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Articles

Condition reporting and monitoring of archaeological sites: The use of large-scale vertical aerial photographs in New Zealand

Pages 131-140 | Published online: 18 Jul 2013

References

  • Streeten, A.D.F. Managing ancient earthworks - diagnosis, cure and prevention of erosion. In: Berry, A.Q. and Brown, I.W. (eds.). Erosion onArchaeological Earthworks: Its Prevention, Control and Repair. Clwyd County Council, Mold (1994) 5–15.
  • Darvill, T. and Fulton, A.K. MARS: The Monuments atRisk Survey of England, 1995: Main Report. School of Conservation Sciences, Bournemouth University and English Heritage, London (1998).
  • UNESCO Intergovernmental Committee for the Protection of the World Cultural and Natural Heritage [World Heritage Committee]. Operational Guidelines for the Implementation ofthe World Heritage Convention WHC 1999/2 March 1999. Part IL Reactive Monitoring and Periodic Reporting. Intergovernmental Committee for the Protection of the World Cultural and Natural Heritage, Paris (1999).
  • English Heritage. Hadrian's Wall World Heritage Site: Management Plan July 1996 English Heritage, London, (1996) 23.
  • Crawford, O.G.S. AirSurvey. and Archaeology. Ordnance Survey Professional Papers, new series 7, HM Stationery Office London, (1924); Bayliss-Smith, T. and Owens, S. (eds.). Britain's Changing Landscape from the Air. Cambridge University Press, Cambridge (1990).
  • Wilson, D.R. AirPhoto InterpretationforArchaeologists. 2nd edn. Tempus Stroud, (2000); Avery, T.E. and Berlin, G.L. Prehistoric and Historic archaeology. In: Avery, T.E. and Berlin, G.I. (eds.). Fundamentals of Remote Sensing and Aiiphoto Interpretation. 5th edition, Prentice Hall, Upper Saddle River, NJ (1992) 225–246.
  • Warner, W.S., Graham, R.W. and Read, RE. SmallFormat Aerial Photography. Whittles, Caithness (1996).
  • Benson, D. and Miles, D. The Upper Thames Valley: An Archaeological Survey of the River Gravels. Oxford Archaeological Unit, Oxford (1974); Whimster, R. The EmergingPast: AirPhotography and theBuriedLandscape Royal Commission on the Historical Monuments of England, London (1989). Current examples of practice in this field include: Bewley, R. (ed.) Lincolnshire's Archaeology from the Air. Society for Lincolnshire History and Archaeology, Gainsborough (1998); Palmer, R. Integration of air photo interpretation and field survey projects. Archaeological Prospection 2 (1995) 167–76; Palmer, R. and Cox, C. Uses ofAerial Photography in Archaeological Evaluations. Institute of Field Archaeologists Technical Paper 12. Institute of Field Archaeologists, Birmingham (1993).
  • A large-scale aerial photograph might be at 1:6000. A small-scale aerial photograph might be at 1:50000.
  • US Army Engineers Waterways Experiment Station. Documenting and predicting erosion of cultural resources along reservoir shorelines by sequential historical aerial photographs. In: Archaeological Sites Protection and Preservation Notebook 146 (1990),
  • Darvill, T. and Fulton, A.K. MARS: The Monuments at Risk Survey of England, 1995: Main Report. School of Conservation Sciences, Bournemouth University and English Heritage, London (1998) 35–36.
  • Darvill, T. and Fulton, A.K. MARS: The Monuments at Risk Survey of England, 1995: Main Report. School of Conservation Sciences, Bournemouth University and English Heritage, London (1998), xli.
  • New Zealand Department of Conservation. Measuring Conservation Management Projects: Definitions, Principles and Guidelines. Department of Conservation, Wellington (1988) 5–6.
  • Darvill, T. and Fulton, A.K. MARS: The Monuments at Risk Survey of England, 1995: Main Report. School of Conservation Sciences, Bournemouth University and English Heritage, London (1998) 28.
  • Darvill, T. and Fulton, A.K. MARS: The Monuments at Risk Survey of England, 1995: Main Report. School of Conservation Sciences, Bournemouth University and English Heritage, London (1998) xliv, 28.
  • A camera with a lens of focal length 80 mm flown at 2800 feet (850 m) above ground level gives a calculated scale on the negative of 1:10000. A 180 mm lens on a small or medium format camera has very little
  • Best. E. The Pa Maori. 2nd ed. Government Printer, Wellington (1975) 188.
  • Prickett, N.J. Historic Taranaki: An Archaeological Guide. GP Books, Wellington (1990).
  • Prickett, NJ. Historic Taranaki: An Archaeological Guide. GP Books, Wellington, (1990), 29.
  • The redoubt is near the pa of the same name but should not be confused with it.
  • Walton, T. and Jones, K.L. Pukerangiora Pa Historic Reserve: history and archaeology. Archaeology in New Zealand 39 (4) (1996) 278–290.
  • Asap is a trench constructed to approach an enemy's entrenchments'. Of the sap itself he says: 'About 200 yards of the sap, ending within 100 yards of the Maori position, are in almost perfect order. The trench here is 10–12 feet wide and 6 feet wide, with a low parapet on either side formed by the earth thrown up. The traverses (mounds of earth alternately right and left in the trenches to guard against a raking fire) are still intact ... they are about 1,2 paces apart' (Cowan, J. The New Zealand Wars. Volume 1. Reprinted edition. Government Printer, Wellington [1983] 219).
  • The missionary Revd Richard Taylor (1805–73) thought 'the first view of the barracks ... was very beautiful and reminded me of the castle of Chillon on the lake of Geneva'. The towers were never fit to their purpose and the building was shaken by severe earthquakes in 1850 and 1853. Also the kitchen chimney brickwork initially did not contain the fire and burnt the floor of an adjacent room: When the brickwork was fixed, the room became an armoury with '60 whole barrels of powder'. Until kitchen outhouses were built a few years later, 'every meal must have been sharpened by a sense of grim anticipation' (Burnett, RIM. The Paremata Barracks. Government Printer, Wellington (1963), 22–23).
  • In a high-contrast photographic print, the details within bright and dark areas will be difficult to detect.
  • Converted from New Zealand domestic prices. Flying 5 hours @ NZ $250/hour, staff time 16 hours $50/ hour and film and print costs of NZ $400.

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