 1 (2011): 1–28.
   Web of Science ®Google Scholar
• Jenkins, Ian and Kim Sloan. Vases and Volcanoes: Sir William Hamilton and His Collection. London: British Museum Press, 1996.
   Google Scholar
• Josephson, Ragnar. Sergels Fantasi I. Stockholm: Natur och Kultur, 1956.
   Google Scholar
• Kidwell, Claudia Brush. “Are Those Clothes Real? Transforming the Way Eighteenth-Century Portraits Are Studied.” Dress 24 (1997): 3–15.
   Google Scholar
• Kleinert, Annemarie. Le « Journal des Dames et des Modes » ou la conquête de l'Europe féminine (1797–1839). Stuttgart: Jan Thorbecke Verlag, 2001.
   Google Scholar
• Koda, Harold. Goddess: The Classical Mode. New Haven: The Metropolitan Museum of Art and Yale University Press, 2003.
   Google Scholar
• Parlasca, Klaus. “Aphrodite Kallipygos — Ihre kunstarchäologische Stellung und Aspekte ihrer Rezeption.” In Zentren und Wirkungsräume der Antikenrezeption: Zur Bedeutung von Raum und Kommunikation für die neuzeitliche Transformation der griechisch-römishen Antiken. Edited by Kathrin Schade, Detlef Rössler, and Alfred Schäfer, 223–234. Münster: Scriptorium, 2007.
   Google Scholar
• Potvin, Manon. Plis et drapées dans la statuaire grecque. In collaboration with Sophie Descamps-Lequime. Paris: Musée du Louvre, Service culturel action éducative, 1991.
   Google Scholar
• Rawson, Claude Julien. God, Gulliver and Genocide: Barbarism and the European Imagination, 1492–1945. Oxford: Oxford University Press, 2002.
   Google Scholar
• Ribeiro, Aileen. Dress in Eighteenth-century Europe 1715–1789. London: B.T. Batsford Ltd, 1984.
   Google Scholar
• Säflund, Gösta. Aphrodite Kallipygos. Stockholm: Almqvist & Wiksell, 1963.
   Google Scholar
• Souchal, François. French Sculptors of the 17th and 18th Centuries: The Reign of Louis XIV. Oxford: Cassirer, 1977.
   Google Scholar
• Tarrant, Naomi E. A. “The Portrait, the Artist and the Costume Historian.” Dress 22 (1995): 69–77.
   Google Scholar
• Waugh, Norah. The Cut of Women's Clothes 1600–1930. London: Faber, 1968.
   Google Scholar
• Zapperi, Roberto. “Annibale Carracci a Palazzo Farnese.” Bollettino d’Arte 7, no. 2 (2009): 141–148.
   Google Scholar