References
- Bunting, B. 2000. Complete poems of Basil Bunting, Bloodaxe.
- Bunting, M. 2009;. The plot: a biography of my father's English acre, Granta.
- Cohen, S. 1995. ‘Sounding out the city: music and the sensuous production of place’, in Transactions of the Institute of British Geographers, New Series 20, 434–446.
- Cohen, S. 2012a. ‘Musical memory, heritage and local identity: remembering the popular music past’, in International Journal of Cultural Policy, 19(5): 1–19.
- Cohen, S. 2012b. ‘Bubbles, tracks, borders and lines: mapping music and urban landscape’, in Journal of the Royal Musical Association 137(1): 135–170.
- DeNora, T. 2003. After Adorno: rethinking music sociology, Cambridge University Press.
- Derrida, J. 1996. Archive fever: a Freudian impression, transl. Prenowitz E, University of Chicago Press.
- Featherstone, M. 2000. ‘Archiving cultures’, in British Journal of Sociology 51(1): 161–184.
- Geras, N. 1983. Marx and human nature: refutation of a legend, Verso.
- Gramsci, A. 1971. Selections from the prison notebooks, transl. Quintin Hoare and Geoffrey Nowell Smith, Lawrence and Wishart.
- Guilbault, J. 2006. ‘On redefining the ‘local’ through world music’, Ethnomusicology: a contemporary reader. ed J.C. Post, Routledge.
- Hallam, E. and Ingold, T. 2007. Creativity and cultural improvisation, Berg.
- Higgins, S. 2011. ‘Digital curation: the emergence of a new discipline’, in International Journal of Digital Curation 6(2): 78–88.
- Hogg, B. 2013. ‘The Violin, The River, and Me: Artistic Research and Environmental Epistemology in balancing string and Devil's Water 1, two recent environmental sound art projects’, in HZ journal 18, http://www.hz-journal.org/n18/hogg.html, accessed 14 September 2013.
- Hudson, M. 2000. ‘The clerk of the forester's records: John Berger, the dead, and the writing of history’, in Rethinking History 4(3): 261–279.
- Hudson, M. 2002. ‘On the dead of world history’, in Race and Class 43(4): 26–33.
- Hudson, M. 2014. ‘What, am I hearing light? Listening through Jean-Luc Nancy’, in HZ Journal 19, http://www.hz-journal/n19/index.html, accessed 13 August 2014.
- Ingold, T. 2007. Lines: a brief history, Routledge.
- Ingold, T. 2011. Being alive: essays on movement, knowledge and description, Routledge.
- Ingold, T. and Vergunst, J.L. 2008. Ways of walking: ethnography and practice on foot, Ashgate.
- Kane, B. 2012. ‘Jean-Luc Nancy and the listening subject’, in Contemporary Music Review 31(5-6): 439–447.
- Knapp, A.B. and Ashmore, W. 1999. ‘Archaeological Landscapes: Constructed, Conceptualized, Ideational’, in Archaeologies of landscape: contemporary perspectives, eds Ashmore W. and Knapp A.B., Blackwell, 1–30.
- Leavy, P. 2011. Oral history: understanding qualitative research, Oxford University Press.
- Licht, A. 2007. Sound art: beyond music, between categories, Rizzoli.
- Meskell, L. 2005. ‘Introduction: object orientations’, in Archaeologies of materiality, ed Meskell L., Blackwell, 1–17.
- Mills, S.F. 2005. ‘Sensing the place: sounds and landscape perception’, in (Un)settling the neolithic, eds Bailey D.W., Whittle A. and Cummings V.M., Oxbow Books, 79–89.
- Mills, S.F. 2014. Auditory archaeology: understanding sound and hearing in the past, Left Coast Press.
- Moore, S. and Pell, S. 2010. ‘Autonomous archives’, in International Journal of Heritage Studies 16(4-5): 255–268.
- Nancy, J.-L. 2007. Listening, transl. Mandell C, Fordham University Press.
- Olsen, B., Shanks, M., Webmoor, T. and Witmore, C. 2012. Archaeology: the discipline of things, University of California Press.
- Ong, W. 1988. Orality and literacy: the technologizing of the word, Routledge.
- Pearson, M. and Shanks, M. 2001. Theatre/Archaeology, Routledge.
- Povinelli, E.A. 2011. ‘The woman on the other side of the wall: archiving the otherwise in postcolonial digital archives’, in Differences: A Journal of Feminist Cultural Studies 22(1): 146–171.
- Revill, G. 2005. ‘Vernacular culture and the place of folk music’, in Social and Cultural Geography 6(5): 693–706.
- Said, E. 2003 (1978). Orientalism, Penguin Modern Classics edition, Pantheon.
- Schafer, R.M. 1994. Soundscape: our sonic environment and the tuning of the world, Destiny Books.
- Schulz, I. 2011. Kurt Schwitters: color and collage, Menil Foundation.
- Shanks, M. 1992. Experiencing the past: on the character of archaeology, Routledge.
- Skelton, R. 2010. Landings, 2nd Edition Sustain-Release.
- Skelton, R. 2012a;. Moor Glisk, Corbel Stone Press.
- Skelton, R. 2012b. Landings, 4th Edition Corbel Stone Press.
- Skelton, R. 2013. Sightings, Corbel Stone Press.
- Tironi, M. 2012. ‘Enacting music scenes: mobility, locality and cultural production’, in Mobilities 7(2): 185–210.
- Webster, G. 2005. ‘The Merzbau as Gesamtkunstwerk’, in Merz World: processing the complicated order, eds Notz A. and Obrist H.U., Jrp/ringier, Zurich 43–80.
- Weston, D. 2012. ‘Bearn Folk Rock: language, place and the soundscape of the new Europe’, in Journal of Intercultural Studies 33(2): 157–174.