Cold War Pan-American Operations: Oil, Coffee, and '3,500 Years of Colombian Art'

Bibliography

• Angel, F. 1988. The Latin American Presence. In: L. Cancel, L. The Latin American Spirit: Art and Artists in the United States, 1920–1970. New York: The Bronx Museum of the Arts; Harry N. Abrams, pp. 222–83.
   Google Scholar
• Anreus, A. 2001. The Cold War Warrior at the OAS. (Lecture) College Art Association Annual Conference, Philadelphia.
   Google Scholar
• Araujo de Vallejo, E. ed. 1984. Marta Traba. Bogota: Editorial Planeta Colombiana; Museo de Arte Moderno de Bogota.
   Google Scholar
• Basilio, M. 2004. Reflecting on a History of Collecting and Exhibiting Work by Artists from Latin America. In: M. Basilio et al., eds. Latin American 6- Caribbean Art: MoMA at El Museo. New York: El Museo del Barrio, Museum of Modern Art, pp. 52-63.
   Google Scholar
• Bazzano-Nelson, F. 2000. Theory in Context: Marta Traba's Art-Critical Writings and Colombia, 1945–1959 (unpublished PhD dissertation, University of New Mexico).
   Google Scholar
• Berryman, F. 1960. Colombian Art Show at Pan American. The Sunday Star (Washington, DC), 26 June, n.p. Business Week (New York). 1960. Management. Oil Company's Art Show Wins Friends in Colombia. 2 July, p. 102.
   Google Scholar
• Camargo, M. 1960. Propaganda cafetera: las desventuras de 'Juan Valdez'. El Tiempo (Bogota), 3 March, pp. 5 and 23.
   Google Scholar
• Coleman, B. 2008. Colombia and the United States: The Making of an Inter-American Alliance, 1939-1960. Kent, Ohio: Kent State University Press.
   Google Scholar
• Cromos. 1960. 3,000 aiios de arte colombiano. Cromos, February, n.p. (available at AAMOA, OAS Washington, DC. Box Colombian Art).
   Google Scholar
• Department of State. 1960a. Ambassador McIntosh stresses importance President Lleras and Colombian government attach to Lleras' forthcoming US visit. Cable. Department of State. Confidential. Issue date: 26 March. Date declassified: 29 November 1983. Pdf: Col-60Marzó. Declassified Document Reference System, Gale Cengage Learning, 2008 [accessed 7 July 2008].
   Google Scholar
• Department of State. 1960b. DOS informed by Colombian embassy officials that President Lleras' prestige will be badly shaken if he receives a lukewarm or routine reception from Eisenhower during his US visit. Cable. Department of State. Confidential. Issue Date: 29 March. Date Declassified: 29 November 1983. Pdf: Col-60Marzó. Declassified Document Reference System, Gale Cengage Learning, 2008. Web. [accessed 7 July 2008].
   Google Scholar
• Diario Las Ambicas (Miami). 1960. Abririn en Miami una exposición de arte colombiano. Tr March, p. Ir.
   Google Scholar
• Donnelly, T. 1960. The Pot People Steal the Show. Washington Daily News, 23 June, n.p.
   Google Scholar
• Engel, W. 1960. Tres pintoras colombianas en Washington: Sala de la Union Panamericana, marzo 1960. Pastica (Bogota), 16(January-April), 6–8.
   Google Scholar
• Estampa. 1960. La exposiciOn de Arte Colombiano en Miami. Estampa, 21–27 March, pp. 8–9.
   Google Scholar
• Fadul, M. 1964. La industria privada del petrOleo en la economia colombiana. Bogota: Miguel Fadul.
   Google Scholar
• Franco, A. 2009. The Magic of a Traffic Light: Edgar Negret's Magic Machines. (Lecture) University of Texas at Austin, Department of Art and Art History. Permanent Seminar in Latin American Art. Publications. Available at <http://www.finearts.utexas.edu/aah/files/latin_seminar_conference_papers/papero1020-o/02oanao/02.ofranco.pdf> [accessed 9 June o, r].
   Google Scholar
• Frank, W. 1960. Por America: el viaje del Presidente. El Tiempo (Bogota), ro March, p. 40.
   Google Scholar
• Giunta, A. 1999. Critica de arte y Guerra Fria en la America Latina de la RevoluciOn. (Lecture) The Getty Grant Foundation, Buenos Aires, 8–21 October.
   Google Scholar
• Giunta, A. 2001. Vanguardia, internacionalismo y politica: arte argentino en los afios sesenta. Buenos Aires: PaidOs.
   Google Scholar
• Goldman, S. 1993. Contemporary Mexican Painting in a Time of Change. Albuquerque: University of New Mexico Press.
   Google Scholar
• GOmez Sicre, J. 1960. La reciente exposiciOn en Washington: 3,000 afios de arte colombiano. El Tiempo, Lecturas Dominicales (Bogota), 24 July, P. 4.
   Google Scholar
• Greet, M. 2009. Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920-1960. University Park: Pennsylvania State University Press.
   Google Scholar
• Haacke, H. 1984. Museums: Managers of Consciousness. Art in America (New York), 72: 9–17.
   Web of Science ®Google Scholar
• Haines, G. 1977. Under the Eagle's Wing: The Franklin Roosevelt Administration Forges an American Hemisphere. Diplomatic History, I: 387.
   Google Scholar
• Henderson, J. 2001. Modernization in Colombia: The Laureano Gómez Years, 1889-1965. Gainesville: University Press of Florida.
   Google Scholar
• Indych-LOpez, A. 2009. Muralism without Walls: Rivera, Orozco, and Siqueiros in the United States, 1927-1940. Pittsburgh: University of Pittsburgh Press.
   Google Scholar
• IPC. 1960a. Art Collection is Flown to Miami. In: IPC. 'Colombian Art Exhibit: University of Miami, Coral Gables, Florida' (unpublished report. N. P. CML, OAS, Washington, DC).
   Google Scholar
• IPC. 1960b. Coffee Exhibit. In: IPC. Colombian Art Exhibit (unpublished booklet. CML, OAS, n.p.).
   Google Scholar
• IPC. 1960c. Exhibit Becomes Focus of Community Activities. In: IPC. Colombian Art Exhibit (unpublished booklet. CML, OAS, n.p.).
   Google Scholar
• IPC. 1960d. The Exhibit is Prepared. In: IPC. Colombian Art Exhibit: University of Miami, Coral Gables, Florida (unpublished report. N. P. CML, OAS).
   Google Scholar
• IPC. 1960e. Opening in Miami is Covered by All Media Press. In: IPC. Colombian Art Exhibit: University of Miami, Coral Gables, Florida (unpublished report. N. P. CML, OAS).
   Google Scholar
• Joe and Emily Lowe Art Gallery. 1960. 3,500 Years of Colombian Art, 1534 BC-1960 AD. Coral Gables: Joe and Emily Lowe Art Gallery, University of Miami. Exhibition File: 3,500 Years of Colombian Art, 12 March-24 April 1960, LAM, UM.
   Google Scholar
• Kaltenborn, H. 1960. Editing the News. Boise Statesman (Idaho), 5 April, n.p. Report in IPC. Colombian Art Exhibit: University of Miami, Coral Gables, Florida (unpublished report. N. P. CML, OAS).
   Google Scholar
• Kangas, M. 2001. Robert Willson: Image Maker. San Antonio, Seattle: Pace-Willson Foundation, University of Washington Press.
   Google Scholar
• The Lamp (New York). 1960a. Industry's Interest in the Arts. 42(z): To and 15.
   Google Scholar
• The Lamp (New York). 1960b. Thirty-five Centuries of Colombian Art. 422, cover, pp. 11–14.
   Google Scholar
• Lleras Camargo, A. 1960. Discursos del Presidente Lleras Camargo en su gira por los Estados Unidos de Ainrica. Bogota: Flota Mercante Grancolombiana.
   Google Scholar
• Londoiio Velez, S. 2003. Botero: la invención de un est&ica. Bogota: Villegas.
   Google Scholar
• Medina, A. 1978. Procesos del arte en Colombia. Bogota: Instituto Colombiano de Cultura.
   Google Scholar
• Mejia, D. 1962. A propOsito de una exposiciOn: el arte colombiano juzgado en Europa. El Tiempo (Bogota), 23 September, p. 13.
   Google Scholar
• Mewburn, C. 1998. Oil, Art, and Politics. Anales del Instituto de Investigaciones Est&icas, 74: 73–133.
   Google Scholar
• The Miami News. 1960. Proud to Display Colombian Art. 17 March, n.p.
   Google Scholar
• Molina, F. 1963. Historia natural del petrOleo colombiano. Colombia en cifras. Special edn.
   Google Scholar
• Montana Cuellar, D. 1965. El petróleo de colombia para los colombianos. Bogota: Sudamerica.
   Google Scholar
• Moreno Clavijo, J. 1960. Arte de Colombia en Miami. El Tiempo (Bogota), 28 February, p. 13.
   Google Scholar
• Nixon, R. 1960. Letter to the Magazine. Art in America (New York), 48(1): 110.
   Google Scholar
• La Nueva Prensa (Bogota). 1963. Los engaiiabobos y el petrOleo. 3 May, pp. 34–42.
   Google Scholar
• Perazzo, N. 1988. Constructivism and Geometric Abstraction. In: L. Cancel, ed. The Latin American Spirit: Art and Artists in the United States, 1920–1970. New York: The Bronx Museum of the Arts; Harry N. Abrams, pp. 106–51.
   Google Scholar
• Perozzo, C., Florez, R., and Bustos Tovar, E. 5986. Forjadores de Colombia contemporrinea. Bogota: Planeta Colombiana.
   Google Scholar
• Piersol, D. 5999. Trail of the Maverick: Watercolors and Drawings by Robert Willson, 1975–1998. New Orleans: New Orleans Museum of Art.
   Google Scholar
• La Prensa (New York). 1960. ExposiciOn de arte colombiano pre-hispanicoy moderno. 18 March, p. 15.
   Google Scholar
• Rabe, S. 1988. Eisenhower and Latin America: The Foreign Policy of Anticommunism. Chapel Hill and London: The University of North Carolina Press.
   Google Scholar
• Ramirez, M. 1992. Beyond 'The Fantastic': Framing Identity in US Exhibitions of Latin American Art. Art Journal, 51(4): 60–68.
   Web of Science ®Google Scholar
• Reich, C. 1996. The Life of Nelson A. Rockefeller: Worlds to Conquer, 1908–1958. New York: Doubleday. Reno, Doris. 1960a. Clasp of Friendship: Colombia, Miami Salute in Art Show. The Miami Herald, To March, p. 14C.
   Google Scholar
• Reno, Doris. 1960b. Colombian Works Date Back 3,500 Years. Art of Ancient Race to Be Shown Here. The Miami Herald, Sunday Magazine, 6 March, p. rE.
   Google Scholar
• Rivera Acosta, O. 1960. Tres Mil Quinientos Aiios de Arte Colombiano. El Colombiano Literario (Medellin), 7:1.
   Google Scholar
• Rodriguez Villa, F. 1975. Petróleo y lucha de clases en Colombia. Bogota: Sudamericana.
   Google Scholar
• Sanz de Santamaria, C. 5985. Interamericanismo contemporrineo: reminiscencias. Bogota: Academia Colombiana de la Historia & Plaza & Janes.
   Google Scholar
• Serviddio, F. 2010. Exhibiting Identity: Latin America Between the Imaginary and the Real. Journal of Social History, 44(2): 481–98.
   Web of Science ®Google Scholar
• El Tiempo (Bogota). 1960a. Alberto Lleras, predicador de nuestra herencia libertaria. 57 April, n.p.
   Google Scholar
• El Tiempo (Bogota). 1960b. Una autentica embajada cultural. Editorial. 13 March, n.p. Report in Editorial Comments. IPC. (1960). Colombian Art Exhibit (unpublished booklet. CML, OAS).
   Google Scholar
• El Tiempo (Bogota). 1960c. Eisenhower promete ayuda para los planes de desarrollo economico. 9 April, pp. and 12.
   Google Scholar
• El Tiempo (Bogota). 1960d. La gira de Lleras: `To de Mayo' hubo en Miami. 17 April, p. 9. Report in Dr Lleras Visits Exhibit. IPC. (1960). Colombian Art Exhibit (unpublished booklet. CML, OAS).
   Google Scholar
• El Tiempo (Bogota). 1960e. El grado en Johns Hopkins. 9 April, p. 1.
   Google Scholar
• El Tiempo (Bogota). 1960f. Ninguna region es tan vital para EE.UU como 'America Latina'. 9 March, p. 9.
   Google Scholar
• El Tiempo (Bogota). 1960g. 'La OperaciOn Panamericana no podria encontrar mejor interprete que Lleras', dice el Presidente del Brasil en mensaje al mandatario colombiano. 10 April, p. T.
   Google Scholar
• El Tiempo (Bogota). 1960h. Record de visitantes tuvo la exhibiciOn colombiana en Miami. I May, p.
   Google Scholar
• El Tiempo (Bogota). 1962. Kennedy conferenciara con Lleras y Kubischek. 30 November, p. 18.
   Google Scholar
• Tirado Mejia, A. 1998. Colombia en la OEA. Bogota: Banco de la RepUblica & El Ancora.
   Google Scholar
• Torres, E. 1960. Propaganda cafetera II: no todo es 'Juan Valdez'. 24 May, P. 5.
   Google Scholar
• Traba, M. 1960a. Arte colombiano. Lampara (Bogota), special supplement (April 5960).
   Google Scholar
• Traba, M. 1960b. El arte colombiano a traves de la historia. Special supplement of Semana (Bogota), 17–23 March, n.p.
   Google Scholar
• Traba, M. 1960c. Critica de arte: presentaciOn en sociedad. Semana (Bogota), 10–26 March, p. 45.
   Google Scholar
• Traba, M. 1960d. The World of Art: Pan America: Five Contemporary Colombians. Art in America (New York), 48(1):110–11.
   Google Scholar
• Universal Newsreels: Feb, 1960-Mar. 21, 1960, National Archives, 200-UN-33, rel. 17–22. Reels 25, 29 February, 2, 7, 14 March 1960.
   Google Scholar
• University of Miami. 1960. Colombian Art Exhibit Opens Saturday. News of the University of Miami. ii March, in Exhibition File: '3,500 Years of Colombian Art', LAM, UM.
   Google Scholar
• Valencia Diago, G. 1965. El Museo de Arte Moderno se integra a la Universidad Nal.: desde el rro. de julio funcionaM en la Facultad de Arquitectura. El Tiempo (Bogota), 27 June, p. 15.
   Google Scholar
• Villegas, J. 1985. Petróleo colombiano, ganancia gringa. Bogota: El Ancora.
   Google Scholar
• Vivas, N. 1960. Arte Colombiano en Miami. El Espectador Dominical (Bogota), I May, n.p.
   Google Scholar
• Wallis, B. 1994. Selling Nations: International Exhibitions and Cultural Diplomacy. In: D. Sherman and I. Rogoft, eds. Museum Culture. Minneapolis: University of Minnesota Press, pp. 265–81.
   Google Scholar